Amante do gênero, praticamente uma religião. A minha história com a música eletrônica iniciou-se no ano 2000, quando tive meu primeiro emprego de carteira assinada exercendo a função de bartender na boate Liquid, em Porto Alegre. Lá, fui apresentado ao DJ Antônio Navarro, que tocava Deep Drum and Bass no espaço lounge da boate, o primeiro estilo de música eletrônica que escutei. Me lembro muito bem que naquela época que as pessoas quando ainda descobriam este fenômeno chamado música eletrônica iniciava escutando House, Techno ou Psy Trance, que eram os estilos que mais bombavam na noite porto-alegrense. Comigo foi diferente, iniciei esta "união" com esse estilo musical, o qual estamos felizes até hoje, escutando Deep Drum and Bass.

Fomerlly Dannerocity Just some random dude that makes music/weird sounds for fun. Never take my tunes to seriously, i'm a impatience person when it comes to letting the world hear the noises i've been making. You know melody is just fun to play with sometimes, turn a blank DAW arrangement into something that once wasn't there, it's a trippy feeling yo lol

Zoltan Gal as known as ICR is the founder of the hungarian electronic music scene's well respected home, ImpulseCreator - serving the drum and bass and urban music community since 1999. Besides his work as an editor and journalist, dozens of releases proved that his artistic vein is fulled with musical variety and uncpompromising creativity. After releasing on various acclaimed dnb labels (Good Looking, Offshore, Cov Ops, Influence, Counter Intelligence, MJazz) and his tunes were spinned by the likes of DJ Flight, Grooverider, Fabio, Tony Colman or Marcus Intalex - he started running his own label. Misspent Music lived two years, recruiting a group of like-minded producers, supporting up and coming artists as well as giving an opportunity to show ICR's experimental side on two full length albums.

Meanwhile releasing his final dnb work (his 5th official, double-LP on Fokuz) his interests of music turned from dnb to slower genres. With EP's on hungarian labels Glack Audio, Chi Recordings, Bounce and international releases on Orson, Nice and Smooth, Society 3.0 and Death Proof, he has already proved that his house, bass, downtempo breaks and techno music is also worth to check. The trademark deep and cinematic ICR sound remains the same, but in new forms.

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