une chanson de tuxedomoon 
avec rosE mE
et  Benjamin Fontaine : voix  et   violoncelle rythmique, violoncelle pizzicato, violoncelle  archet basse, violoncelle solo, basse freetless, batterie,  congas
Selva: choeurs

in a manner of speaking

in a manner of speaking (  avec rosE mE )

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music


Rec.name :  " Three Minute Pattern "
credit : 
Morton Feldman

date : re-upload 2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

https://en.wikipedia.org/wiki/Morton_Feldman

Transform "Feldman Why Patterns"

ontrabbasso

E quando prendo il mio contrabbasso 
E come se abbracciassi un amore
Ogni nota mi vibra forte il cuore
E con la musica mi sento connesso 

Sparisce il mondo intorno a me
Come se calasse una bolla a chiudermi
E suono suono suono
La melodia é la mia amante

Giri di basso in questo scantinato 
Come non mai mi sento fortunato 
Vibrazioni dolci e forti
Vibrazioni di chi è innamorato
Della musica

Le mie dita danzano sulle corde  
Ogni pizzico è un battito che esplode  
Il contrabbasso canta racconta storie  
Di notti sogni e vecchie glorie  

Il ritmo mi prende non mi lascia andare  
Come un mare che mi vuole cullare  
E suono suono suono  
La mia anima si perde nel suono  

Giri di basso in questo scantinato  
Come non mai mi sento fortunato
Vibrazioni dolci e forti  
Vibrazioni di chi è innamorato  
Della musica  

La luce fioca il fumo nell’aria  
Ma il contrabbasso è la mia chiara via  
Ogni nota un passo nel mio viaggio  
La musica è il mio eterno coraggio  
  
E quando il suono si spegne nel silenzio  
Resta il calore di questo momento intenso  
Il contrabbasso riposa al mio fianco  
Ma il suo battito vive non è stanco  
Della musica

Contrabbasso

⚠️ LISTENING ADVISORY ⚠️
This track contains:

Gentle traditional Thai instruments (khim, ranat ek, khlui flute)

Meditative gong and temple bell tones

Soft ambient wind and cicada textures

May cause: deep relaxation, heightened mindfulness, or sudden desire to bow respectfully.
Best experienced in a quiet space ,headphones recommended for full immersion.

Side effects include: inner calm, spiritual reflection, and uncontrollable appreciation for Thai culture.



USE CASES

1. Meditation & Mindfulness

Guided meditation sessions, the gentle pentatonic melodies and soft gong/chime tones create a serene focus point.

Yoga or Tai Chi, slow, grounding tempo supports breathing, movement, and inner flow.

Spa and wellness environments, promotes relaxation, calm, and stress release.

2. Cultural & Educational Settings

Thai cultural presentations, ideal for museum exhibits, documentaries, or online content highlighting Thai heritage.

Muay Thai demonstrations, supports ceremonial or traditional showcases, honoring the ritual and spirit of the sport.

Workshops or classes on traditional instruments, khim, ranat ek, khlui flute textures provide authentic aural references.

3. Film, Video & Multimedia

Background for meditation or spiritual scenes, especially temple, jungle, or serene village sequences.

Documentaries or travel videos, sets the tone for exploration of Thai culture, temples, and landscapes.

Narration overlays, the track’s subtle dynamics ensure voiceovers are clear but naturally embedded.

4. Personal & Digital Use

Focus and study music, low BPM and gentle instrumentation help concentration.

Sleep aid or relaxation playlists, supports restful environments with minimal distraction.

Ambient installations...in galleries, exhibitions, or cultural spaces.

Temple of the Tiger King - Thailand

Written, Arranged, Performed, and Produced by Kyle Bolan
Art by Kyle Bolan

Lyrics:

I must have some weight
I must have some wind
To hold me down

Waving from Purgatory
The content of my soul
Let me go

I heard you had grief 
I heard you had relief
Let me carry it home

Nothing defeats a happy home
Nothing defeats me all alone

Waving from Purgatory
The content of my soul
Let me go

I must have the moon
I must have the sun
To hold me down

Nothing defeats a happy home
Nothing defeats me all alone
I hear you had relief
Let me carry it home
March 17, 2025


Waving From Purgatory

2025-11-16

changes in the sun

Mueve

This is the second half of a thunderstorm recording made in open flat mallee country. The wide open flatness of the land, the low height and the low density of the mallee gums, with their naturally wide spacing, makes this an excellent venue for enjoying the atmospheric acoustics of thunder. In the first half of the recording, the early-morning thunderstorm approaches gradually from the west; and in this half, it nears and arrives at the recording location.

Just as the storm arrived (the final peal of thunder in this recording), it suddenly and completely ceased and fell silent, and rain set in for the next couple of hours, in intermittent waves. Then, the rain also dissipated and ceased, leaving a beautifully pungent earthy scent in the air, and the hues of the orange-red soil and of all of the variegated flora looking so much deeper, darker, and richer. Throughout this whole time, the air remained remarkably still and calm.

