Slim Line

After his sought-after debut 12” on I Love Acid last year, which sold out in less than an hour, notorious Brooklyn DJ & producer WTCHCRFT returns with a full EP on Posthuman’s Balkan Vinyl imprint.

Four tracks of hyper-energetic acid & jack, direct gear for the dancefloor and already heavily club tested.

Title track “Drugs Here” sets the pace for the whole EP, with “No Time To Lose” bringing WTCHCRFT’s signature vocal edit style. B side banger “Uhmm” recently featured on TSHA’s Fabric mix compilation.

Out on a hand-numbered edition of 666 copies, random red/blue marbled heavyweight 180g wax. 


WTCHCRFT
Soundcloud: https://soundcloud.com/wtchcrft2
Facebook: https://www.facebook.com/WTCHCRFT1
Instagram: https://www.instagram.com/w_t_c_h/

Balkan Vinyl
Soundcloud: https://soundcloud.com/balkan-recordings
Facebook: https://www.facebook.com/balkanvinyl
Instagram: https://www.instagram.com/i.love.acid/

BV48

PREMIERE: WTCHCRFT - No Time To Lose (Balkan Vinyl)

>< CRUDE Premiere ><

Artist:  Ekzander, Mincy
Title: Overexposure (Mincy Remix)
Label​: Spinning Around
 
>> https://spinningaround.bandcamp.com

@ekzander
@mincyaus
@spinning_around

CRUDE Premiere: Ekzander - Overexposure (Mincy Remix)

The FDP compilation is out now on all platforms and we want to thank all artists who participated and submitted a track.

 All proceeds of the FDP compilation will be donated to KOP Berlin (Kampagne für Opfer rassistischer Polizeigewalt) who use donations to support their legal aid fund and help people who are direct victims of racially motivated police brutality.

https://kop-berlin.de/

FDP takes a critical look at police violence and right-wing structures within the German security apparatus:
“When we say “ACAB”, we mean that the structural problems within the police force need to be addressed and combated. And in all its completeness. And until that happens, there's no reason to sit back or turn a blind eye."

Papi (Schacke Remix)

Buy/Stream

Kev Koko, DJ Gigola - Papi (Schacke Remix)

Engelbert

41ISSA & O-Wells - Engelbert

The Wave is Estella Boersma's latest Single, released on Lobster Theremin.

Berlin based producer Estella Boersma announced themselves with a debut on Unknown to the Unknown’s Dance Trax imprint and a string of appearances in the infamous HOR bathroom have followed – including one at Crave Festival – generating a positive stream count thanks to their varied DJing style; floating between techno, bass, breaks, electro and old school rave.

Now debuting on Lobster Theremin, Estella serves up four assorted club cuts that perfectly exemplify the energy felt front-left at one of their sets.

‘The Wave’ is the most quintessential Estella track on the release – brimming with acid, breakbeats and warehouse rave energy, channelling older XL Recordings-inspired sounds and modern-punk electronic aesthetics. ‘Dial’ is frantic, stripped-back and raw - an angelic, colourful techno trip through pixelated palm trees and psychedelic sunrises.

‘Transfer’ drains the colour from its fabric as light turns to dark. Headsy, underground appeal blends with bouncy fun on a cut of wobbly 4x4 that sounds like something you might hear in a Chloe Robinson set, before high pitched-vocals and sped-up synths dazzle and delight with something that sits between techno, footwork and classic Chicago house.

Estella Boersma - The Wave [Lobster Theremin]

Yazzus follows up her appearance on the Tresor 30 compilation with a new EP named BLACK METROPOLIS. Within its, at times, rough-hewn textures lies a core that explores joy and energy within the roots of black techno. In her words: "I want this release to be black and beautiful, to be queer, and playful, a nostalgic nod to the 90s but also reimagining it in the current times."

The Ghana-born, London-bred, now Berlin-based producer's research into afro-futurism, envisaging a path forward for science, technology and culture through the black experience, has impressed a deep vision on this EP. Yazzus sets like a cartographer, using her tracks to explore a technologically advanced world, each representing different regions and environments.

Human Error Processor introduces an ear-worming percussion pattern nearly swamped by distorted bass drums and a vocal sample screwed just beyond recognition. Perforated leads with a 150bpm four to the floor stomp, infectious and supercharged. Gluey synth motions soak in an otherworldliness, where industrious, mechanical rhythms map out futurist structures in all directions.

Metro City Bay Area exhibits a ghettotech soul, lean and bouncy - this part of the galaxy is an infinite source of fun, with the heart of groove at its core. Three Deities brings adventurers of its region towards higher powers, its ravey synths and an engulfing bass provoke a complete NRG release, ascending into a spiritual trance where dense melodies bubble and fizz. Digital-only track United By Fate meddles busy vocal samples with searching melodies, a fitting end to the kaleidoscopic that is BLACK METROPOLIS.

https://tresorberlin.bandcamp.com/album/black-metropolis

BLACK METROPOLIS

Metro City Bay Area

BANDCAMP

Yazzus - Metro City Bay Area

Aloka returns to Typeless from the shadows with a mind melting, club ready two tracker - designed exclusively for the dance floor.

BUY on BANDCAMP

PREMIERE : Aloka - Stage One

dispulus (@diszipulus)delivering a hot clubtool. 
Soft distortion and a funky rhythm make your hips shake. Be fast and shoot for that free download button!!! 😈
____________
more tba

DISPULUS - I SHOOT [FREE DL]

Download

dj playstation - oh [PLAY040]

READ > https://inverted-audio.com/premiere-andy-garvey-this-silence-is-false-tred-remix

@x-kalay ready their next 12-inch from Australian talent @andygarveyandygarvey, delivering her ‘More Than Meets The Eye‘ – a robust 4-track EP, featuring a 150bpm remix from Berlin-based producer @tred-dj.

x-Kalay release

Andy Garvey - This Silence Is False (Tred Remix) [X-Kalay]

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Yazzus - Metro City Bay Area

Tresor Records

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