DON'T TAP THE GLASS

Mommanem

Have A Baby (With Me)

Call On Me

This piece is an intimate journey through the emotions of solitude, expressed only with the voice of my guitar.

I wanted it to reflect the nostalgia of being alone — a space where fear, curiosity, anxiety, and anguish slowly transform into acceptance. For me, solitude is not just absence; it’s a dialogue with myself, a way to listen clearly to my own voice.

This song is also a reminder that loving myself is the first step toward truly loving others. When I embrace silence and spend time with myself, I can be more present with those around me.

An instrumental reflection, shaped by arpeggios, vulnerability, and the quiet power of being alone.

Alone

“Drive” is a song about escaping routine, breaking free from the weight of city life, and chasing dreams that don’t come to us—we must pursue them. Written in a moment of longing, it reflects not only personal restlessness but also the broader struggles of Honduras, where the search for dignity and self-determination is deeply felt. This track is both a personal journey and a call to take the wheel of our own destiny.

Drive

This track was made to explore my producing capabilities, I wanted to experiment with sound design, more than focusing on the harmonies and melodies, the focus of this song resides in the space the sounds take.

Close your eyes and imagine yourself in a room, and inside this room you will find spatially where they come from, I invite you to submerge yourself in this piece.

Ethereal Soundscape

La vida es un viaje, desconocido para todos que la experimentan, y somos ciegos al camino que sigue después de que termina
La vida es corta y mucho de ella vive escondido en memorias en nuestra cabeza, nunca conoceré a nadie de verdad, sabiendo que pueden esconder secretos peores que la oscuridad donde lo guardan.

Honduras es un país altamente fervoroso con la religión, sin embargo, es muy evidente que contiene ambas caras de ella, donde pude ver en carne propia en mi abuela, que siempre ha sido una persona con una moral intachable, y que va a misa todos los días si es posible.

En el otro lado tenemos a los traficantes de fe,  algunos de esos que dan la misa, o el sermón, los judas actuales que traicionan a sus propias congregaciones rompiendo los mismos mandamientos que ellos profesan.

Se ha vuelto más que común que la religión sea usada como una herramienta de enriquecimiento que borda lo ilícito por parte de los pastores protestantes que viven en ostentosas casas, con vehículos de lujo y con algún tipo de caca como bigote cuando tienen que ver a sus congregantes.

Y finalmente los sacerdotes, y la iglesia que ha servido como cómplice para esconder terribles actos de pedofilia.

En esta canción no quiero criticar ser religioso, o creer en Dios, sino los que usan la religión y a Dios como una herramienta para cometer los pecados que ellos rechazan con sus propias bocas.


Purgatorio

Zombie Life reflects on the struggle of living in a repetitive, unfulfilling routine, trapped between anxiety, depression, and the distractions of modern life. It’s inspired by years of working in call centers in Honduras, where the pressures and monotony led me to lose touch with my own passions, music, and creativity.

The song explores the duality of missing opportunities while knowingly choosing the easy path, the numbing escape of alcohol and social media, and the existential realization that life cannot be lived passively. It’s about confronting the pain, accepting imperfection, and taking responsibility for one’s own motivation and happiness.

Ultimately, Zombie Life is a cathartic journey—a reminder that acknowledging the pain doesn’t make you weak. It’s about reclaiming your life, finding meaning in your own eyes, and transforming moments of darkness into self-awareness, creativity, and growth.

Zombie Life

Moon

Moon (feat. Bon Iver)

Avant-Garde Musician.

Listen to my first album ESTOICO.

Ethereal Soundscape

Trino

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