I am happy with this mix, and this is my last rendering for now. I should go and play with different sounds and effects now. Every note in the score is reproduced here. 50 polyphonic voices. Over 25,000 notes counting trills, tremolos and other ornaments.

"Mars, the Bringer of War," Gustav Holst, The Planets, Op. 32, Movement 1 of 7

"There is geometry in the humming of the strings. There is music in the spacing of the spheres." - Pythagoras. 

The implication of this quote of music's ability to encapsulate underlying patterns in the cosmos drew me into music. I am a neoclassical composure. I am a recent graduate of Master's program at the University of Cambridge, and will be continuing onto a PHD in the coming year. I have a background philosophy and communication theory. I came into music composition because of my realization that music is a special kind of communication tool that permits one to say or signify many things that can not be said with verbal language. I am a person with physical disabilities, that have prevented me from learning to play any instruments directly. Therefore, I compose electronically using virtual instrument libraries (from east west studios) in the qbase and studio one audio workstations - I use these programs to dictate, orchestrate, mix, and master my music. 

I am chiefly inspired by historical masters of the orchestral cannon, such as Vivaldi, Bach, Beethoven, Mozart, Mendelson, Mahler, Rachmaninov, Debussy, and Barber. I am also inspired by modern orchestral composures such as John Williams, Hans Zimmer, Ramin Djawadi, and Max Richter. 

Though music is not my profession it is much more than a hobby. It is a means by which I aim to accomplish a different form of the objective I most aspire to as a scholar. Namely, to provoke useful thought and catalyze productive dialectics in the minds of those who consume my work.

"Mars, the Bringer of War," Gustav Holst, The Planets, Op. 32, Movement 1 of 7

The Treknologist