Imagine yourself and two of your friends in a warehouse with auto rifles, a couple of claymores, and grenades. There are several people storming the building with the sole purpose to end your lives. This song would be the best ambient for that situation

Black Cavale

Jel Ford kicks off his return EP with two tracks of clean big room techno. The title track ‘Backyard’ is a moody affair with a low drone throughout that is complimented with layered synth stabs. Using reverb to create atmosphere within the track it subtly breaks down before a vocal hook transcends the track to deliver a killer blow. ‘Meeting of Minds’ is dubbier and uses a tripped out synth to add rhythm whilst working alongside a synth pattern to keep the track chugging along. The slow evolving pads add texture and keep the track nicely filled out whilst this timeless classic keeps on giving.

Jel Ford - Backyard - Drumcode - DC133

Jel Ford - Meeting Of Minds - Drumcode - DC133

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Ian O'Donovan - The Border - Drumcode - DC142

Tresor is proud to welcome Mønic to its catalogue. Head of Osiris Music, Mønic is an accomplished producer based in the United Kingdom. His style can be defined as raw yet exceptionally refined, allowing for a certain industrial inspiration to ooze from his productions and outstanding sound design.

‘Parsons Hill’ opens with tumultuous percussions that continue to escalate throughout the track as an eerie looming synth dances above the kicks.
Alternatively, ‘Morse’ reveals another side of the artist with a more serene attitude. Here, static passes through a magnetic field with a constant palpitating bass. ‘Hollow Victory’ opens with thunderous clangs and a flurry of ominous chimes that echo through the darkness swirling above a pulsating heartbeat.

A1. Mønic - Parsons Hill

Relive this amazing set with video on our YouTube channel: www.youtube.com/@TheCraveFestival

Stage: TETRA
Set Times: 19.00 - 20.30
Genre: Techno, Acid & Trance
Location: Zuiderpark, The Hague
Date: 07.06.2025

ELECTRONIC MUSIC FROM THE HAGUE & BEYOND

Lolsnake at The Crave Festival 2025 - Full Set Recording

Live recording from our event Singularity, every Monday at Tresor, Berlin  🖤

RUSLAN MAYS 17.03.2025 Singularity @ TRESOR

Drawing from a place of emotion, APRS delves into the rugged and radiant ends of electronic music, culminating in a powerful signature dotted with elegant motifs. With over ten years of experience producing music, the Berlin-based artist has formed a versatile blueprint that sprawls across deep and driving techno, emotive breaks and ethereal ambiences.
 
In the spring of 2024, Spanish label Sungate released APRS' debut EP, followed by a second EP on ARTS in early 2025. APRS' sound blends rich techno rhythms with balmy ambient notes, deep and warm basslines, and airy dub-infused melodies and textures, creating a sense of depth and atmosphere.
 
As a vinyl enthusiast, APRS curates his sets with meticulous selection and graceful flow, blending energetic techno beats with atmospheric elements. His approach invites subtle exploration and experimentation, resulting in cohesive journeys that integrate intense, visceral expression. He has soundtracked renowned venues in Berlin including a recent appearance at Tresor, as well as clubs and festivals in Europe.
 
Collaboration is also integral to his creative process, fostering sound research and enabling the discovery of new areas in electronic music. Working closely with harpist Tancrède, the pair produce live sets in smooth tandem, where the latter weaves the enchanting strings of the electric harp with APRS' machinery.
 
In 2022, APRS co-founded with Serenus the event series Lowpass, centred on the essence of electronic music and committed to diversity, self-expression, and artistic innovation. Lowpass invites established and local artists to perform in various venues across Berlin. In addition to curating the line-ups, APRS often warms up or closes on the night, adapting to transient and packed dancefloors, respectively.
 
Led by an unrushed, explorative approach in the studio, APRS merges emotional vulnerability with maturely crafted sonics, tracing an arc between soothing and searing sounds all the way through.

Tracklist via
-Spotify: bit.ly/SRonSpotify
-Reddit: www.reddit.com/r/Slam_Radio/
-Facebook: bit.ly/SlamRadioGroup
Archive on Mixcloud: www.mixcloud.com/slam/
 
Subscribe to our podcast on
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-Deezer: bit.ly/SlamRadioDeezer
 
Keep up with SLAM: https://fanlink.tv/Slam 
Keep up with Soma Records: https://linktr.ee/somarecords 
 
For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk
Slam Radio is produced at www.glowcast.co.uk

#SlamRadio - 655 - APRS

Sebastian Bayne @ Staub XL - Recorded at About Blank, Berlin 14th June 2025

https://www.instagram.com/function.infrastructure


Function @ The Lot Radio 07-28-2025

Dirty Epic welcomes aboard @pooja_b_ikigai for our 121st episode of Amplify Series.

