Disco

.This is what DJ Dorky Delbert a.k.a sp_ceboy, silverlage, check !t plays at the private parties. Underground Electronik in all forms. Songs that I’d use at a private party.
Converted By http://soundiiz.com, LastFM To Soundcloud

DJ Delberts Dorky Dance Drops

Roy Ayers

allsorts of goodness.

Here's a live recording of my set at The Charles Bar on Dec. 19th, 2013

You can catch myself and Hubbz on rotation every Thursday at The Charles Bar for 'Brand New Bag'

https://www.facebook.com/TheCharlesBar

https://twitter.com/TheCharlesBar

Go here for track listing:

http://www.mixcloud.com/VANCITYEVO/live-in-the-mix-brand-new-bag-the-charles-bar-vancouver-canada/

LIVE IN THE MIX - BRAND NEW BAG @ THE CHARLES BAR - DEC. 19TH

Absolutely inspired from my trip to Austria and Switzerland to record this cover of The Sound of Music by Rodgers and Hammerstein, in the style of my hero and idol, Julie Andrews. 

The Hills are Alive - The Sound of Music

My interpretation of one of my favorite tracks by P.W. HAPPY. Enjoy!
This is a Bootleg Remix by David Montoya meant for promotional use only and can not be sold in anyway,shape or form.

Comments and Likes are highly appreciated. 

If you prefer a WAV file, please message. Thank you for your support!

Happy (David Montoya Edit) FREE DOWNLOAD

My ReEdit of Roy Ayers' "Running Away" 
Like this track? Hit [repost] and share!
Thanks. 

<a href='https://theartistunion.com/tracks/1ebd82'>Download for free on The Artist Union</a>

Free Download

Roy Ayers - Running Away (CBS ReEdit) // FREE DOWNLOAD

FABLE ★ DJ/PRODUCER FRANKIE KNUCKLES ★ LIL LOUIS ★ •*¨*•♥♪•*¨*•.*★ TRAXSOURCE 

FABLE ★ DJ/PRODUCER FRANKIE KNUCKLES ★ LIL LOUIS ★ •*¨*•♥♪•*¨*•.*★

ANOTHER SURESHOT. SOMETHING FOR THE REAL HEADS. A RECORD OFTEN ASSOCIATED WITH CHICAGO LEGEND, RON HARDY. MIXED BY CASERTA.

PARLET "PLEASURE PRINCIPLE" ~ KON Mix 1

The sample is from the Marczech Makuziak remix of "Romantic Rights" by Death From Above 1979. This song is silly.

#BigBallasCumBuckets

Tracklist:
01 - Antae - Stargaze
02 - Gas - Earthloop
03 - Pional - It's All Over (John Talabot's Stormbreak Refix)
04 - Waxuma - Chango (Camanchaca Remix)
05 - Sun Glitters - Fada / Spaces (Feat. Makimakkuk)
06 - Synkro - Acceptance
07 - Silver Hands - Skulls (Mike Simonetti Remix)
08 - Malk, FullCasual, Kooka - A Lot (Original Mix)
09 - Nicolas Jaar - Time For Us
10 - Judah Warsky - Think On Me (Acid Arab Instrumental)
11 - Boyfriend - Random Story
12 - Ishome - Sad Family
13 - Cyberoptics - The Collector
14 - Tara Walsh - White Flag (Whitebear Remix)
15 - DJ Shadow - Scale It Back (Jeremy Sole Remix)

KorneJ - Mind The Galaxy

Smooth Jazz "DJ CHY-TOWN" Style!!!! - Roy Ayers-THE MEMORY (made with Spreaker)

Coming Soon with The Boss KS:
http://www.junodownload.com/products/ks-french-belabouche-the-edits-ep/2631504-02/

Get Up An' Dance (FKR Records)

Roy Ayers - Everybody Loves the Sunshine (Super Rare Version)

Boys Town Gang - Can't Take my eyes Off you

3 wise monkeys-its gonna rain

Created by bozefuze Gen ©studio crucial 2003

☆ Any Time, Any Place (Dance Mix) / Janet Jackson

Kill Paris - Now That's What I Call Sexy Music Vol. 1

King of the Vibes gets the TREW treatment. Extended intro, re-sequenced, added transitions + more drums, general enbiggening. Enjoy!