Recorded respectfully on land that was originally the home country of the Ngadjuri and Danggali peoples.**

**Optional extra reading and critical reflective thinking: This land was not 'purchased' under some 'real estate deal' or 'agreement'. It was simply,  bluntly, and forcibly taken away from those who belonged to the land itself - and to whom, therefore, the land itself had in all ways belonged - for uncountable millennia. It was then handed down, during the subsequent couple of centuries, from one generation to the next, amongst those who had taken it. This recognition and statement of unquestionable and undeniable truth does not imply any personal disrespect or animosity towards the current landholders; but it does very consciously raise some very deep and consequential questions that have never, to date, been fundamentally and properly addressed, let alone contemplated or answered, let alone assimilated into contemporary cultural consciousness, and acted upon. If the currently dominant/dominating culture had ever truly and deeply comprehended, and thus had been inwardly changed by, the lessons at hand in its own very brief and dark history, this country would not now be experiencing a 'housing crisis', on the back of a huge 'greed spike' in the housing market. It would understand the meaning of land, and the meaning of life itself, so very, very differently. Alas, this has not - and, I believe, will never - come to be so. Contemporary dominant/dominating humanity is simply not capable of such enlightenment and transformation. QED. [I am creating more trouble for myself, I know. But I cannot help but say what I believe to be the truth, the whole truth, and nothing but the truth.]**

Original file 96/32 wav, converted to mp3 for upload here.

2025.11.22 Thunderstorm Arriving. Mallee Country. Late Spring. (MP3)

Aime-moi d'amour
Claire et Louis s'éloignent pour un nouveau départ, 
mais leur rêve tourne au cauchemar 
quand des hommes en costume leur offrent une ferme isolée 
en échange d'un 'petit service'. 
Quel est ce prix à payer pour leur bonheur ? 
Jusqu'où iront-ils pour protéger leur amour et leur avenir ? 
Seront-ils capables d'échapper aux ombres du passé ? 

https://www.youtube.com/watch?v=FGAz4do4D2A

Enfin, si tu veux répondre à ma flamme,
Enfin si tu veux
Combler tous mes vœux,
Jusqu'au dernier jour garde-moi ton âme,
Jusqu'au dernier jour
Aime-moi d'amour.

François-Marie Robert-Dutertre.

Vibrer de tendresse

Verse 1

I’m standing in the doorway,
But you don’t look my way.
Your silence cuts much deeper
Than the cruelest words could say.

I’m reaching out with empty hands,
But you don’t even see.
I’m fading in the shadows
Of the love you promised me.

---

Pre-Chorus

And I wonder if I matter,
Or if I’m just a ghost.
How can I be forgotten
By the ones I need the most?

---

Chorus

I’m invisible to you,
Like the stars in daylight skies.
Unimportant, overlooked,
Lost beneath your heavy eyes.
You should love me hardest,
But I’m breaking in the dark.
Invisible to you,
With a shattered, quiet heart.

---

Verse 2

I learned to hide my feelings,
To keep the peace at home.
But silence is a prison
When you’re left to bleed alone.

I scream inside the quiet,
But the walls don’t let it through.
I’m drowning in the distance
Between me and loving you.

---

Bridge

If love is meant to heal me,
Why does it leave me torn?
If family is forever,
Why am I so forlorn?
I’m begging for a kindness
That should never be denied.
But I’m unseen, unimportant,
Left alone to run and hide.

---

Final Chorus (lifted intensity)

I’m invisible to you,
Like a song you never sing.
Unimportant, overlooked,
Like a bird with broken wings.
You should love me hardest,
But I’m fading into night.
Invisible to you,
And I’ll never feel it right.

invisible-to-you.mp3

Did I ever ?

(John Stone)

Did I ever really love you?
Was it you who were my one and only?
Did we ever fall?
Did we ever have it all?
Did we ever love like you read in stories?

Did I  ever
Feel that way?
Did I  ever
See that day?
Did I ever really fall in love with you?

Did I ever really need you?
Was it you who made me feel so perfect?
Was it just a dream?
A half forgotten movie scene?
Or memories half remembered through the fog of time?
 
Did I  ever
Feel that way?
Did I  ever
See that day?
Did I ever really fall in love with you?

Looking at what we’ve become
How did we ever get here?
Without even noticing the steps along the way.
When did we become a habit
Simply going through the motions?
Why did we keep on talking
When there’s nothing left to say?

You can take another lover
What concern of that is mine to worry
I wish you wouldn’t cry
When I try to say goodbye
Even if I try
then my tears won’t come

Did I  ever…


Did I Ever?

Quote :

...They taught us that art is about expressing yourself—that you have to have something to say. That's not true—you don't have to say anything at all...

John Cage


TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  
founded    by Max Elzholz
https://www.youtube.com/@trampelfad

Experimental-Improvisation-Sonification-Data Bending-Alchemy-Probability-Computer-Stochastic-Science-Abstract-Generative-Granular -Unpredictability -Aleatoric-Music -Avoid AI 
" ars gratia artis "

Transform "Feldman Why Patterns"

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