How Many Times

Rólegt Mýri

Rólegt mýri [Forsýning]

Time will never forgive you. I am in hell by your hand. Every thought of what once was is a double-edged blade into my conscious. You took him away from me.

You Took Him Away From Me

Time is not on your side
and still so much further to ride
to a place that for now you call home;
your temporary shelter from the unknown

(For what, for whom) driving blind through the gloom.
The night stretches on, yet still comes the dawn.

All the people you've know
in their own ways have grown
while you look in vain for your place,
some elusive comfort, some friendly face.

Old friends now gone (one backwards glance on),
now travel beyond...and still comes the dawn.

Days pass by in a rush,
you feel numb and strangely untouched.
Sometimes you want to run away
to some far off anonymous place.

Abandon your name and stake a new claim...
yet you carry on and still comes the dawn.

Rise Above or Fall Below

Still Comes the Dawn

Still Comes The Dawn

Free for commercial use in YouTube or Soundcloud. Credit must be given in the title and in the description as follows (Produced by Seven Times Sunday). If it’s a vlog/non-music related video it needs to be credited in the description.
The free version of this beat is NOT AVAILABLE FOR STREAMING SERVICES such as Spotify, Apple Music, etc. and you can not register your song on any copyright organization or any other Content ID system.
If you want to use my beat in a different way please send me a message. 
Thanks for your support!!!

Butterfly

Free Download

Butterfly - Free Instrumental Trap beat

When everything seems to fall apart
and life lose its depth and ground
it seems like it's not gonna be alright
anyway... still...
remember to keep the hope, small iight
and some day keeping your small faith
your heart starts to beat
again... well...
the song of triumph over death
one more time
even when its getting tense
sliding on the edge
just still please
keep faith
be well

Rado - Houpium

Hi everybody. 
This album was written and produced by Cameron Hopkins and myself with help from Bob Belknap. 
The album features a healthy blend of hard rock, instrumental jams, and positive

Octaves

Heisenberg

Chromatic harmonica with paperstone comb.

Air On G String

Nowhere demo

Springs Songs (for Tenor and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Performers: American Modern Ensemble; Alok Kumar, Tenor
For More Information: https://robertpaterson.com/spring-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
Also available as a version for tenor and piano: https://robertpaterson.com/spring-songs


PROGRAM NOTE
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.

AME ARTISTS
Robert Paterson, Conductor
Alok Kumar, tenor
Grace Law, flute
Nuno Antunes, clarinet
Samuel Z. Solomon, percussion
Geoffrey Burleson, piano
Victoria Paterson, violin
Peter Sachon, cello

The Four Seasons

Spring Songs - V. Spring Rain (Text by Sara Teasdale)

I hope my music leaves an imprint on you in some way, and i hope it inspires you.

Many thanks for your continued support!

Big Love!

How Many Times

Transcending The Matrix