The melodic transitions are smooth and keep the musical flow intact.

Seq34 Mm K           25  March  Nine Months Before Christmas - Santa Klaus Fanfare7

A Toast to Us delivers that raw, electric energy of early 2000s punk rock, channeling the anthemic spirit of Green Day with a modern twist. Fueled by driving guitars, punchy drums, and heartfelt vocals, it blends classic pop-punk grit with emo-tinged lyricism that hits right in the nostalgia. It’s the sound of late-night drives, bittersweet memories, and raising a glass to love, loss, and the moments that shape us. Whether you’re headbanging in the crowd or screaming along alone, this track is a toast to every high, every low, and the unshakable bonds in between.

A Toast To Us {Punk/Pop Rock}

This song, “They All Knew (Trump & Epstein Blues),” is my protest anthem about power, privilege, and silence. I wrote it to expose the web of complicity between Donald Trump, Jeffrey Epstein, and those who enabled their crimes. It’s not just about two men—it’s about the institutions that looked away while young girls were hurt and justice was traded for influence.

I wanted the verses to feel like reading a declassified file—cold facts dripping with truth—while the choruses rise like a collective cry from the survivors. Every “They all knew” is both accusation and lament, a reminder that silence protects the guilty. This one’s for every voice that was ignored, and for the courage it takes to keep telling the truth.


LYRICS:

[Intro]
Melania knows.
Acosta knows.
The victims know.
Palm Beach Police know.
The FBI knows.
They all know.

[Verse 1 – The Introduction]
’99 at the Knicks game lights,
Donald and Melania, date-night smiles so bright.
Epstein in the crowd, Zampolli pulls the strings,
Models, moguls, dirty kings.
“Terrific guy,” Trump laughed on cue,
They drank champagne while the cameras flew.
But behind that flash, the whispers grew,
And the girls who cried — yeah, they knew too.

[Pre-Chorus]
Palm Beach nights, the mansion walls,
Where secrets echo down the halls.
History’s watching, the world in pause,
And justice trembles at the cause.

[Chorus]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Money hides but truth breaks through,
And the lies all fall in view.
They all knew, yeah, they all knew—
Acosta signed, the pain renewed.
They all knew… they all knew.

[Verse 2 – The Deals and Denials]
Maison de l’Amitié, bought in gold,
While Trump’s casino empire sold.
Epstein lost, the friendship broke,
Two devils choking on their smoke.
Acosta’s pen made the nightmare real,
A secret pact, a sweetheart deal.
The girls were silenced, justice too,
And still they smiled for photo shoots.

[Pre-Chorus 2]
Power talks in whispers low,
While victims beg for truth to show.
History’s bleeding through the cracks,
And Epstein laughs—no turning back.

[Chorus 2]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Mar-a-Lago to Fifth Avenue,
They shared a sin the world once knew.
They all knew, yeah, they all knew,
Acosta signed, the pain renewed.
They all knew… they all knew.

[Verse 3 – The Fall]
Stormy storms and Access lies,
“Grab her by the—” on replay twice.
Melania’s gone, that “cooling off” smile,
She knows the secrets stretch for miles.
Then Epstein’s gone, cameras die,
A noose appears beneath the sky.
Maxwell caught, Virginia speaks,
And Trump denies for endless weeks.

[Bridge – The Reckoning]
She warned, “I’m not suicidal,” clear,
Her voice still ringing in our ears.
The pastor falls, the files still sealed,
The cycle spins, the wounds unhealed.
But truth’s a blade—it cuts through spin,
And even kings can’t cage their sins.

[Chorus – Extended Anthem]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Money hides but truth breaks through,
And ghosts still walk Mar-a-Lago’s view.
They all knew, yeah, they all knew,
Melania, Acosta too—
From Palm Beach halls to D.C.’s pews,
They all knew… they all knew.

[Verse 4 – 2025 and Beyond]
Giuffre’s gone, the headlines fade,
The House calls out, subpoenas laid.
Gloria walks, the victims stand,
Demanding truth across the land.
And Trump just laughs, “Old history,”
While bodies fall like prophecy.
But every lie will meet its due,
When justice finds the chosen few.

