i will never forget that moment my friend who used to work at the tresor and I popped an extraordinary E and listening to this track... We literally were walking on that SKYWAY 🌌

CYBERSPACE REALITY

Slit-Scan (Short Edit)

Maan - Jackin Pt 2 [non013]

Sev Dah - Xanax [Random Island]

InfraTouch-Nest [Mutant Rebels]

DJ KSET, also known as Kaique, a.k.a. "the glitch in your algorithm," is the digital caveman of the decks. Armed with nothing but a football jersey, a dusty cassette soul, and a speaker named Alexa, KSET is mixing his way out of the jungle and into your brainwaves. His name? A cocktail of “K” from Kaique and the number 7 from his football days, sounding suspiciously like “cassette,” and, in Portuguese, hilariously close to cacete. Coincidence? Definitely not.

Expect imperfect perfection. KSET thrives in the "oops," the happy accidents, the glorious glitches. He doesn’t just blend songs, he splices them together like DNA strands to evolve a third beast entirely. He's still learning, still experimenting, but every beat is a raw and primal stomp forward.

Forget the VIP lounge. This is bedroom rebellion. Just KSET, his mixes, and Alexa (his only groupie… for now). Get ready for the rise of the EVO Apes

I'm sunday

He Doesn't Like You

Way back in 1996, at the height of the widely acknowledged golden period for elec- tronic music, D-Saw a.k.a André Winter released a true classic on Hamburg's highly influential Superstition label. Track 10:30 stood the test of time, becoming widely regarded as a key moment in European techno music history, despite its modest impact at the time. Now, 20 years later, André revisits the source material courtesy of some killer remixes on Oliver Huntemann’s Senso imprint. Hamburg’s own H.O.S.H. (Holger Behn) delivers an epic twist to the cut, widening out the spaces and adding his own tech-y signature to the original. Re.You offer up another flavour altogether, maintaining the iconic synth pulse of the source but introducing an infectious, driving groove. dubspeeka throw a bit more grit in into proceedings with a tough, machine funk mix, while André Winter himself reworks his classic into a slow burning groover that effor- tlessly showcases the elements that make this track so timeless.

André Winter presents  D - Saw - Track 10 30

Tresor Records marks its 250th release with a very special project indeed. Continuing to forge ahead whilst remaining ever mindful of its legacy, Tresor proudly presents Infiniti - The Remixes: a trilogy of classic cuts and new reworks from one of its original Detroit linchpins Juan Atkins.

Dubbed as his “pure techno” project, Atkins produced two full-length albums under the Infiniti moniker—The Infiniti Collection, released by Tresor in 1996, and Skynet two years later. 16 years on and they are as relevant today as they were pioneering then, brought further up-to-date here with a series of fresh takes from some of techno’s pioneering and esteemed figures: Thomas Fehlmann, TV Victor, Function, Redshape, Sleeparchive and the re-release of dubtechno vanguard Moritz Von Oswald's remix of "Think Quick", originally released in '94 on Metroplex.

Part One - The Orb’s Thomas Fehlmann picked two tracks, one in each album, to form a very special combo-mix. The shimmering “Walking On Water” and "Raindrops" come together in a beautiful old-school sounding version. Tresor Records ambient stalwart TV Victor plies his vision to present a hypnotic take on the gently elevating “Thought Process”. 

Part Two picks up the pace, heading further down the timeline with “Flash Food”—originally released in 1995 as part of one of the label’s famous annual compilations, re-edited by Sandwell District’s Function. Skynet’s punchy classic on the flip, “Skyway” rounds off the EP with a killer old-school remix by techno’s masked crusader Redshape.

Part Three concludes with a remix package of The Infiniti Collection’s brooding slow-burner “Think Quick”, backed with an offering from one of Berlin’s revered electronic practitioners Sleeparchive and the re-release of Moritz Von Oswald's remix, initially released on Metroplex in 1994 - a rarity. 
--
More info on: www.tresorberlin.com

TRESOR 250B - A2. Infiniti - Skyway (Original Mix)

Locus Of Control Vol. 1 is Out Now! 
Vinyl & Digital 
> https://lnk.to/4WDG715 <

Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’

Having kicked off the year debuting a new audio-visual performance, enduring techno outfit Octave One announce new music for 2019, with a series of EP’s entitled ‘Locus of Control’. Featuring many unreleased nuggets, the series will feature unreleased tracks which were tried and tested at a recent Valencia Boiler Room set.

The term ‘Locus of Control’ is a psychological concept that refers to how strongly people believe they have control over the situations and experiences that affect their lives.

“Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’.” State the Brothers.

Side One kicks off with ‘Lies In Truth’, euphoric piano meets melodic stabs layered with feel good crescendos and a positive uplifting baseline. Intelligent synth builds and layers making for a super strong lead track. Followed by Injection (String Free edit) with an intensifying and pulsing rib rattling bass.

Side Two features the full version of ‘Injection’. The thundering bass takes you on a journey of transcending arpeggios, developing progressions and meandering melodies making the track a peak time cut.

Tracklisting

Vinyl EP
Artist: Octave One
Title: Locus of Control Vol. 1
Side 1A: Lies In Truth
Side 1B: Injection (String Free edit)
Side 2: Injection
Cat No. 4W715

Digital Download
Artist: Octave One
Title: Locus of Control Vol. 1
1.Lies In Truth
2.Injection
3.Injection (String Free Dub)
Cat No. 4WDG715

Connect
http://www.octaveone.com/
https://www.facebook.com/octaveone
https://twitter.com/octaveone
https://soundcloud.com/octaveone

Buy Vinyl & Digital

Octave One - Injection (String Free Dub)

Label-owner Sinfol steps up for the third release of our vinyl only series. Next to referring to the hectic evolution one can go through from time to time, his ‘Personal Change EP’ marks a clear shift in Sinfol’s sound. 

Limited to 200 handstamped copies.

A1 Erratic Lover

B1 Undisputed
B2 Personal Change

Pre-order:
https://www.deejay.de/Sinfol_Personal_Change_NGRMW03_Vinyl__947572
https://www.juno.co.uk/products/sinfol-personal-change/765217-01/
https://www.redeyerecords.co.uk/vinyl/119504-ngrmw03-sinfol-personal-change
https://clone.nl/item59427.html


Distribution by www.clone.nl
Written and produced by Jeroen van den Dungen
Mastering by Marco Antonio Spaventi @ MASpaventi Studio

Personal Change EP

NGRMW03 | Sinfol - Personal Change EP

Mdr 03

Nn 7.4

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

TRESOR 250B - A2. Infiniti - Skyway (Original Mix)

Tresor Records

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