BAD to basics. Všechno nebo nic, žádnej kompromis! 
DYYNY | NEUROLAB | PRIMVS ORATOR | VLADISS | WRAK | WERTSEIN

Jsme kulturní hnutí, které spojuje hudební experimentátory, producenty a performery, a přitom stírá hranice mezi tradičními žánry, čímž vytváříme nový prostor nejenom pro hudební expresi. Naší misí je přetvořit chaos a individualitu v novou kulturní energii, která rezonuje s těmi, kdo se nehodí do škatulek.
Podporujeme tvůrčí svobodu jednotlivců a společně směřujeme k obohacování kulturního prostředí a formování budoucnosti basové hudby. Prostřednictvím spoluprací objevujeme nové rozměry a posouváme scénu, doma i ve světě.

Conductor, orchestrator/arranger, primary soloist, and HBIC of The East Los Angeles Philharmonia, jajaja.

Youth and pop culture provocateurs since 1991. Fearless fashion, music, art, film, politics and ideas from today's bleeding edge. Declare Independence.

info@serpentwithfeet.co

DAMN GLOVES out now. GRIP, the album coming out 2.16.2024

DJ TURK was introduced to house music by the hot mix 5. But there was a dj, who was friends with turk's older brother, and that dj was DJ Rockin Reggie. He was the one that introduced the 1200's to turk and what djing is all about. Turk said this was something he really wanted to do. So he talked his dad into buying him a mixer and a set of turn table (they wasn't 1200's but they had pitch controls).  And got him a job, so he can buy records (Import Records) which he still have today. Turk spent long nights getting his skills, the way he wanted them. Their was a party at turk's school (Rich Central) that we went  to, and i remember he said that the dj couldn't dj, his blends was off beat, vocals on top of vocals. It was just not sounding good. So that Monday at school turk found the teacher responsible for the party. He asked her (Mrs. Evans) can he dj the next school party, and she yes. So when the party come up Turk (Charles), DJ ELP (Elvis) and DJ 325 (Kevin) did the set. I wish i had a youtube video of turk's set, for his first party in front of a large crowd, KILLED IT! It was like he was born to do this. So after that we was doing party's every weekend. It was crazy, the love turk was getting for what he could do on the table's, how he could control a crowd of people with music.

The Official Diamanda Galás Soundcloud

Biography

Hailed as one of the most important singers of our time, Diamanda Galás has earned international acclaim for her highly original and politically charged performance works, as well as her memorable renditions of jazz and blues. A resident of New York City since 1989, she was born to Anatolian and Greek parents, who always encouraged her gift for piano. From early on she studied both classical and jazz, accompanying her father’s gospel choir before joining his New Orleans-style band, and performing as a piano soloist with the San Diego Symphony at 14.

In the 70s, Galás played piano in the improvisational scene around San Diego and Los Angeles with musicians such as Bobby Bradford, Mark Dresser, Roberto Miranda, Butch Morris, and David Murray. She made her performance debut at the Festival d’Avignon in 1979, where she sang the lead role in Vinko Globokar’s opera, Un jour comme un autre, based upon the Amnesty International documentation of the arrest and torture of a Turkish woman for alleged treason. While in France, she also performed Iannis Xenakis’ work N'Shima with l’Ensemble Intercontemporain and Musique Vivante.

Galás first rose to international prominence with her quadrophonic performances of Wild Women with Steak Knives (1980) and the album The Litanies of Satan (1982). Later she created the controversial Plague Mass, a requiem for those dead and dying of AIDS, which she performed at Saint John the Divine cathedral in New York City and released as a double CD in 1991. In 1994, Led Zeppelin bassist John Paul Jones and Diamanda Galás sought each other out for a collaboration that resulted in the visionary rock album, The Sporting Life.

Over the past two decades, Galás’ wide range of musical and theatrical works have included The Singer (1992), a compilation of blues and gospel standards; Vena Cana (1993), exploring AIDS dementia and clinical depression; Schrei 27 (1996), a radical solo piece for voice and ring modulators about torture in isolation; Malediction and Prayer (1998), a setting of jazz and blues as well as love and death poems by Charles Baudelaire, Pier Paolo Pasolini and Salvadoran guerrilla fighter and poet Miguel Huezo Mixco, occasionally fused with the virtuosic singing of the Amanes (improvised lamentation from Asia Minor); La Serpanta Canta (2004), a greatest-hits collection from Hank Williams to Ornette Coleman; and Defixiones, Will and Testament (2004), an 80-minute memorial tribute to the Armenian, Greek and Assyrian victims of the Turkish genocides from 1914-1923.

Galás has contributed her voice and music to Francis Ford Coppola’s film, Dracula, Oliver Stones’ Natural Born Killers, Spanish/Nicaraguan filmmaker Mercedes Moncada Rodriguez’s El Immortal (The Immortal), as well as films by Wes Craven, Clive Barker, Derek Jarman, Hideo Nakata, and many others. In 2005, Galas was awarded Italy’s first Demetrio Stratos International Career Award. Her much-anticipated CD, Guilty Guilty Guilty, a compilation of tragic and homicidal love songs, was released by Caroline in the U.S. and Mute UK worldwide on April 1, 2008.

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