Tresor Records is proud to announce 333 Mirrors from Torus, the artist alias of Joeri Woudstra. Coupled with its catalogue number 333, it indicates the large-scale conceptual thoughts behind the record, typical of Woudstra's practice. As an artist, he sets out to frame re-interpretable references that trigger some subconscious recognition in listeners, with no set way to interpret them but leading to singular feelings and thought processes. The effect, a combination of static electronic sounds and looser field recordings, speaks to each listener differently. 

333 Mirrors is, in part, the continuation of a project called These Cars Do Not Exist, made with videographer Mark Prendergast during the Covid-19 limbo. The live performed short film sold out selected popup cinemas in 2020 in a short sprint of shows. Two of the tracks on that project, Sound of the Drums and Chroniko, are re-imagined on 333 Mirrors, emanating as versions created in live performances. Set to be released as a single, Chroniko VIP will be accompanied by an enduring theme from that project, the three-winged bird, this time deceased. On 333 Mirrors, in exploring the ambient, stretched sonic universe of this project more, Woudstra moves from these three-winged birds to the phoenix, finding a rebirth on the b-side with tracks that inhabit a similar sound as Deep Mid, Torus's inclusion on the recent Tresor 30 compilation. 

The sound of Torus places importance on the multi-faceted approach to sampling, pushing the idea behind the practice beyond usual boundaries. How to break the unwritten rules? Woudstra looks within by resampling previous Torus releases and reverse-engineering the sounds of the most revered pop and electronic musicians alive today, references that trigger recognition, melancholy and nostalgia in the listener. 

3000 Mirrors features a staccato arpeggiating rigid pattern, the sonic effect of standing in front of a strobe until it becomes the anchor. Silence and interruption are used as a device to explore the physically uncomfortable, more the central compositional tool than the disrupted harmonic structures.

Woudstra has never stepped foot in Tresor, so when writing this record, an enduring question spoke to him, what is Tresor when you have never been? How do you sample the essence of an unknown location? The closing track, Omnia, is the sound of anticipation, where the rave beckons. This imagined industrial space is calling for you.

Torus - 333 Mirrors

Tresor Records is proud to announce 333 Mirrors from Torus, the artist alias of Joeri Woudstra. Coupled with its catalogue number 333, it indicates the large-scale conceptual thoughts behind the record, typical of Woudstra's practice. As an artist, he sets out to frame re-interpretable references that trigger some subconscious recognition in listeners, with no set way to interpret them but leading to singular feelings and thought processes. The effect, a combination of static electronic sounds and looser field recordings, speaks to each listener differently. 

333 Mirrors is, in part, the continuation of a project called These Cars Do Not Exist, made with videographer Mark Prendergast during the Covid-19 limbo. The live performed short film sold out selected popup cinemas in 2020 in a short sprint of shows. Two of the tracks on that project, Sound of the Drums and Chroniko, are re-imagined on 333 Mirrors, emanating as versions created in live performances. Set to be released as a single, Chroniko VIP will be accompanied by an enduring theme from that project, the three-winged bird, this time deceased. On 333 Mirrors, in exploring the ambient, stretched sonic universe of this project more, Woudstra moves from these three-winged birds to the phoenix, finding a rebirth on the b-side with tracks that inhabit a similar sound as Deep Mid, Torus's inclusion on the recent Tresor 30 compilation. 

The sound of Torus places importance on the multi-faceted approach to sampling, pushing the idea behind the practice beyond usual boundaries. How to break the unwritten rules? Woudstra looks within by resampling previous Torus releases and reverse-engineering the sounds of the most revered pop and electronic musicians alive today, references that trigger recognition, melancholy and nostalgia in the listener. 

3000 Mirrors features a staccato arpeggiating rigid pattern, the sonic effect of standing in front of a strobe until it becomes the anchor. Silence and interruption are used as a device to explore the physically uncomfortable, more the central compositional tool than the disrupted harmonic structures.

Woudstra has never stepped foot in Tresor, so when writing this record, an enduring question spoke to him, what is Tresor when you have never been? How do you sample the essence of an unknown location? The closing track, Omnia, is the sound of anticipation, where the rave beckons. This imagined industrial space is calling for you.

https://tresorberlin.bandcamp.com/album/333-mirrors

333 Mirrors

Sound Of The Drums VIP

BANDCAMP

Torus - Sound Of The Drums VIP

Torus - Chroniko VIP

Torus - 3000 Mirrors

Torus - Omnia

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.