C12 is conceived as a place where freedom, diversity, creativity
and alternative cultures are able to thrive in disciplines such as
music, dj-culture, art, fashion and so many more.

C12 w/ Lolsnake @ Kiosk Radio 17.05.2025

A diverse and positive roundtrip of floating and punchy techno to raw house and UK related grooves.

https://www.instagram.com/schwefelgelb_official/ 
https://soundcloud.com/schwefelgelb

 

Schwefelgelb @ The Lot Radio 06-21-2025

𝙑𝙀𝙎𝙀𝙇𝙆𝘼 𝙋𝙊𝘿𝘾𝘼𝙎𝙏 093 | 𝙈𝘼𝙏𝙏𝙃𝙄𝘼𝙎 𝙂𝙀𝙀𝙍𝙏𝙎

Matthias Geerts - a new face in the electronic music scene. He expertly breathes new life into vintage songs with a contemporary touch, bridging the gap for a new generation of music lovers. He expertly puts together his sets, merging techno, trance, rave and contemporary elements. He creates a high energy and euphoric atmosphere that makes the basement groove. What sets Matthias apart is his deep appreciation for electronic music classics. In a world where electronic music is constantly evolving, Matthias Geerts remains rooted. A gentle reminder of the tunes that shaped the history of electronic music.

𝙑𝙎𝙇𝙆: How was your first DJ gig?
𝙈𝘼𝙏𝙏𝙃𝙄𝘼𝙎: I think my first paid gig was at Club Vaag. Of course, I was super nervous—playing on a proper sound system for the first time felt intense and kind of magical. Luckily, they usually give new artists the opening slot, so you can ease into it as the crowd starts arriving. But honestly, it was amazing. So many people came up to me afterward saying they loved it, asking for my name—it was really flattering. I was already used to getting attention on social media, but this was different. It felt personal. It really moved me.

𝙑𝙎𝙇𝙆: Why did you decide to start producing and djing?
𝙈𝘼𝙏𝙏𝙃𝙄𝘼𝙎: DJing became a new way to express myself. I’ve been obsessed with techno and trance since I was younger, and I wanted to try something outside my comfort zone. I’ve never really had a "full-time job" in the traditional sense—I know that sounds privileged, but I worked hard to get to where I was. At some point, fashion and content creation stopped fulfilling me. I felt empty.
I’ve played the trumpet for over 10 years, from when I was a kid into my early 20s. I knew classical music wasn’t where my heart was anymore—but electronic music was. Producing came later. I’m still taking baby steps, but it’s helping me carve out my own sound.

𝙑𝙎𝙇𝙆: As a newcomer, are you still finding your style
𝙈𝘼𝙏𝙏𝙃𝙄𝘼𝙎: I think so, yes. I’ve gone through phases—starting with 135 BPM techno, then shifting to harder techno, then dipping into more commercial trance. Now I’m finding myself somewhere in the middle of underground trance, hypnotic grooves, hard house, techno, and melodic breaks. And yeah, I know it sounds cliché, but I really try to tell a story. I take my time building up a set, allowing for breaks and melancholic moments—those emotional pauses matter to me just as much as the rhythm and energy. I think I’m getting close to the sound I’ve always wanted to create.

𝙑𝙎𝙇𝙆: We are celebrating Pride Month. Do you have anything to say about it?
𝙈𝘼𝙏𝙏𝙃𝙄𝘼𝙎: Absolutely. Pride Month is such an important moment—especially with everything happening in the world right now. Honestly, I don’t even have the words for some of it. But what’s most important is remembering that Pride started as a protest. It’s not just rainbows and parties; we have to keep using our voices, especially for the issues that go beyond the surface. Visibility, activism, and solidarity still matter deeply.

𝙑𝙎𝙇𝙆: Any big plans for the near future?
𝙈𝘼𝙏𝙏𝙃𝙄𝘼𝙎: Yes! I’m working on my first trance EP, which I’m hoping to release in November. Also, I’ve got my first overseas gig coming up this August—in Montreal, Canada, for Fierté Montréal. It’s part of their Pride festival, and I couldn’t be more excited.

