0boy1toy

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LALALALA LALALA LALALA

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LALALALA LALALA LALALA

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JAJAJAJA MHMH JAJAJA 
MHHHH
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JAJAJAJA MHMH JAJAJA 
MHHHH
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LALALA
LALALALA LALALA LALALA

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JAJAJAJA MHMH JAJAJA 
MHHHH

LALALALA LALALA LALALA
LALALA
LALALALA LALALA LALALA

DON'T YOU FUCK WITH ME
DON'T YOU FUCK WITH ME

Little playa wanna fuck it
Little playa wanna suck

You wanna have this little lips on you
DON'T YOU FUCK WITH ME

Little playa wanna fuck it
Little playa wanna suck

You wanna have this little lips on you
DON'T YOU FUCK WITH ME

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You wanna have this little lips on you 

BOY

You wanna have this little lips on you
DON'T YOU FUCK WITH ME
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Little, little boy boy
Wanna be my toy boy
Little, little boy boy
Wanna be my toy, toy

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JAJAJAJA MHMH JAJAJA 
JA MHHHH

DON'T YOU FUCK WITH ME 

BOY

You wanna fuck me little boy  
DON'T YOU FUCK WITH ME

XSSSSSSSSSSSSSSSSSS
Little playa wanna fuck it
Little playa wanna suck
DON'T YOU FUCK WITH ME

Little playa wanna fuck it
Little playa wanna suck
XSSSSSSSSSSSSSSSSSS
You wanna have this little lips on you 
DON'T YOU FUCK WITH ME

Little playa wanna fuck it
Little playa wanna suck
DON'T YOU FUCK WITH ME

Little playa wanna fuck it
Little playa wanna suck
You wanna have this little lips on you 
BOY DON'T YOU FUCK WITH ME

Wanna be my toy
Wanna be my toy
Wanna be my toy
DON'T YOU FUCK WITH ME 
Wanna be my toy

Wanna be my toy
Wanna be my toy
Wanna be my toy
DON'T YOU FUCK WITH ME
Wanna be my toy

0 TRAX 
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DON'T YOU FUCK WITH ME
DON'T YOU FUCK WITH ME
0 TRAX 
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Wanna be my toy 
Wanna be my toy
Lit, gonna suck my clit clit
Wanna be my toy
Wanna be my toy
Lit, gonna suck my clit clit
DON'T YOU FUCK WITH ME

Wanna be my toy 
Wanna be my toy
Lit, gonna suck my clit clit
Wanna be my toy
Wanna be my toy
Lit, gonna suck my clit clit
DON'T YOU FUCK WITH ME

LALALALA LALALA LALALA
LALALA
LALALALA LALALA LALALA

Wanna be my toy
Wanna be my toy
Wanna be my toy
DON'T YOU FUCK WITH ME 
Wanna be my toy

LALALALA LALALA LALALA
LALALA
LALALALA LALALA LALALA

Wanna be my toy
Wanna be my toy
Wanna be my toy
DON'T YOU FUCK WITH ME 
Wanna Wanna Wanna

Little playa wanna fuck it
Little playa wanna suck
DON'T YOU FUCK WITH ME

Little playa wanna fuck it
Little playa wanna suck
DON'T YOU FUCK WITH ME

JAJAJAJA MHMH JAJAJA 
MHHHH

Little playa wanna fuck it
Little playa wanna suck
You wanna have this little lips on you 
DON'T YOU FUCK WITH ME

You wanna have this little lips on you 
BOY
You wanna have this little lips on you 
DON'T YOU FUCK WITH ME

Lit, gonna suck my clit clit
Lit, gonna suck my clit clit
XSSSSSSSSSSSSSSSSSS
Lit, gonna suck my clit clit
DON'T YOU FUCK WITH ME
Lit, gonna suck my clit clit

XSSSSSSSSSSSSSSSSSS

DON'T YOU FUCK WITH ME

XSSSSSSSSSSSSSSSSSS

0boy1toy

Track: Stream
Artist: Alexander Kulikov
Label: Soma Records
Catalogue: SOMA688D
Format: Digital
Genre: Electronic
Style: Techno
Release Date: 15.08.2025
Mastering: Conor Dalton @ Glowcast Mastering

Tracklist:
1. Sunset
2. Night and Wind
3. Stream
4. Stream (Luke Hess Remix)

Label links:
Soundcloud: https://www.soundcloud.com/soma
Instagram: https://www.instagram.com/somarecords/

VARIA PREMIERE: Alexander Kulikov - Stream [SOMA688D]

Follow wiv
@wivmusic

instagram.com/w.i.v_/

spotify link: open.spotify.com/track/5XHGR0s53JN283A5ncUIyj?si=f2b638c16aeb404a

the way.

This ones a lil more experimental, I slowed it down and it honestly sounds really ambient so I'm posting this version.

AFFECTION

Full stream of the first 12" from Jaunt's '10 Years of Jaunt - Sea, Land, Air' compilation. 

More info:

@jauntmusic
@hiverdemo

Premiere: Hiver - Itria

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Existenz

Buy on Tresor Store

Function - The Approach

RADIO RITUEL 23 - SANTIAGO LEYBA

‘Born Sad’ is a reflection on childhood and the end of insouciance, the famous moment when you realize that you’re not eternal. Feelings change, your own vision of the world becomes darker. Everything looks suddenly absurd and you already know that life will be a hard challenge. Now you must find something to fight reality : music seems to be a good choice…

All music by Emeric Di Paolo
‘Fade Away’ remix by Maelstrom
Mastered by M.A. Spaventi
Cover drawing by © Frédéric Pajak

Born Sad

Born Sad - IA01 [ Preview ]

Frontinn - Found It, Didn't Work

Static Nomad

Electro as we like it ! Rolling basslines, hitting snares, dark atmosphere: Here is episode #43, mixed by DJ Astrobee (Tempo Radio, SLR Radio) He is from Batumi, Georgia and has been DJing and producing since 2016. He has collaborated with labels such as Intellitronic Bubble, Carouse, Planetaria Soundsystem. 
Find more about DJ Astrobee:
https://soundcloud.com/astrobee003
www.facebook.com/saba.emiridze

Glory Podcast #43 Dj Astrobee

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Function - The Approach

Tresor Records

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