Tigerskin, Lazarusman - What Is Real? (Original Mix)

In what one could probably call "the lost remixes", we unearthed two unpublished cuts which fell to the roadside for any number of inane reasons that we have forgotten since. What we didn't forget, however, is how damn fine these reworks are. Take for example MICHAEL MAYER's take on KAITO's "Behind My Life", an obvious highlight on both Kaito's EP and full-length offerings last year, but as the rest of his work not really lending itself to radical remix treatments - the typical ambience of a Kaito track is too delicate, it seems, for the good ole "let's stick a fatter bass drum underneath it and be gone" routine. That's when you realize how masterful a remixer Michael Mayer actually is, turning the epic soundscapes of the original inside out and into a relentlessly grooving house stomper. The melodic break is where it's at on this one, giving them punters ample space to get truly lost in sound. The flipside holds its own set of surprises with SASCHIENNE's ingenious boogie reboot of MOHN's "Saturn" off their 2012 debut album. Originally a kind of kraut-infused synth jam with all the time in the world for the contemplation of infinite truths and the possibility of space travel, it has now become a tightly knit space cowboy opera full of special effects and exciting laser shootouts. Because you know what they say: a vocoder a day keeps the doctor away. 

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Kaito - Behind My Life (Michael Mayer Mix)

The Golden Filter- Kill Me- John Talabot Killed In Room 616 Refix

[briquerouge.fr]
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Steve Sibra is no newcomer to the French electronic music scene. Active since 1999, he has already released several albums and around forty EPs. 
Originally from Paris but now based in Montpellier in the south of France, Steve is a radio man. For many years, he hosted Laboratoire Sonore on Montpellier 91 FM, where he welcomed the cream of international artists to his show. 

Steve joined the Brique Rouge team in 2022 and, in just a few releases, has risen to become one of the core artists shaping the label's sound. He brings his inimitable touch of melancholic deep techno and melodic, cinematic soft house, sometimes infusing it with a strong electro influence and a few experimental touches. The quality of his productions having won over everyone who listened to them, it was only natural to (finally) offer an album that allows listeners to enter Steve's dancefloor universe.  

And what an album! With 21 tracks, it's more than an adventure, it's a huge sonic trip that draws you in from the very first track and takes you on a rollercoaster of emotions, vibrations, and sensations that doesn't let go until the very last track. It's a coherent universe, where every note is weighed for a minimalist approach to a melodious groove. 

Sometimes leaning towards “sunset music,” sometimes towards a slightly darker melancholy, Telepath Voodoo leaves no one indifferent, and each listen brings its own set of details and surprises.  So listen to it loud, listen to it on headphones, listen to it while dancing or meditating, but let yourself be carried away on this long journey that Steve Sibra offers you.  Undoubtedly one of the most important French House and Electronic artists of the moment.

Created in 1999 by David Duriez, the independent French label Brique Rouge continues to promote the electronic sound that David has always believed in and defended. Far from the formatting and excessive vulgarity of the current electronic scene, the label promotes an eclectic electronic sound that remains rooted in the underground and, above all, in a clubbing vibe.  In general, the artists on the team are given carte blanche, and it is above all the spirit that counts. The label does not seek success; it is a success. The success of being able to release music without compromise. With one release per week on platforms since 2020, the label (and its divisions RZ Muzik & Obliqu3) is seen as a key player in the French underground electronic scene due to its activism. 


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F1- Steve Sibra - Life After

A beautiful deep house track with atmospheric vibes.

🎧 Discover extended deep house mixes and live sets on our YouTube channel: https://www.youtube.com/@DeepHouse-v5g — Subscribe for hours of underground vibes!

Dark Lights

Reverence

Auntie Flo - Reverence

Steve Slight - Nine Thousand (BP Remix)

The white walls were illuminated by the glow of the morning sun. They appeared a stark contrast to the royal blue texture of the sky which radiated warmth in the early hours. Birds soared eagerly upon the breeze above the water down below as the flickering leaves of palm trees blew gracefully in the wind. It was a beautiful scene, like something from a picture book or postcard. Soon this would all be gone. 

Deepwave are set to release a new EP from Sebastian Deluca, however it was the remix from label boss Ian Metty which caught our upmost attention.

PREMIERE: Sebastian Deluca - Terranova (Ian Metty Lost In Sound Remix)[Deepwave]

Traumer - Drive 192kbps PREVIEW / SCANDER REC.

'In the Trees'

Baby, every time I close my eyes, I have visions of you and me. You're always in my thoughts, always in my heart. You know that, don't you?Shit, you smell so fucking nice, I love that white t-shirt on you. You're so bloody handsome,  I can't stand myself when I'm around you. Now look what you're making me do, I'm such a goddamned cliche. But every time you kiss me,  you've got me high up, High up in the trees.

The Infinite Loop Volume 1 ....An extension of the @Reinhardt-Music repertoire, exploring the connectivity and unrelenting energy of electronic music. Disrupting genre borders, the Infinite Loop is an open ended project connecting the dots between sonic landscapes.

Transmitting music from England, America, Germany, Belgium, Croatia, Italy and Romania. Volume one of the Infinite Loop series features sonic contributions from Mugwump, Aimes, Squarewave, Antenna Happy, Astrea, Vicky Montefusco, Akim#, Alcala, Thomas Phillip Michael and @David-Hasert the creator of this beauty.

Release Date - 02/02/18

Traumer - Drive 192kbps PREVIEW / SCANDER REC.

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