Pooja B delivers raw, textured, and boundary-pushing techno that channels an expansive range of her sonic identity. Her recent appearances include Tresor, RSO, Gegen, Genau Turin & KHIDI. She hosts an event series called Majja (it means fun in Marathi, her mother tongue) and fun is for everyone. The event attracts not only the club kids but also the mature raver & sober ones, queers & allies alike, who may want to engage in music, food and art. With Indian roots and based out of Berlin, she has also curated a diaspora-focused Tresor New Faces, to bring forth BIPOC perspectives in electronic music. She constantly aims to carve space with intention. A recent SLAM Radio feature adds to her growing momentum. She also co-hosts The Coping* Club, a radio show on mental health on refuge worldwide Radio. Like her, her music is often political—drawing a global community that supports her with heart and fervour.

This is snippet of high-pressure defiant techno set taken from a recent secret rave. Gritty and unrelenting, just like her. Enjoy!

LINKS:

POOJA B:
Soundcloud: @pooja_b_ikigai
Facebook: https://www.facebook.com/PoojaB.ikigai
Instagram: https://www.instagram.com/pooja.b.cdwm/
RA: https://ra.co/dj/poojab
Bandcamp: https://ikigai-aka-poojab.bandcamp.com

DIRTY EPIC:
Website: www.dirty-epic.com
Merch: shopby6am.com/collections/dirty-epic-collection
Facebook: www.facebook.com/DirtyepicLA
Twitter: twitter.com/dirtyepicla
Instagram: www.instagram.com/dirtyepicla/

Amplify Series 121 - Pooja B

The raw recording from my hybrid set on the Valhalla stage at Paradigm festival on 09-08-2025

Robin Kampschoer @ Paradigm Festival 09-08-2025

Jamie Anderson was born in London and raised in a musical environment, eventually relocating to Bristol in the mid 80’s, where he continued training in improvisation with jazz pianist Dave Buxton for several years. Whilst performing in local bands and working in a Bristol record shop during the early 1990s, he developed a deep love for electronic music and turntablism, fusing elements of acid house, funk, Latin, and Detroit techno into his craft.

In 1997, Anderson founded the label Artform, making his solo debut with the Prototype EP. In 2001, he released his first full-length album Blue Music on NRK, followed by the mix CD Nite:Life 013 and key tracks such as “Black Sun,” “Player Hater,” and “Rebel Sound.” His productions and remixes also appeared on respected labels including Rotation, Cocoon, Fossil Archive, 100% Pure, and Flash Recordings.

Throughout the 2000s and 2010s, Jamie Anderson became a fixture on the global DJ circuit, performing at major international events and building a devoted following for his energetic DJ sets and live performances. He collaborated with fellow artists such as Jerome, Dave Angel, Jesse Rose, K. Alexi, Lee Pattison, and Owain K—releasing standout singles like “Body Jackin’” and “Cyclone,” and refining his signature groove-driven sound.

With his Artform Studio based in Berlin since 2014, Anderson continues to evolve his craft—collaborating with artists including Robert Owens, R.M.K., Daniel Haaksman, and Kapote on numerous high-quality studio productions. He remains active as a DJ, performing across Europe and around the globe.

Tracklist via
-Spotify: bit.ly/SRonSpotify
-Reddit: www.reddit.com/r/Slam_Radio/
-Facebook: bit.ly/SlamRadioGroup
Archive on Mixcloud: www.mixcloud.com/slam/
 
Subscribe to our podcast on
-iTunes: apple.co/2RQ1xdh
-Amazon Music: amzn.to/2RPYnX3
-Google Podcasts: bit.ly/SRGooglePodcasts
-Deezer: bit.ly/SlamRadioDeezer
 
Keep up with SLAM: https://fanlink.tv/Slam 
Keep up with Soma Records: https://linktr.ee/somarecords 
 
For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk
Slam Radio is produced at www.glowcast.co.uk

#SlamRadio - 658 - Jamie Anderson

As Saturday night reached its peak, KR!Z unleashed the signature sound of his label, Token — a masterclass of precise blends and energy control that turned his set into one of the most flawlessly executed performances of the entire festival. 

Two hours of razor-sharp techno that gripped the forest from the first kick to the last echo.

KR!Z @ Danza Futura 2025

Illegal Alien Podcast
Episode: 220
Mix by Earwax

Earwax (Mord / TH Tar Hallow)

SC:https://soundcloud.com/earwaxmusic
IG: www.instagram.com/earwax.techno/
FB: www.facebook.com/earwaxtechno/
RA: ra.co/dj/earwaxit/


IA Podcast | 220: Earwax

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

A1. Mønic - Parsons Hill

Tresor Records

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