L F Â D The detail in sound design 👂 screams mutefuse precision.

‘Part Of Your World’ is a song written by lyricist Howard Ashman and composer Alan Menken for Disney's animated feature film 'The Little Mermaid' (1989).

I’m deeply grateful to the great 'L'Orchestra Cinématique', a London based collective known for their incredibly epic covers and original pieces, for allowing me to make my own vocal version of their stunningly beautiful orchestral reimagining of this song.  

You can listen to more of their magnificent work here: @lorchestracinematique-music

Thank you so much for your listening. Hope you will enjoy this humble rendition of mine. 

The music video is available via the following link: https://www.youtube.com/watch?v=yS2DKVPaEfI&list=RDyS2DKVPaEfI&start_radio=1

Part Of Your World — The Little Mermaid (Cinematic Version) │Vocal cover by Anastasiya Ihnatovich

Music by Nick Rangel.
©Nick Rangel 2025.
From the album - Mirrors With Eyes.

Mirror Maze

Back in office I can't get my fingers of that jazz thing. I'll try next time. 

Escape In The Moonlight

moon goddess

Dune

Dance Now

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 organ voice, synth sax, and JJ's angels (voice synth), Lucky Man style synth
TexMex Shaman– @texmex-shaman –Stephen– master and production
This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?
It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own
“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?
Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?
It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…





Faded Fortunes (Eclectic Collective)

Sleep

Running Day

In a concert of Jo Quail with God Is An Astronaut I felt the need to find ways to make a cello sound different,
Art by Maruja Mallo

Thrashcell

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

https://www.youtube.com/watch?v=0WfswL2gKJ8

Rec.name : " Plastics  "
credit :ipad 9,sp404sx,digitakt1
About Abstract electronic Music :
https://ibb.co/KxzKpjSN

date : 30-10-2025

Xn7oaa Structures

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  founded    by Max Elzholz
https://www.youtube.com/@trampelfad

Experimental-Improvisation-Sonification-Data Bending-Avoid AI in Art-Probability-Computer-Science-Neuroplastic-Abstract-Aleatoric-Music

Quote :

...They taught us that art is about expressing yourself—that you have to have something to say. That's not true—you don't have to say anything at all...

John Cage

Xn7oaa Structures

T R A M P E L F Â D

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