Listen, enjoy and never forget:
𝙏𝙃𝙀𝙍𝙀 𝙄𝙎 𝙉𝙊 𝙍𝘼𝙄𝙉𝘽𝙊𝙒 𝙒𝙄𝙏𝙃𝙊𝙐𝙏 𝙔𝙀𝙇𝙇𝙊𝙒 𝘼𝙉𝘿 𝘽𝙇𝙐𝙀.

Pic credits (insta link): 
Photographer: https://instagram.com/seanvanechelpoel
Styling: https://instagram.com/vincentvlaeken 

𝙈𝘼𝙏𝙏𝙃𝙄𝘼𝙎 𝙂𝙀𝙀𝙍𝙏𝙎
https://soundcloud.com/matthiasgeerts
https://instagram.com/matthiasgeerts

𝙑𝙀𝙎𝙀𝙇𝙆𝘼 𝙆𝙔𝙄𝙑
https://soundcloud.com/veselka_kyiv
https://instagram.com/veselka_kyiv
https://facebook.com/veselka.kyiv
https://ra.co/promoters/129341

VESELKA PODCAST 093 | MATTHIAS GEERTS

Out now: https://ellenallien.lnk.to/undertheocean

@ellen-allien debuts a new single 'Under The Ocean' on her @bpitch-control imprint, a personal tribute to her mother who passed away in early 2025.

’Under The Ocean' presents itself as an electronic dream, with soundscapes that conceptually follow Ellen's mother as she travels through sonic realms - combining Allien's distinctive techno sensibilities with emotional depth.

More exclusive music

Premiere: Ellen Allien 'Under The Ocean'

Wrapping up July with a ballistic transmission, Berghain and Khidi resident Hayden Payne aka Phase Fatale punches in with two hours of genre-busting material, ebbing and flowing between surgical rhythmic assault and shape-shifting oneirism. Responsible for a handful of memorable platters on the likes of OSTGUT TON, Jealous God and his own imprint, BITE, Payne delivers a masterclass in laser-like DJing and ambient-scaping, pushing back the limits of techno as a vessel for emotional introspection and wordless communication. Taking us on a captivating ride across slow-evolving, finessed sonic reliefs, mind-expanding grooves and machine-told musings of the soul, Phase Fatale dazzles and subjugates. True to his ever high-flying standards and impeccable touch, a mix that shall leave you gobsmacked. Don’t sleep.

soundcloud.com/phasefatale

Reclaim Your City 654 | Phase Fatale

Hi-Gene w/ 747 @ CS Radio - 08/03/2025

TECH CLUBBERS PODCAST W/ KYRUH

KYRUH is a impact specialist forced in the crucible of modern NYC's notable spaces, including WIRE, Dweller and Bossa Nova Civic Club. Their sound is that of a DJ skilled at pressure without requiring shortcuts through obvious terrain, adept at hammering it without defaulting to speed alone. Her live sets are raw, hypnotic, and dripping with sex appeal.
The bubbly Brooklyn DJ/producer is breaking techno's austere norms to facilitate communal therapy on the dancefloor, while still carving out a space for the grittier edges of sound. 
Emerging from the city's DIY scenes, KYRUH's regular performances at BASEMENT NYC has steadily built a reputation in a space engineered for intensity and sonic immersion, offering something rare: techno that doesn't overwhelm, but purgatively envelops.
"For this guest mix - she's created a surrealist odyssey shaped by polymorphic techno, off-kilter soundscapes, and tribal rhythms."

TRACKLIST:
AMANTRA - Mariposa
Donato Dozzy - Messy Kafka World
Benjamin Mull - Sonkad
Marcal - Ancient Swing
DJ Dextro - Element One
CMRK - Bonfire torture
Developer - Mayan Medusa
Ribé - Symmetry Axis
Dean Grenier - Hurrikan
Uun - Ouroboros
XX 16 A1 - GIRI
Syncom Data Feat. Saara Soini - Rumpukone ( Perc Remix ) 
Endlec - Vomv
Oxygeno - Infectious
Human Safari - Oye
Wata Igarashi - Kaleidoscopic
Thomas Bangalter - Sangria
Kang Brulèe - La Ginestra
Raays - Beneath Your Surface
Fleet.dreams - iLL Enargeia

