Electro

End Train x STAUB Berlin

SHED is the 434th guest of our original Hate Podcast series.

René Pawlowitz is a man of many aliases—SHED, Head High, Hoover, WK7, and Evil Fred—each representing a different facet of his wide-ranging musical identity. With a career rooted deeply in Berlin’s underground scene

Download available after 10.000 listens.

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HATE Podcast

HATE Podcast 434

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Shed — HATE Podcast 434

KONSTANTIN KOST - for minimal detroit

Terence Fixmer's music has the remarkable ability to not only set feet in motion on the dance floor but also resonate deeply with the searching soul, all while maintaining a profound musical depth and integrity.
With a career spanning over two decades, he has released numerous albums and EPs on some of the most prestigious techno labels. His remixing talents have extended to tracks from industry giants like Depeche Mode, Yann Tiersen, Sven Väth, Dave Clarke, Front 242, Nitzer Ebb, Indochine, and more.
Terence Fixmer is renowned for the quality of his live performances, gracing renowned clubs and festivals worldwide.

Chapter 1: 1998-2007.
In 1998, Terence established his own label, Planete Rouge. From 1999 to 2007, he gained worldwide recognition with the release of his debut album, "Muscle Machine," under DJ Hell's legendary International Deejay Gigolos imprint. 

In 2002, Fixmer joined forces with Nitzer Ebb's lead singer, Douglas McCarthy, to form Fixmer/McCarthy. Together, they released two full-length albums that pushed the boundaries of Techno EBM to the maximum. The album "Fixmer McCarthy Between the Devil" has earned its place as a revered classic, and the band has become iconic in the Techno EBM scene.Fixmer/McCarthy earned respect in the global scene for their unique way of creating truly pioneering sound fusions by elegantly blending the aggression of Techno Body Music and the sensuality of Electronica.

Chapter 2: 2007-2015
Fixmer continued to expand the horizons of modern techno, releasing albums and EPs under his own name as well as various alter egos. His works found homes on highly respected techno labels such as Electric De Luxe, Prologue, Jealous God, CLR (including the "Depth Charged" album in 2014), Aufnahme + Wiedergabe.

Chapter 3: 2015-2020
Terence Fixmer continued to evolve his sound in 2015. His EP "Aktion Mekanik," was reissued on Ostgut Ton, marking his entry into the Ostgut Ton family—the flagship label of Berlin's Berghain club. He subsequently released various EPs on Ostgut Ton ( Force EP, Devil May Care EP)  and his album "Through the Cortex LP ." in 2017.

Chapter 4: 2020- 
 Terence produced music for Thomas Cohen (formerly singer of Scum) with tracks like "Braid" and "Chain of Love" on Mute Records.Additionally, he signed with the legendary label Mute Records, renowned for its roster of innovative and influential artists. 
In 2022, he released his first album on Mute Records titled "Shifting Signals" .
His music has been used by Fashion brand, such as Prada, Raf Simons, Zegna...
Terence Fixmer's unwavering drive to craft experimental, mind-bending, and relentless sounds continues to transcend the boundaries of the musical mainstream, solidifying his place as a visionary within the techno and electronic music landscape.

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Slam Radio is produced at www.glowcast.co.uk



#SlamRadio - 642 - Terence Fixmer

TECH CLUBBERS PODCAST W/ ANSWER CODE REQUEST

Patrick Gräser, better known as Answer Code Request, has carved out a distinctive niche in the techno landscape with his hybrid musical style. His innovative approach, characterized by a fusion of pad-driven harmonies, intricate breaks, and an industrial tone, has set him apart since his emergence on the esteemed Ostgut Ton label in 2012.
This breakthrough led to a prestigious residency at Berghain, further cementing his influence in the scene. Gräser’s work, including various releases and remixes for notable labels such as Ostgut Ton, MDR, Dolly Deluxe, and Monkeytown Records, has garnered widespread acclaim.
Gräser’s journey from a forest workshop near his hometown to the forefront of techno is marked by his wide-ranging musical tastes. His nights, spent mixing records from Hardwax and Delirium, contributed to the development of his characteristic sound, a blend that includes elements of jungle, drum ‘n’ bass, Detroit, IDM, and UK bass. This unique amalgamation of styles is evident in his early releases on Music Man and his own ACR imprint, showcasing a talent that transcends traditional techno boundaries.

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Answer Code Request - Tech Clubbers Podcast #400

Blank Code Podcast 173 – DJ Hyperactive live @ Scene 23
On September 8, 2014
We are excited to have DJ Hyperactive back on the podcast series with this 3 hour set recorded live from Scene 23.  The event took place on July 26th, 2014 at the Works in Downtown Detroit along side artists Angel Alanis and Deraout from Colombia.  DJ Hyperactive was born and raised on Chicago’s South Side. Rocking vinyl for over 30 years and soon jumped in the studio at the start of the 90s. His early output surfaced on his own imprint, Contact Records, along with releases on pioneering labels such as Drop Bass, Communique, Sounds, Analog, UC and the list goes on. In ‘97 DJ Hyperactive headed west to kick off the opening of Higher Source Records & Gear in Huntington Beach. This move also marked the start of 4 Track Records (now 4trk). After nearly a 20 year run in Los Angeles, he decided to return to Chicago and set up camp again.

