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Iggy E-Bass Religion [Mutant Rebels]

Urban Stereo-The Glitch Saints (jE jE Music Recordings)

Master: Cédric Beaude
Photo: Ludovic Tenorio-Hallé

Bacterial Stigmergy

Taken from edition one of XLR8Rplus, June 2018, a new initiative to support independent music and culture. 

Buy: http://bit.ly/2HRO11k

XLR8R+001

XLR8R+001: Vril - Gringo

Taken from 'Live at Freerotation 2018,' Circle of Live's second EP featuring Dorisburg, Johanna Knutsson, Mathew Jonson, Steevio, and Sebastian Mullaert. 

Info: https://www.xlr8r.com/news/premiere-hear-a-mathew-jonson-and-steevio-live-jam-from-the-upcoming-circle-of-live-ep

COL002

Info

Premiere:  Circle of Live - Live at Freerotation 2018(Mathew Jonson, Steevio)

Holland’s Conforce rounds things off with plump low end throbs and sparse synth pulses reminiscent of Basic Channel, with gently shuffling hi-hats underpinning the murky yet warm textures and broad, heavily reverbed swathes of chord drama.

Eduardo De La Calle - Distortion Theory III (Conforce Remix)

Pittsburgh resident Shawn Rudiman releases his debut EP on Tresor Records. Titled Autonomic Pilot, it features shifting tables of subliminally orchestral synths and rich drum textures that spawn new voyages.

A bold approach underlines ‘KNSR’, where saturated acid manipulates the cinematic intent of the brassy synth strokes. Too Far Gone goes for the interstellar, featuring insistent, playful percussion amidst widescreen resonances before resolving into a cerebral workout of Rudiman’s trademark machine funk. ‘Erotique Feedback’ shows Rudiman honing his focus into what will no doubt be a regular in clubs - a 303-oriented electro trip, a synaptic drive into glittering acid bliss.

On the B-side, the mind magic of ‘Past The Edge’ shifts outside, bringing a sunrise for those who reinvent the possibilities of the day. ‘Eyes Forward’ is a techno banger, forcefully pointing in the direction of travel and shutting the door behind. Ascending effortlessly, Rudiman motors into essential repetition. ‘Backwards Tomarrows’ brings an industrial feel, almost obscuring melodies and cadences that recalls the galactic innovations of the Detroit sound.

The studio is Rudiman’s vehicle, the weapon and the balm. From synthetic wonders to dark-warehouse drum missives, Autonomic Pilot proves once again Rudiman as a master of his craft. Tresor Records is proud to welcome his new work into the world.

Tresor.311 releases July 5th on 180g. vinyl and digital.

Shawn Rudiman - Too Far Gone (taken from "Autonomic Pilot" - Tresor.311)

From the EP ‘Our Brilliant Failure'
Release date: August 5

Bassiani welcomes Voiski and his uplifting take on techno. Cascading snares, dreamy melodies and a good dose of cosmically charged sounds make „Our Brilliant Failure“ a beautifully crafted ode to hope.

Artist: @voiski
www.residentadvisor.net/dj/voiski
www.facebook.com/voiskiii/

Label: @bassiani
www.facebook.com/bassiani
https://bassiani.com/

Our Brilliant Failure

Premiere : Voiski - Sit Down Next To Me [Bassiani]

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Existenz

Buy on Tresor Store

Premiere: Function - Sagittarius A (Right Ascension)

READ > inverted-audio.com/premiere-dj-uijui-every

Helsinki via London-based @cold-blow-records line up their next 12" from Finnish producer @uijui - serving up three house and techno tracks with a distinct twist.

Woke Up

DJ Uijui - Every [Cold Blow Records]

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Premiere: Function - Sagittarius A (Right Ascension)

Tresor Records

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