Follow KYRUH here:
Instagram: https://www.instagram.com/yeskyruh
Soundcloud: https://soundcloud.com/kyruhx

KYRUH - Tech Clubbers Podcast #418

REC 38 w/ Akua

On May 30, Akua lit up Room 01 with a fierce blend of 90s-inspired techno, acid basslines, twisted bleeps, and relentless machinal funk. Sharing the lineup with VIL, Phara, and Marie-Julie, she carved out her own space, evoking Detroit and Midwest techno’s deconstructed roughness and the continuum of rave culture. Her set was a bold convergence of classic heritage and edgy futurism, and we're all for it.

▪️ Soundcloud: @akua_dj
▪️ Resident Advisor: ra.co/dj/akua
▪️ Instagram: https://www.instagram.com/akua_b_/

Akua ― Recorded Live at Fuse (30.05.25)

For the 49th episode of the BPitch Podcast, we are excited to welcome Wallis!

Our favorite studio rat handed us a very special DJ set, where she plays exclusively her own music, mainly unreleased tracks she wrote in the last 12 months, showcasing just how wide her production range is. Wallis is one of a kind, and writes techno that speaks to the soul. Her music is for dancefloors but comes straight from the heart. Not many are the techno producers with this kind of catalogue, and even rarer are the die-hard innovators, looking to twist and bend techno into new forms like her. 

Being different and pushing boundaries in our social-media-driven world is sometimes punished by the algorithms, but artists like Wallis remind us that creativity and art is something still worth striving and fighting for. 

Tracklist: 
Wallis - think of me when it gets dark (unreleased)
Blawan & Wallis - unreleased
Wallis - this is me not reaching out (unreleased)
Wallis - mmh (unreleased)
Wallis - everything is big and small (unreleased)
Wallis - 5 (unreleased)
Wallis - feel without senses (unreleased)
Wallis - 2 (unreleased)
Wallis - 4 (unreleased)
Wallis - grow up (spooky mix) (unreleased)
Wallis - this is me joining you (unreleased)
Blawan & Wallis - Mr Ferret
Wallis - this is my last letter (unreleased)
Wallis - teenage apocalypse
Wallis - bring colour into my world (unreleased)
Wallis - big is big (unreleased)
Wallis - the things time took from us (unreleased)
Wallis - sleeping pills are gone
Wallis - in the beginning was you and i (unreleased)

Follow #Wallis:
@wallis-music
https://www.instagram.com/wallis909/

Wallis playing at We Are Not Alone in Paris on September 27th at Mia Mao. Catch her live set - get your tickets now: https://shotgun.live/en/events/wearenotalone-ellen-allien-dr-rubinstein-wallis-mia-mao

BPITCH 049 - Wallis

My first Berlin set for Klub Verboten closing.
Still feeling the afterglow of that night.
It was my first time playing in Berlin, and I was trembling with nerves, changed the concept more than once before stepping into the booth. But the energy of the crowd, the love for techno, the way Berlin listens… it was unforgettable.

Thank you for your dance support..meow

With love,
YY.

Yova Yager || Berlin @Kreuzwerg || Klub Verboten|| 05.25

"A Broken Clock Is Right Twice A Day" EP is comprised of 7 tracks recorded in Kazan and Moscow during various sessions. Some of them go back as early as 2014 and everything is composed on two 8-track samplers. 

Alina Izolenta and Kamil Ea were born in the USSR, so the origin of the acronym PTU is embedded in everyday life of a country which no longer exists. The duo spent their childhood in Siberia and on Volga, and their salad days in music schools and early clubs of their respective home cities. 

Back then accessing the internet was only possible via pre-paid cards that came in envelopes. Music — via pirate CDs and endlessly slow mp3 downloads. Friendships would stem from copying music from hard drive to hard drive. The name PTU came to life in the middle of 00s, in a rented apartment, literally the last building in some steet on the outskirts, over impromptu synth sessions with friends.

B1 PTU - Between Us

trip