After seeing chart topping success of Len Faki’s remix of Hyperactive classic “Wide Open” on Len’s Figure label and the release of his 25HRs in A Day ep with Raiz and Markus Suckut remixes on Los Angeles based Droid Recording run by Mr. Drumcell. Hyperactive’s current focus is set on a list of remixes and the re-launch of 4trk (vinyl + dig). Recent remixes include reworking of “The Word” by Luis Flores on Detroit based Blank Code Records and remix of Impact Unit’s “Silent Steps”. Upcoming remixes list consists of Manic Brothers “Sledge Hammer” on Sian’s Octopus label, Andre Morant’s “Signals”, and co-remix of Beltway w/Submerge both to see release on 4trk!

Blank Code Podcast 173 - DJ Hyperactive

[Recorded live at ://about blank 15th anniversary at the secret floor Saturday night]

my dear soulmate modschi + me had the honor to play a b2b for the about blank birthday party at the secret floor. 
last saturday we enjoyed our dj journey + everything went smoothly - if guided by some help from heaven above. we hope you enjoy this set as much as we do. 
we love you + we love music! 

modschi b2b i.nez @ secret floor I  blank birthday

For over 20 years, our next Techno Minded Hero has been crafting music that hits deeper than just beats. It’s all about emotion, movement, and that perfect mix of chaos and calm.
His sets aren’t just something you hear—they’re something you feel. Let the music take you somewhere real.

We would like to welcome back on Drone Select 050: Sven Klene

Please enjoy.

https://soundcloud.com/sven-klene
https://www.instagram.com/svenklene

Listen to the full set on our Youtube channel ///
www.youtube.com/DroneExistence

CONTACT EMAIL: contact@drone-existence.com

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#DroneExistence #Techno #technomindedheroes

Drone Select 050 /// Sven Klene

165th guest of KHIDI’s podcast series is Louisahhh. Known for her ferocious joy and undeniable presence, Louisahhh brings raw intensity and emotional depth to her music. Whether roaring over pounding kick drums or seamlessly bridging textures, genres, and eras, her mix remains playful, fueled by equal parts novelty and nostalgia

"I see KHIDI as a bastion of real culture in our global nightlife community, and I tried to import a broad selection of my version of dance music culture and influences, from the stuff that I'm making and enjoying now to the stuff I grew up listening to” - Louisahhh

@louisahhh

KHIDI Podcast 165: Louisahhh

Podcast 283 of atomar audio, featuring cutting edge techno artists. This week we present you Daniel Rifaterra from Spain.

Tracklist:

01. Daniel Rifaterra - Unreleased
02. Border One - Toolhead [Float Records]
03. Daniel Rifaterra - Avrillot [Diffuse Reality]
04. Daniel Rifaterra - Unreleased
06. Delano Legito - Lost Entry [Float Records]
07. Daniel Rifaterra - Omura [Arts]
08. Setaoc Mass - The Eyes Don’t Lie [Blueprint Records]
09. Daniel Rifaterra - Redi [ANAOH]
10. Altinbas - Spoken Word [Token]
11. Daniel Rifaterra - Unreleased
12. Astro aka Akihisa Takahashi - Dialga (Daniel Rifaterra Remix) [Tronic]
13. Sons of Hidden - Mandragora [Mammboh Rhythms]
14. Daniel Rifaterra - Urbano [Arts]
15. Mathys Lenne - Backroom [Mord]
16. Daniel Rifaterra - Unreleased
17. Daniel Rifaterra - Asis [ANAOH]
18. Ruiso - Night Whispers [RI7MO]
19. The Scan - Osaka [Blue Hour]
20. Daniel Rifaterra - Unreleased
21. Daniel Rifaterra - Unreleased

Daniel Rifaterra:
@danielrifaterra
IG: instagram.com/danielrifaterra

atomar audio:
www.facebook.com/atomar.audio
www.instagram.com/atomaraudio/

atomar audio -283- Daniel Rifaterra

Nastia 4 SWMC 2013

A. Juan Atkins - I Love You 
B. Audiotech aka Juan Atkins - Techno City '95

This winter Tresor dons hardhat and flashlight once again to exhume more lost treasures from its stated past. Under the guise of it’s own 10-year dormant Archiv Series—which saw cuts from the likes of Robert Hood, Jeff Mills, Blake Baxter and Eddie Flashin’ Fowlkes brought back to wax and dancefloors worldwide—comes a reissue EP straight from the heart of the club’s former Wertheim department store days, courtesy of long-time resident Juan Atkins. 

On the A-side there’s the slow-burning spangled ballad  “I Love You”, from his 2004 record ‘Fast Forward’ - the last track to be played at the old Tresor, while the B-side hosts a stone cold Metroplex classic: “Techno City”, a track so slick it’ll never go out of style. Sit back and remember the good times, or discover them a-new, all over again.

B. Audiotech - Techno City '95

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

B. Audiotech - Techno City '95

Tresor Records

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