Release Me

Release Me (Base Mix)

Remix Oficial de La Mata by Flor Gomez y WIza Li

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Flor Gomez, Wiza LI - La Mata (Zone7 Remix) [FREE DOWNLOAD]

FJAAK "Super Smash"

Detroit’s KING CHEETAH is here with his debut 12” for Light Body Works.  Growing up in the haze of late 90s Detroit record shopping brought about the inspiration for this record.

“I wanted to capture that moment when you put the needle down on that record that gave you goosebumps, the find you were looking for… you only hear 2 seconds and you know its for you”

King Cheetah finds the appropriate space in between sounds and harmonies, rather than all the focus on the actual sounds, all while exercising a subtle rhythmic action that can be heard down the block.

Welcome to Light Body Works.

KING CHEETAH - WATER MAZE [LBW 001]

Los Hermanos - Quetzel (Submerge, Vol.1 - Detroit Techno)

Written and produced by Richie Hawtin, Mark Bell, Gez Varley

LFO vs F.U.S.E.: Loop (1995) PLUS8054

Artist: Scan 7 
Title: The Resistance EP
Label: Tresor Records
Cat No: Tresor.255

Tracklisting:

A1. The Resistance
B1. Why Not?
B2. In & Out Of The Groove

Synonymous with Detroit, Techno, and Tresor, Scan 7 have remained protagonists of the Berlin-Detroit axis since it was first forged in the sweaty obsidian of the club’s original Wertheim vault home. Now, over 20 years later, the masked techno collective pay tribute to the triptych’s matted histories on ‘The Resistance EP’.

With identifiable nods to Scan 7’s Underground Resistance affiliations – the label that launched the group, and whose militaristic and political philosophies can be found littered throughout their discography – the EP begins with quintessential Detroit strings and groove before delving into darker techno territory. On the A-side, “The Resistance” offers an uplifting and delightfully nostalgic jaunt through dance music past, using all those favourite and immortal house tropes to deliver instant gratification. Meanwhile, the B-side shows off Scan 7 as masters of warm, yet shadowy techno – plus their trademark drum work – in the hypnotic “Why Not?” and driving, basement-ready “In & Out Of The Groove”. 

Alongside many outings on Tresor’s renowned compilation series, Scan 7 produced two albums for the label – ‘Dark Territory’ in 1996, followed up by ‘Resurfaced’ in 1999 – before leader TrackMasta Lou’s Cratesavers Muzik took over as the group’s primary recording outlet. ‘The Resistance EP’ is a welcomed return to Tresor from one of its stalwart artists, and paves the way for a retrospective compilation on 20 years of Scan 7, due out at the close of the year.


A1. Scan 7 - The Resistance

Makam - Glacial Valley

http://www.discogs.com/Robot-Man-Do-Da-Doo-Plastikmans-Acid-House-Remix/release/14261

Robot Man - Do Da Doo (Plastikman's Acid House Remix)

Aril Brikha - (A) Groove La' Chord [Fragile 1998 - FRG17]

Out now digitally: http://lnk.to/jameswelshPH99

Phantasy approaches it’s landmark hundredth-single release with another impactful single from one of the label’s key artists, James Welsh. Regularly played by producers from Midland to Charlotte De Witte, Welsh’s masterfully dense take on techno and electronica reaches new complexities on ‘Pan’, without ever-sacrificing his singular industrial groove.

The title track is a tunneling electroid roller layered informed by complex conversations seemingly taking place between man, machine, ghostly human speech and a veritable wind tunnel of noise. Perhaps Welsh’s finest connection yet between the blissful and the ruthless, ‘Pan’ demands submission.

On ‘Sink’, Welsh builds yet another perfectly-executed club weapon around an imaginative spoken-word sample, loosening up the tension of it’s more severe partner with a lucid and rhythmic trail of wide-eyed electro.

Pan/Sink

Sink

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

A1. Scan 7 - The Resistance

Tresor Records

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