Bobby Bird - I Know You Got Soul (Petko Turner Edit)


NON STOP MIXING

More Info: @soundcloud.com/dj-petko

[Bobby Byrd]
You got it, you got it
You got it, you got it
I know you got soul
If you didn't, you wouldn't be in here
I know you got soul
If you didn't, you wouldn't be in here
I know you got soul
If you didn't, you wouldn't shake that thing
Shake it with the beat
Cause it make me sing
I know you got soul
If you didn't, you wouldn't be in here
I know you got the feeling
The way you move over there
Don't let them clean rep fool ya
I know you don't like a faker
Lighten up, it's okay
And shake your moneymaker
Say yeah, say yeah
Say yeah, say yeah
I know you got soul
If you didn't, the music wouldn't groove ya
I know you got the feeling
If you didn't, the music wouldn't groove ya
Don't let nobody stop ya from having yourself a ball
Just keep right on dancing, dancing in the hall
Say yeah, say yeah
Say yeah, say yeah
Fred Wesley, won't you blow it one time
Hey, Fred Wesley, won't you blow one time

[Trombone Solo: Fred Wesley]

I know you got soul
If you didn't, you wouldn't be in here
I know you got soul
If you didn't, you wouldn't be in here
I know you got soul
If you didn't, you wouldn't shake that thing
Shake it with the beat
Cause it makes me want to sing
Don't let them clean rep fool ya
I know you don't like a faker
Lighten up, it's okay
And shake your moneymaker
Say yeah, say yeah
Say yeah, say yeah
Say yeah, say yeah
Say yeah, say yeah
I know you got soul
If you didn't, the music wouldn't groove ya
I know you got the feeling
If you didn't, the beat wouldn't move ya
Don't let nobody stop ya from having yourselves a ball
Just keep right on dancing, dancing in the hall
Say yeah, say yeah
I know you got soul
If you didn't, you wouldn't be in here
I know you got soul
If you didn't, you wouldn't be in here
I know you got soul
If you didn't, the music wouldn't groove ya
I know you got the feeling
If you didn't, the beat wouldn't move ya
Don't let nobody stop ya from having yourself a ball
Just keep

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Bobby Bird - I Know You Got Soul (Petko Turner Edit)

Are you ready for the biggest funk cover of the year? Since dropping the sold out "Attention!" single on Freestyle last year, Israels hottest funk band, The Apples, have been busy touring Europe (playing to a packed out Jazz Café) and thankfully slaving away in the studio to create this monster. A firm favourite on the road, this cover version of Rage Against The Machine's "Killing In The Name Of" slays crowds everytime. From the well known bass rumble of the intro, the tracks steams straight into the heaviest of breaks, with some of the sharpest horns you'll hear outside of the Dap Kings camp. The chorus is left wide open for your crowd to sing along to which, having been road tested on CDR, happens everytime. A sure fire party starter!


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Cornelius Ferguson a.k.a. Traxman And Better know as Corky Strong is from the West Side of Chicago and one of the longest serving producers working in House and Footwork with releases stretching back to the glory days of Ghetto House on Dance Mania records in the nineties. He’s also one of the co-founders of Chicago's two-decades- G.E.T.O DJZ INC clique and a member of DJ Rashad & DJ Spinn's Teklife CREW And the founder of TEKK DJZ
crew and has recorded with power house lables like dance mania' planet mu' Dizzy Tunes' chi wax' litcity trax' booty tune' booty call records Raw wax and also was one of the creators of the legendary mixtapes on coloured cassettes which were the prototype for Juke and Footwork's evolution. His unique brand of Footwork is very strongly rooted in Chicago's history of Soul, Funk, House and Ghetto Trax; he’s a veteran and renowned crate digger who has provided the sample sources for many of House' Juke and Footwork's classic tracks over the years. His deep knowledge of music (check the mixes he occasionally throws up on the net) makes him one of the city’s most versatile and skilled DJs and producers.

Traxman's own productions are an incredibly well rounded suture between hip hop’s natural funk and resourceful sample flipping, the hyper-kinetic innovation of footwork’s stop-start, half-time to double-speed drum programming and a deep respect and understanding of Chicago’s House past, that few producers can match; His mixes are a testament to this man's skills.

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