[Final Chorus]
They all knew, they all knew,
Trump and Epstein, the chosen few.
The girls were children, now they’re gone,
But truth still sings their battle song.
They all knew, yeah, they all knew,
No more secrets left for you—
We won’t forget, we won’t undo,
’Cause we all know…
And now we see it too.

[Outro]
Melania knows.
Acosta knows.
The victims know.
Palm Beach Police know.
The FBI knows.
Trump knew.
Epstein...
They all knew.

They All Knew (Trump & Epstein Blues)

This song comes from a place of heartbreak, not hate. It’s me speaking as someone who still loves this country deeply, even with all the damage that’s been done. My grandfather was actually a big fan of Trump back in the day—long before he ever ran for office. I remember him watching that old Oprah interview where Trump said he might run someday, and my granddad said he thought he’d make a good President. If he were alive now, I know he’d be heartbroken and appalled to see what Trump has done to our country—to our people, our values, our sense of decency. This song is like a letter I wish I could read to him, and maybe to America itself. It’s slow, dark, and honest—part protest, part mourning. It’s about loving your country enough to call out the ones destroying it, even when it hurts to say the words: I never knew you.


LYRICS: 

[Intro]
This isn’t hate.
This is heartbreak.
The kind that burns slow.
The kind that makes you write a letter you’ll never send. 

[Verse 1]
I'm still glad to be an American
Even with the mess we're in
But I'm writing you to say you suck
'Cause you're just a nasty fuck 

[Verse 2]
It don't matter what your policy is
You're tearing down what we've always been
If I could see my granddaddy now
I wonder what he'd say to him 

[Pre-Chorus]
I can hear him now—
Voice cracking through the years—
Saying the words I never wanted to believe. 

[Chorus]
“I never knew you
I'm ashamed to have ever shook your hand”
You can't claim to be a patriot
While you're burnin' down this sacred land
This hateful letter's to you
I'm just speakin' the truth
I'm just speakin' the truth
We never knew you 

[Verse 3]
I don't care how much you paid in taxes
It ain't about what you owe
What you're takin' from us
Is worth a whole hell of a lot more 

[Verse 4]
And now you got folks hatin' on each other
We're more divided than we've ever been
It's time to pack up and go back to Mar-a-Lago
Or maybe we can build a wall around it 

[Final Chorus] 

I can hear 'em now,
“I never knew you
I'm ashamed to have ever shook your hand”
You can't claim to be a patriot
While you're burnin' down this sacred land
This hateful letter's to you
I'm just speakin' the truth
I'm just speakin' the truth
We never knew you 

Ooh ooh ooh ooh
Ooh ooh ooh ooh 

[Outro]
Maybe someday…
We’ll find our way back home.
But not like this.
Not like this. 

Not like this.

Letter to President Trump

LYRICS 
Take It Like It Is

Your rebel heart is breaking apart 
Take the pain to what you can sustain

You act so brave
You're ready to fight
But your really terrified

It's ok ,there is always a way
To free the lion from it's cage 

With all your scars, you've made it so far
You never want to play the game

Take it, take it like it is
Shake it, Shake it, as you wish
Break it


No compromise, you want to survive
Middle fingers to the world outside 

You try to live your way
But all they want to do is douse your flame

What you see, what you do , everybody wants to take a piece of you

Well it's just the way it is   

Take it, take it like it is
Shake it, Shake it, as you wish
Break it

Take it, take it like it is
Shake it, Shake it, as you wish
Break it

Fake it, Fake it 
Make it like it is
Crave it, Crave, as you wish
Chase it yeah yeah















Take It Like It Is

“Shroud” is a melodic and mournful ambient electronic piece from Absence — drifting in slow, elegiac waves that carry both sorrow and the faintest glimmer of hope.
Soft, glowing synths unfold like distant light beneath heavy fog, while slow-moving drones form a tranquil, peaceful undercurrent.
It sits in the emotional space between stillness and renewal — atmospheric, reflective, and quietly luminous.

