Ambient (singles)

Exael/uon

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ANM035 uon — Nod

buy tape + digital nicemusiclabel.bandcamp.com - also available on Spotify, Apple Music, Tidal, Google Play, Juno Download and more.

taken from Fia Fiell 'All In The Same Room' NM020

Fia Fiell 'At The First Clear Word'

One-take synth improvisation, taken from 'All In The Same Room'.
Buy tape + digital at nicemusiclabel.bandcamp.com/album/020-all-in-the-same-room

All In The Same Room

Grapefruit

An arrangement of a synth improvisation. Taken from my new album, 'All In The Same Room' on @nicemusiclabel.
Buy LP + digital at https://nicemusiclabel.bandcamp.com/album/020-all-in-the-same-room.

7FO - 泡 / Hou  

from "竜のぬけがら/Ryu no Nukegara"" ---  ［EM Records(Osaka) 12"LP/CD/Digi］Sep.20.2018  

●Info/Vinyl,CD
http://emrecords.ocnk.net/product/189

●Bandcamp/Digital
https://emrecords.bandcamp.com/album/ryu-no-nukegara

●Music video
https://www.youtube.com/watch?time_continue=1&v=sCCwnjk0Wqw
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“Subtle, playful. Softly spoken yet speaks volumes. This is powerful stuff! The absence of music like this is what made me start producing…” (Jackson Bailey/Tapes)

“Fairy-tale of dub new-age heaven. Rainbow scenery is spread out in my brain. It’ s hard for me to get out this world” (H.Takahashi)

泡  /  Hou  - from "Ryu no Nukegara"［12"LP/CD/Digi］

凶心(Unchain me) (inst.)

HOB17: Soteria I, II by @waterhouse-1

Artwork by Gaspar De Geyndt

Download

waterhouse - Soteria I, II (HOB17)

https://clairerousay.bandcamp.com/album/a-softer-focus

Claire Rousay - Discrete (the Market)

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

LOG ET3RNAL

LOG 9

Taken from Not Waving & Romance - Eyes Of Fate [E065, Ecstatic]
 
Not Waving combines with Romance on the free-floating grandeur of ‘Eyes Of Fate’ : nine tracks of mythological, Old Testament ambient.

The first new music from Not Waving since 2019 and the first pairing with label mate Romance 'Eyes Of Fate’ explores the fertile territory between secular and religious music that has long fascinated artists, allegories on the divine and existential bliss and terror in equal measure. 

From the curdled invocation of opener ‘I Bowed On My Knees’ to the enrapturing devotional of ‘While My Heart Still Beats’ to the final judgement of ‘Kneel For Mercy’, the album wrenches highly emotive textures utilising a blend of centuries-old chant styles and orchestration consisting of  chamber strings, tape loops and plangent processed sounds.

BUY!

Not Waving & Romance - While My Heart Is Still Beating [E065]

☆

by @specialguest-dj

booking inquiries 💌 refillmadness@gmail.com

LOG 9

3XL