Tresor

Following the release of Jonas Kopp's capturing debut album and the recent Transllusion and Drexciya re-issues, the Berlin powerhouse starts the year with a bang.

Tresor Records is proud to introduce the debut collaboration between all-time reference DJ Deep, and emerging artist Roman Poncet, with two powerful 12"s released back-to-back, exploring both modern and classic interpretations of techno.

DJ Deep, uncovered by Laurent Garnier in the early ‘90s, has always rested on the cusp of modernity, whether in the realm of house or techno, relentlessly delivering visionary selections throughout. As label owner of Deeply Rooted, DJ Deep seeks out likeminded artists, including Poncet, to propel his vision of contemporary sounds.

Roman Poncet, surfaced in 2013 with a growing catalog on labels as Deeply Rooted, Taapion or Figure. The blend of the two producers is simply incendiary and their profound compatibility takes all its sense on these two EPs.

A2. Adventice - Data Retrieval

B. Adventice - Extraction Force

"We wanted to let go of everything we know." The Berghain residents talk about underground values, leaving behind expectations and their collaborative album, LAYER ONE.

Berghain residents and now frequent collaborators Ben Klock and Fadi Mohem have become synonymous with the classic, no frills aesthetic that's come to define the Berlin institution's sound, with one exception: their newest LP, LAYER ONE. The album sees them step away from techno in a listening experience that explores IDM, ambient and experimental electronic music with guest vocal appearances by UK artists Cobey Sey and Flowdan.

In this Exchange, they talk to Chloe Lula about this departure from their typical style, which imagines a post-human world where AI reigns supreme. They also reflect on building generational bridges in the music industry; how their respective ideas of success have changed; underground values and sensibilities; and why the ethos of an earlier era continues to inform their work. 

Klock also revisits the decade that's elapsed since his last RA interview, including why he's chosen to return to the studio after years on the road, his unexpected career as a DJ and the key to long-lasting relevance in a scene that doesn't slow down. Listen to the episode in full.

EX.757 Ben Klock and Fadi Mohem

I loved Jungle and DnB since I was a teenager. After a long journey through House and Techno I had a surprising b2b set with the godfather of DnB - Sir Goldie, about 8-9 years ago. We almost didn't played any electronic music that night, but the meeting inspired me to start digging bass music again. As I’m expected to play house and techno on my shows - with such and open format as Upperberry. I saw the chance to show my other passion. There is no deep philosophy behind this mix, just music I dance to, sometimes with hands in the air, sometimes eyes closed.

Soundcloud ➟ @kink
Instagram ➟ www.instagram.com/kink303
Facebook ➟ www.facebook.com/kink303



Upperberry | KiNK

Tracklist
Dorisburg - Fumana Prophecy [Phonica Recordings]
Trovarsi - Ricochet [Delusional Records]
Yan Cook - Rose [Planet Rhythm]
Troy	- Voyage to Pollux	[Non Series]
Marcel Dettmann - Cycling Bits [Dekmantel]
Acaera - Passage [Edit Select]
Answer Code Request & Amotik - Led	[Delsin Records]
Gentian - Laughter Turns to Tears [Seven Villas]
Gentian - To Acknowledge Weakness [Seven Villas]
Ryan James Ford - Samenko Wardrobe [Marcel Dettmann Records]
DJ Hell - Robot Voices [DUAT]
Woo York - Uranium Echoes	[Dystopian]
Realize - Still Plugged In [Delusional Records]
Trus'me - Our Future (Answer Code Request Remix 1) [Prime Numbers]

Truncate Takeover 2025 DJ Contest Chris Miranda

Tracklist + Q&A: https://bit.ly/tm057tigerhead

@tigerhead showcases a fresh approach in her exclusive mix, focused on rhythm and precision.

"This mix brings a fresh approach, shifting the focus from heavy drops to a deeper sense of groove and flow. I aimed to blend records and digital seamlessly, keeping the energy alive without overloading. It’s a statement in simplicity: less is more. Expect a fluid journey that prioritises rhythm over spectacle, precision over flash."

Tracklist + Q&A

The Mix 057: Tigerhead

Ben Reymann is an electronic music artist focused on crafting a harmonious blend
of original and contemporary club-oriented sounds. Over the past six years, he has
delved into and experimented with various styles of techno, releasing productions on
labels such as Warok, KSR, and Room Trax. Intuitive and distinctive, his creations
draw significant inspiration from Modular Synthesis.

Watch the whole Stream on YouTube

https://www.instagram.com/ben_reymann/
@ben-reymann

SEVEN House Mix 017: Ben Reymann (Vinyl Only)

robert_hood_minidisc

@yigitoglu celebrating his newest release on SCI+TEC - "Beyond Redemption" 

SCI+TEC Mix w/ Yigitoglu (2025)

One of Carl Craig's most iconic and influential early productions gets an official digital release for the very first time, newly remastered for 2025.

Taken from Jean-Cosme Delaloye's forthcoming documentary film, 'Desire: The Carl Craig Story', which premiered at Tribeca Film Festival in 2024, 'No More Words' is a classic C2 production originally released in 1991 that became one of Detroit Techno's foundational tracks, capturing the emotive synths and tight grooves of Carl Craig’s sound that would soon resonate across dance floors worldwide.

Stay tuned for more news of the official soundtrack for Desire: The Carl Craig Story, coming soon on Planet E Communications.

Remaster by Calyx Mastering

No More Words (2025 Remaster)

DJ Hell x Lars Eidinger - Faze Mag in the Mix #159 

Boiler Room's first Rotterdam show in six years showcased the deep and pyscheledic side of techno featuring the long-awaited debuts from Polygonia and Koboyo


Polygonia | Boiler Room: Rotterdam

After Jonas Kopp’s well-received debut album ‘Beyond the Hypnosis’, released on Tresor Records in November 2014, the Argentinian returns to the label with a powerful and club-oriented EP, ‘HHH’. Over the past 10 years Kopp has explored and found himself confortable in many genres of music ranging from housey beats to hypnotic techno. This particular release finds itself comfortably in the middle of a dark and dusty dance floor.

‘Khaa’ opens the EP with a deep pumping bass as schizophrenic chords intermingle with hi-hats to form a stimulating composition full of energy. Conversely, ‘Nahn’ unfolds in parallel structure, cheeky yet with a smoother
bassline to ease delivery in a more more melodious way.

‘Hank’ unfurls with a thunderous stomping bass which cracks upon each beat sending you into a frenetic march while sinister atmospheres appear overhead. ‘Sinstro’ yields a whole new ambiance, with fraught chords pattering on the surface, while spatial airy moods climax throughout the piece to stimulate the mind.
Finally, the digital bonus track ‘Nekh’ brings the story full circle with a bold opening cut which builds into a cosmic trip. Altogether a feverish EP fit for peak-time elation.

B1. Jonas Kopp - Hank

B2. Jonas Kopp - Sinstro

Digital. Jonas Kopp - Nekh

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Digital. Jonas Kopp - Nekh

Tresor Records

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