Made for the KVR One Synth Challenge 155:
https://sites.google.com/site/kvrosc/2022/osc-155-any-one-synth
https://www.kvraudio.com/forum/viewtopic.php?f=1&t=575714

All sounds made entirely from scratch with the Roland System-8 hardware synthesizer on the System-8 Model.
DAW: FL-Studio 20.9
Instances / Recordings: 40 Audio Tracks

DAW Plugins:
Fruity Parametric EQ2 [22], Fruity Limiter [3], Fruity Stereo Enhancer [14], Fruity Delay 2 [4], Fruity Delay 3 [4], Fruity Reeverb 2 [3], Fruity Convolver [1]

3rd Party Free:
Youlean Loudness Meter 2 [1], Melda MCompressor [2], Analog Obsession LOVEND [2], Xfer OTT [8], TAL Reverb 2 [3]

3rd Party Commercial:
Waves H-Reverb [II]

3rd Party I got it for free but it´s actually Commercial:
Izotope Ozone 8 Elements [1]

No wolves were harmed during the production of this track.
Mixed and Mastered by a Neodymium-doped yttrium orthovanadate crystal.

Impedance Music - DPSS (OSC#155 - Roland System-8)

My submission for the ONE SYNTH CHALLENGE #156. This track is made only with sound of the VSTi "Synister". 
DAW: Cubase 11 Elements
Cubase FX:
AutoPan
Maximizer
RoomWorks
StepFilter
Tube Compressor
other free FX:
Dragonfly HallReverb
Lagrange
LoudMax
Oril River
OTT x64
Sanford Reverb
TDR Nova
Valhalla Supermassive

OSC 2022

07.02.2022

Rockingricky - SYNISTER

Made for KVR One Synth Challenge #159. Synthesizer: Surge XT by Surge Synth Team.

Dion (OSC 159)

My entry in KVR OSC #159 and my attempt to make a metal song with just the Surge XT synthesizer. Brutal feedback please!

DAW: Reaper
Plugin counts:
- VST3i: Surge XT (Surge Synth Team) (2->6ch) x19 [17 for instruments, 1 for verb send, 1 for mastering]

Crowsbane

Dushanbe The Whole Week

i kinda just winged it here. the reason why it ends where it ends is because i have no idea how to continue the song after that point :/    if i do end up getting some ideas, i'll probably complete this song
made in FL Studio

unfinished original song

STRUGGLING_ At that moment, he found out that his sister wanted him at the wedding but not his girlfriend. The man didn’t want to attend

A table by the sea and the condensation water of some bottles have left their mark. I like that. 

I interpreted the score as follows:

1. first, I see grains of sand on a surface. The grains suggest - simply put - a granular treatment of a pad or surface. 
2. the circles reminded me of the loop representation of the loopy app. So I recorded four loops. Wherever two "grooves" were visible, I played two notes, otherwise, I used just one; the fatter a groove, the greater the amplitude. I used Bardzo, Pigments, and SQ80-V. 
3. I ignored the fifth circle discreetly because it didn't fit into the piece anymore. Shame on me. 

First, the "table" (drone) starts, then the bottles (loops) are introduced with one time each. Once all four have played twice, they are removed again, until the piece ends. 

_______________________________________________________________

Disquiet Junto Project 0557: Condensation Is a Form of Change
The Assignment: Interpret a graphic score that depicts four phases.

A combined play on a Brian Eno phrase and a John Cage visual motif is pretty much foundational Disquiet Junto territory. This week, interpret this image as a graphic score:

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0557” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0557” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, September 5, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 1, 2022.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0557” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 557th weekly Disquiet Junto project — Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) — at: https://disquiet.com/0557/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Crowsbane

treeheated