Personality Disorder Blues

Le meilleur de l'actualité Indie/Pop/Rock du mois de mai 2023, avec The Last Dinner Party, Nabilah Iqbal, Speedy Ortiz, Peuk, Indigo De Souza, Blondshell, Hannah Grae, Joy Oladokun, Opus Kink, Rachel Chinouriri, Miles Kane, Bloc Party, PJ Harvey, Lau

En écoute - Mai 2023

WL//WH - MAY 2023 \\ Post-Punk/ Coldwave/ Darkwave/ SynthPop/ Minimal Synth

FOLDER_01 5

Everything is a Lot (Remastered)

Front Street (Remastered)

Keep On Dreamin'

The reaction to this track has been amazing so far and I'm so glad I can finally show you the whole thing!

Listen on Spotify and Apple Music - https://silk.lnk.to/quiver 

follow @silkmusicuk on everything x

Quiver

STREAM NOW

It's Goin Bad

You Can Be Mean

Taken from the album 'DREAMER', released 28 April 2023 on Ninja Tune: https://nabihahiqbal.lnk.to/dreamerSo

Follow Nabihah Iqbal -
Spotify: https://found.ee/ni-sp
Apple Music: https://found.ee/ni-am
YouTube: https://found.ee/ni-yt
Bandcamp: https://found.ee/ni-bc
Soundcloud: https://found.ee/ni-sc
Tiktok: https://found.ee/ni-tt
Instagram: https://found.ee/ni-ig
Facebook: https://found.ee/ni-fb
Twitter: https://found.ee/ni-tw

#NabihahIqbal #NinjaTune

This World Couldn’t See Us

Lost In A Rush Of Emptiness

Counting Empties

Good Lies

Lebanon

Nothing Matters

False Objects

Une chanson sur le vide intersidéral qui nous habite toustes

Aime Ton Vide

SiNGLE 2023

RETRATO AINDA
Congelaram nossos corpos
Expostos nessa galeria
Dentro de nossos olhos
Realidade Distopia

Falamos em dignidade
mas, andamos tão cansados,
pra recomeçar
Um delírio coletivo
condenou nosso futuro
hora de ejetar

Nesse pássaro metálico 
Os crimes não prescrevem
Beijo agora só de língua
Eu sou o vírus em você

Eu sou o sonho em você
Eu vivo em você

Felipe Rodrigues: Baixo / Guitarra / Synth / Vox

Vídeo:@MotimUnderground 
(https://www.youtube.com/watch?v=LyKw41McY0A)
Arte: DPS Arts https://www.instagram.com/deepself_arts/
Apoio:@seboescafandro 

https://linktr.ee/signo13

#Signo13 #PostPunk #Taguatinga #DF #Brasilia #Synthwave #BSB #Gothicrock  #DarkPunk #Goth #Brasil #RockBR #BrazilianPostPunk #MusicaBR #Music #Rock #SignoXIII #SignoTreze #Brazil #GothPunk #LoFi

Retrato Ainda

Signo 13 - Retrato Ainda (2023)

Released April 11, 2023

★SUPPORT THE MUSICIANS★
https://billotontraeger.bandcamp.com/album/die-letzten-ecken-talisman

Die Letzten Ecken - Rasender Stillstand

Your eyes like sapphire,
They pierce from within,
Your body like a fire,
It's burning my own skin
A fool (I'm full) of desire,
It's making me spin
You're such a harmless liar,
So full of sin

sapphire

hree years after their first collaboration, culminating in the release of “The Passenger”, Om Unit and Martyn are back on 3024 with another four track exploration of tempo and vibrations on a new EP called “AJ^6”.

The two ‘veteran’ producers have been highly prolific over the past years, with Om Unit making waves with his massive Acid Dub Studies project as well as new work under his Philip D. Kick alias, and Martyn spearheading and mentoring a robust group of new musicians responsible for no less than five (!) compilations on 3024. What brings the two producers together in the studio once again is the constant hunger for new and interesting sounds on the outer rim of the ‘bass continuum’. Instead of tirelessly rehashing old tropes they are continuously inspired to write new music that’s both current as well as firmly in their aesthetic profile.

‘Basilisk’ and ‘The Trenches’ are great examples of the duo blending odd tempos with dub wise heaviness. ‘Basilisk’ has already been doing some serious damage on the dance floor with its punchy 107 beat structure and headzy breakdown, while the almost imperial march of ‘The Trenches’ introduces a bubbly bass line. ‘Illroy’ and ‘Dragonfly’ both inhabit a dreamier, more melodic universe and have a timeless, ambivalent quality to them, somewhere between a lost b-side of an early 00s Hospital Records release and something on Scuffed. Enjoy!

Expertly mastered by Bob Macc at Subvert Mastering

AJ^6

Buy on Bandcamp

Martyn X Om Unit - The Trenches (3024-OMM2)

it's Burning here 
you washed the blood I bathed in 
you cracked their ribs 
and knelt for fear

It's Burning here
you crushed the pill 
and fell in 
the quiet violence 

in here
in here
in here
in here

Beneath a burning tree
I cling to it's leaves
I pray for breath 
In my final words 
I conjured death 

In here

Burning

Album art from: http://witnesstheabsurd.tumblr.com/post/55451677063/remember-reality-is-a-dream-the-universe-is-a

The Lab Rats - Devil's Train

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



False Objects

Treeboy & Arc