@priori-ties
@naffrecordings

For the extended Q&A plus OG pi pi pi track game please visit our website ~~~~> pipipi.life <~~~~~~~

pi pi pi Q&A ~(**)~~          


Introduce yourself? Pronouns? Where do you currently reside? 1 fun fact about yourself?

Hii I’m Francis. He/him. I live in Montreal/Tiohti:áke. I get car sick.

Who/what currently inspires you music-wise that has nothing to do with music?

The people closest to me

Dream line-up?

I would love to see Riuichi Sakamoto. 

If you had to trade your USB with one DJ, who would it be and why?

URA (Zac MacArthur)! Mans got tunes. 

How do you typically prepare a mix?

I fill a stick or a bag with music I want to play. Try not to overthink it. After a while I feel like intuition is king.

Who do you think is the most underrated artist of our time?

CFCF / Cecile Believe

3 goals for 2022 that has nothing to do with music?

Breath. Stretch more. Get a dog?

If you had to go back in time music wise what era would it be and why?

I think I’d stay right here. Insane music coming out right now!

What was your best moment on the dance floor?

DJ Fart In The Club @ Sustain Release

What is your most recent favorite DJ mix and why?

Huerco S and DJ Healthy at Public Records. Refreshing club music. Love it.

What was your first gig? How did it go? 

It was in a bar in the suburbs using Virtual DJ. My girlfriend at the time was celebrating her birthday. We were 16. It was hype. 

Any advice to upcoming DJs? 

Find a good therapist

What would you like to see in the future for the dance community? 

r.e.s.p.e.c.t

Priori - 75˚F

recorded live at Super in Aarhus Denmark
@jsmw
@motion-ward

JS 'Opening set from Super' ⓜⓘⓧ ⓪③⑧

Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


***************************************************************************************
A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
***************************************************************************************

Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

As our trajectory accelerates head-first into another year, it’s more important than ever to slow down and catch your breath. As automatic as that may seem, I’m talking more about the metaphorical meaning of breath aka a self-imposed moment of peace and quiet. To comprehend such a thing nowadays it’s crucial to have a soundtrack, and this episode of FHUO from the Daisy Records crew is the perfect accompaniment to refill the oxygen tanks. Frankifettucini & Obelix have created something truly special in this two-hour time frame, a magical trip through the sky, hopping from cloud to cloud, chasing a never-ending sunset. 

This mix is a true masterclass in immersion, which is what you would expect from two music nuts who run an incredible record store, as well as releases under the Daisy Records sub-label and curated events that really showcase what Naarm has to offer. They get it, and so will you after you listen to this. Enlightenment at its absolute finest, lose yourself then proceed to find yourself. See you on the other side. 

Peace & Love 

Their sounds >>>> https://soundcloud.com/daisyrecordsmelbourne

Their store >>>> https://www.daisyrecords.com.au/

FHUO # 92 // Daisy Records

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

"I love deep tech" is back with round II just in time for the winter solstice. As requested - twice as long and twice as funky (but split over two hours, so not too funky) and of course deep. 

In a sense a highlight reel of 2024s search for the perfect afterparty records. Fun, weird, a bit emo, uplifting but also chill : Somewhere in-between and barely cracking 110bpm. 

* may contain traces of minimal, disco and deep house.
** track ID's : see instructions on profile page <3

I still love deep tech

Track Title	~ Artist ~ Album
Gambuh I ~ Ingram Marshall ~ Fog Tropes - Gradual Requiem
Kalengra ~ Klaus Wiese ~ sounds of the dawn
Gliding ~ Josh Burke	~ Prana
Angelglow ~ Sonmi451 ~ The Eighteen Minute Gap
Golden Pothos ~ Omni Gardens ~ Moss King
Golden Hand ~ Andrew Chalk ~ The Cable House
Animalia ~ Voyage Futur ~ Secret Earth
Good Morning Patrick ~ Fuubutsushi ~ Yamawarau
parrish blue ~ Cole Pulice & Nat Harvie ~ Strawberry Roan
David And Steve Gordon At The River's Edge ~ Sounds_of_the_Dawn-Cassettes ~ sounds of the dawn
Part Two	~ The Chi Factory Featuring Koos Derwort & Hanyo van Oosterom ~ The Bamboo Recordings
Sjöstugan / Berras Hus	~ Andreas Söderström & Rickard Jäverling ~ Adelsö
Pause ~ Nils Frahm ~ Felt
Oceaner reagerer ~ Nurture ~ At binde sig til jord
And Then I Turned Away ~ Robin Guthrie & Harold Budd ~ After The Night Falls
Pillars and Jets ~ Telomere ~ Lux Primordia
Ocean Left Unspoken ~ Ben McElroy ~ eilean 100
And the Shadows on the Wall ~ Loren MazzaCane Connors ~ Lullaby
Anemone ~ Ghost and Tape ~ Vár
Golden Moon ~ Early Fern ~ Place of Rest
Goldregen ~ Roedelius ~ Wenn der Sudwind weht
Kansai ~ The Kyoto Connection ~ Postcards 葉書 (Japanese Ambient)
Days of Iron and Steam ~ Glåsbird ~ Fenscapes
MDP93 ~ Skee Mask ~ ISS007
Kamouraska ~ Loscil ~ Umbel
Memory Card III ~ BAKGROUND ~ Memory Card
5.24.2016 ~ Danny Clay ~ Stills

ambiguous and soft mix

Recorded live at the OST x Conditioner event at Nowadays on Thursday 17th July, after a performance by Organ Tapes.

Love to Ian and Nathan and everyone inside :)

Tracklist:

Mammo - Drinks Straight From the Tape 2
Oren Ambarchi & Riccardo Villalobos - Hubris Variation
Kyma & Uberdog - Compactor
Alexander Skancke - You Get A Two
DJ W!LD - Le Mur (Baby Ford’s ‘Dogtown Remix’)
cv313 - Sailing Starts
Question - Untitled
Pendle Coven - Modern Mode
Deadbeat - The Double Bong Cloud (Denial I)
Pantytec - Elastobabe (Soul Capsule’s Cosmic Warrior Mix)
SnP 500 - Unrolled
Mion - Drop The Filter
Ricardo Villalobos - Heike (Mood Mix)
Afrojack - Math
Faithless - We Come 1 (Rocket vs. Jeno Remix)
DiSKOP - Night
Eddie Richards - Medown (Evil Eddie Richards Fractured Mix)
Truly - El Trick ft. EDC
A1 People - Do It (Metamatics Remix)
Klanggut - Sump (Klystron Remix)
Smerz - Feisty
Eddie Richards - Dark 1.3
Lil Keed - Wall 2 Wall (Autobouncer620 Edit)
Jawnino - 40net (Lewi Boome Remix)
Soduh - Freddy K
Geeneus - Congo
Tactics Of Bass - Tactics Of Bass
Slick & Flash - The Rogue
Janet Jackson - Empty
Hopper1000 - Cars That Go BOOM
The 2 - We Is 1
The Cardigans - Erase / Rewind

Live at Nowadays - 17th July 2025

@mgmldrm

https://www.instagram.com/megmldrm

pi/live: Miscmeg at Miscellania 08-10-2025

A stunning recording from Liquidtime at Kwia by the inimitable Cousin @secondcousins
<3

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 #16 ft Cousin: Babbling Brook @refugeworldwide (LIVE from Kwia)

☆

by @specialguest-dj

booking inquiries 💌 refillmadness@gmail.com

JS 'Opening set from Super' ⓜⓘⓧ ⓪③⑧

3XL