The track draws inspiration from the early ambient works of Aphex Twin, the glowing soundscapes of Jónsi & Alex, and the restrained emotional weight of Ben Frost and Max Richter.
Perfect for late-night listening, introspection, creative work, or any moment needing calm, emotional clarity.

For fans of: Aphex Twin, Jónsi & Alex, Ben Frost, Max Richter, Tim Hecker

Siegfried Jünger – Shroud | Ambient Drone, Peaceful Electronic (FFO: Aphex Twin, Jónsi & Alex)

For anyone who is in turmoil in a relationship.  My tribute to Coldplay's beautiful tune with the help of one of my fingerstyle-guitar inspirations, James Bartholomew.  I hope you enjoy my vocal arrangement on this one.

A Rush of Blood to the Head

Clocks

Clocks - Coldplay Cover (ft. J. Bartholomew)

im retten verloren

Love Of Yesterday

A haunting journey into the shadows with "Their Dark Secret" by The Dark Messiahs.

This track is an atmospheric blend of Doom Jazz and Dark Jazz Noir, characterized by its intense mood and minimalist arrangement. Featuring sparse percussion from Sticks Thompson and resonant, brooding bass work by Wilt Flowers, the rhythm section lays a hypnotic, deep foundation.

Sonny Rhodes' melancholic piano weaves a spectral melody above the dark soundscape, occasionally punctuated by the chilling, soulful contributions of Guy Stansfield on clarinet and Blue Six on muted trumpet.

Perfect for late-night listening, film noir enthusiasts, or fans of deeply atmospheric, instrumental music that pushes genre boundaries.

That sounds like a fascinating track! A blend of doom and jazz is very unique. To create a robust, keyword-rich set for SoundCloud and help boost your traffic, I'll focus on leveraging the distinct elements of the music.

Here is a full, keyword-rich metadata set for your track:

🎶 Track Metadata for SoundCloud
Title
The Dark Messiahs - Their Dark Secret (Doom Jazz Noir)

Description
A haunting journey into the shadows with "Their Dark Secret" by The Dark Messiahs.

This track is an atmospheric blend of Doom Jazz and Dark Jazz Noir, characterized by its intense mood and minimalist arrangement. Featuring sparse percussion from Sticks Thompson and resonant, brooding bass work by Wilt Flowers, the rhythm section lays a hypnotic, deep foundation.

Sonny Rhodes' melancholic piano weaves a spectral melody above the dark soundscape, occasionally punctuated by the chilling, soulful contributions of Guy Stansfield on clarinet and Blue Six on muted trumpet.

Perfect for late-night listening, film noir enthusiasts, or fans of deeply atmospheric, instrumental music that pushes genre boundaries.

The Dark Messiahs are:

Sticks Thompson - Drums
Guy Stansfield - Clarinet
Blue Six - Trumpet
Wilt Flowers - Bass
Sonny Rhodes - Piano

For Fans Of (Similar Artists/Styles)
Bohren & der Club of Gore
Dale Cooper Quartet & the Dictaphones
The Kilimanjaro Darkjazz Ensemble
Angelo Badalamenti (Twin Peaks Soundtrack)
Jazz Noir / Dark Ambient
Cinematic Post-Rock

#DoomJazz
#DarkJazz
#JazzNoir
#TheDarkMessiahs
#TheirDarkSecret
#NewMusic
#Atmospheric
#ExperimentalJazz
#Soundtrack
#MutedTrumpet

The Dark Messiahs - Their Dark Secret (Doom Jazz Noir)

Error 404 (I'm Not Here Anymore)

Trixx66, a producer and performer. Blending guitar-driven indie/hard rock, pop, and rhythmic grooves, his music spans emotions from nostalgia to joy. Influenced by classic rock, funk, R&B, reggae, and pop, music that moves the heart and body.

Take It Like It Is

Trixx66

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