Roy Ayers - Get On Up, Get On Down (TREW edit)

FREE DOWNLOAD VIA BANDCAMP --> http://bit.ly/SearchTREW

2nd in my Roy Ayers edit series. Simple concept inspired by Ed OG. Added an intro, more drums, beefed the bass. Stepper Time. Enjoy!

Roy Ayers - Searching (TREW edit)

Odenon - Club Mode (Original)

Barbara Mason (born 9 August 1947, Philadelphia, Pennsylvania) is an American R&B/soul singer best known for her 1965 hit song, "Yes, I'm Ready".A soul singer, Mason initially focused on songwriting when she entered the music industry in her teens. As a performer, though, she had a hit single in 1965 with her self-penned Top 10 hit, "Yes, I'm Ready" (number five pop, number two R&B), a fetching soul-pop confection that spotlighted her high, girlish vocals. One of the first examples of the sweet, lush sound that came to be called Philly soul, she had modest success throughout the rest of the decade on the small Arctic label, reaching the Billboard Hot 100 Top 40 again in 1965 with "Sad, Sad Girl", and "Oh How It Hurts" in 1967-68.
 
In the early and mid-1970s, Mason toughened her persona considerably, singing about sexual love and infidelity with a frankness that was uncommon for a female soul singer in songs like "Bed and Board," "From His Woman to You," and "Shackin' Up." Sweet soul continued to be her groove, and she continued to write some of her material. But the production, as it was throughout soul in the '70s, was more funk-oriented, and at times Mason would interrupt her singing to deliver some straight-talkin' raps about romance. Curtis Mayfield produced her on a cover version of Mayfield's "Give Me Your Love," which restored her to the pop Top 40 and R&B Top Ten in 1973; "From His Woman to You" (the response to Shirley Brown's single "Woman to Woman") and "Shackin' Up" were also solid soul sellers in the mid-1970s. After leaving Buddah Records in 1975, she only dented the charts periodically, with "I Am Your Woman, She Is Your Wife" (1978), "Another Man" (1984) on West End Records, and a couple of other singles.
 
Mason released a new CD, Feeling Blue, on 18 September 2007.
PROMOTIONAL USE ONLY-NOT FOR RESALE

BARBARA MASON ANOTHER MAN CHOCIS EDIT

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


SIDE EFFECT - ALWAYS THERE [SNIPPIT]

Much fun was had as I took on the larger than life Gavin Page for a couple of hours. An eclectic mix of Soul, Jazz, Disco and a couple of Disco Naps : )

1st Hour

 Step In The Light - Sunfire
 Sudden Samba - Neil Larsen
 Whatcha Doin - Seawind
 Forward - The Brand New Heavies
 Fall For You - Kings Of Tomorrow feat April All 
 About The Paper - The Dells 
 Stop And Think - The Trammps 
 Blues Away - The Jacksons 
 Don't Let Love Get You Down - Archie Bell And The Drells 
 Highways Of My Life - The Isley Brothers 
 Ribbon In The Sky - Stevie Wonder
 Being In Love With You – Sheree Brown

 2nd Hour

 Eyes On You – Dayton
 Everything Is Tuesday – Chairman Of The Board
 I’ll See You Later – Joanne Grauer
 Lovers – Natalie Cole
 Just Us – Two Tonnes Of Fun
 So Many Sides Of You – Bobby Womack
 I’m Trying To Get Over You – Bobby Womack
 Surprise Surprise – Bobby Womack
 I’ll Think I’ll call It Morning – Gil Scot Heron
 My Sensitivity – Luther Vandross
 I’m Out Of Your Life – Arnie’s Love
 An Evening Of Love – Main Ingredient
 Silver Star – The Four Seasons

   You Know It Makes Sense : )

Songs In The Key Of Gilo Meets The Musical Fishbowl 3rd June 2013

Release Yourself Radio Show #481

Part 1
The Vintage – Back 2 The Underground [Carlos Manaca & CL Garcia Remix] (White Label)
Muzzaik – Manduco (Wazzup?)
DJ Butch – No Worries [Michael Anthony Edit] (White Label)
Kelis – Acapella [Muzzaik Edit] (White Label)

Part 2
Prok n’ Fitch vs Todd Terry – Something Going On (Stealth)
Christian Vila & Cosme Martin – Breakdown (Molto)
Duck Sauce – Barbara Streisand (Downtown)
Steve Angello vs Moonstompa – Knas vs Witch Doctor [Dave Rose Bootleg] (White Label)

Part 3
Dirty Secretz – Beta (LS City)
One Republic – Secrets [Roger Sanchez Mix]
Shawnee Taylor & Eddie Thoenick – Live Your Life [Chuckie Remix] (Subliminal)
Justice – We Are Your Friends [Chris Moody Dirty Remix] (Subliminal)

Part 4 
Nirvana – Smells Like Teen Spirit [Rene Amesz & Baggi Begovic Remix] (White Label)
Afrojack – Take Over Control (Hussle)
Swedish House Mafia vs Empire of The Sun – One Sun (White Label)
Roger Sanchez – 2Gether ft. Far East Movement (Stealth)

Part 5 
Sidney Samson Guest Mix
WTF & Dead Prez – It’s Bigger Than Hip Hop UK [Sidney Samson Remix] (Breakbeat Kaos)
Sidney Samson – World Is Yours (Dirty Dutch)
Sidney Samson – Psycho Bomb ft Bassjackers (White Label)
David Guetta – Getting Over [Sidney Samson Remix] (F*** ME I’m Famous)
Ian Carey – Let Loose [Sidney Samson Remix] (Vicious)
Estelle – Freak [Sidney Samson Remix] (White Label)

Part 6
Sidney Samson Guest Mix (cont’d)
Missy Elliot – Pass That Dutch [Angger Dimas Bootleg] (White Label)
Sticky K – Club Persh [Will Bailey remix]
Oliver Twizt – Doodlez (Mad Decent)
Stafford Brothers – Wasted [Sidney Samson Remix] (Asterix)
Lady Gaga – Telephone [Sidney Samson Bootleg] (White Label)
Bassjackers – Clifton [Sidney Samson Remix] (Samsobeats)

Roger Sanchez - Release Yourself Radioshow #481 - Best of 2010

DJ/PRODUCER/RECORD DEALER

FULL BIOGRAPHY:
With a love for DJing that began in grade school when using two tape decks to spin basement parties, TREW’s main aim is to weave a common thread through seemingly disparate genres. Drawing inspiration from the early 1980s NYC art/music world, he believes no genre is off limits, no collaboration too outlandish. Honing his chops East Cost Rave & Hip-Hop scenes (Baltimore/DC), it was Chicago’s wealth of musical and architectural history that pulled him westward. “Like most kids back then, I thought ‘Percolator’ was a Baltimore Club track. Once I found out the truth I knew this is where I was meant to be!” he exclaims. Soon after, he quit his corporate job, cashed in the 401k, and invested his life into music.

Since landing in the Windy City, TREW has performed or held residencies all across Chicagoland.  Played stages at West Fest, Spring Awakening, Do Division, Taste of Randolph, and North Coast Music Festival. And he has been lucky enough to perform with artists like Snoop Dogg, Mayer Hawthorne, People Under The Stairs, Keys N Krates, Nightmares On Wax, Mint Condition, Bone Thugs N Harmony, Jeremiah Jae, Bobbito, House of Pain, Van Hunt, Jneiro Jarel, Devin the Dude, Bonobo, Cut Chemist, Quantic, Currensy, Afrika Bambaataa, MF Doom, Mos Def, and dozens more.

While not DJing he co-owns Ground Lift Media - a  digital marketing + brand strategy company, is 1/2 of the DJ/Production duo Altered Tapes, owns and operates Heat Rock Records, and is deep into vinyl excavation having amassed thousands of rare Soul, Funk, Disco, & Jazz records. A hobby/obsession he shares with the world via his Miyagi Records Shop.

Roy Ayers - Get On Up, Get On Down (TREW edit)

trew