https://my-dear.bandcamp.com/album/my-dear

Music by @adaofficial & @david-hasert
Remix by @superpitcher_official
Written by Bob Lind / Verve Folkways 1966
Mastering: Hans Frage / Deinklang
Original Version: Kompakt 298 / 2014 @kompakt
Label: MY DEAR / 2023

MY DEAR

DAMH - Black Night (Superpitcher Remix)

Alex Smoke  -  Don't See The Point  [Rework]

Buy/stream: https://kompakt.fm/releases/the_floor_is_lava_2xlp_dl

Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

The Floor Is Lava

Süsser Schlaf

Michael Mayer - Süsser Schlaf

Soft Embrace of Memory Foam

iridescence

Iridescence, All things resonate (万物皆有共鸣)

With his album “Tuono” Fango conducted an essay on the atmospheric agents. It now gets revisited by 3 of the most innovative producers around: Prins Thomas, Rebolledo and Barnt and Jens-Uwe

Fango - Dritto (Rebolledo's Action Sequence)

The Cyclist	
PRESSING MATTERS (ROBAG WRUHME REMIX)
Hypercolour / HYPE054


decks.de

THE CYCLIST - PRESSING MATTERS ROBAG_S PINVOLDEX SULL NB

Album: Fear Of An Extra Planet
Label: Cocoon Recordings
http://cocoonrecordings.bandcamp.com
https://33r.pm/efp

Fear Of An Extra Planet

Extrawelt - Superposition

@Keller has been running since 2012 and working as an independent electronic music label, based in the Berlin club scene.  They are known for their showcases and festivals sets all over Europe with their musical style sitting somewhere between melodic techno and Deep Disco.
 
The latest release is a vinyl / digital package coming from @Acud in the form of his ' Verbrennungsmotor EP.   Lasse Winkler aka Acud is a producer, DJ & live act who lives and works in Berlin Neukölln, as co-founder and booker of Sisyphus and Keller. His own musical style has evolved into his self-styled genre of "Deep Space Disco". We were immediately big fans and 'Rotzlöffelträne' is a great introduction to his dreamy melodies.
 
Release Date - 07/09/18

Sinchi Blog - https://www.sinchi-collective.com/premiere-acud-keller/

Youtube - https://youtu.be/L2TIVrtFeYI

PREMIERE - Acud - Rotzlöffelträne (Keller)

♬ Click for more ☞ http://trndmusik.de

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Get Douglas Greed's LP on @3000-grad Records here:
➟ All Platforms: https://www.douglas-greed.com/linktree

"Roll With The Punches" is the second single taken from @douglasgreed's forthcoming album "Angst". It shows his talent for tracks that dress up as songs. The vocals and lyrics by his friend @joy-wellboy paint a sweet - sour picture that is able to give you much needed sun in the morning. It as a warm blanket that emerges out of thin air and is here to stay. The track thrives to the moment when all the sorrow and fears fall down the edges while you stay there and enjoy the sight of waves.

trndmsk: How long did it take you to produce the album?

Douglas Greed: I think the oldest track is more than four years old. I didn't wake up one morning and told myself „lets make another album“. It was rather a slow process and at some point i had a couple of tracks that fit together. And then came the idea to have an album that is about „Angst“.

How did you choose the title of the LP? Is there a special meaning behind it?

These past couple of years felt like everything was a bit out of control - a bit out of tune. Starting with the UK voting for Brexit, then the US electing the worst human being into office and even Germany french kissing with fascism. That seriously kept me up at night! I was afraid - i am afraid. This helplessness was new to me - i never thought that things could turn this bleak. Who in his right mind would vote for a dude who says „you can grab them by the pussy“ or how can it be that German people vote for a fascist teacher … ?

And then there is climate change … That seriously scared the shit out of me.
So i decided to see how i can put this into music. But not just political rooted fear but also personal fear that comes with being an artist.

What inspired you to produce the tracks and the LP?

There are songs with guest musicians that gave the „Angst“ theme their own spin and there are a couple of tracks without vocals. With those instrumental tracks i tried to catch the bitter-sweetness of fear, as it is also the driving force in my life.

Where and how did you produce the tracks?

I produced most of the tracks in my studio in Berlin. For some of the recordings i drove to Switzerland to record and talk with ODD BEHOLDER.

How did the collaborations come about?

I talked with ODD BEHOLDER and Joy Wellboy about my ideas of "Angst" and asked them to put their own approach into vocals, Lyrics and riffs. Which was quite interesting for me as everyone of us has a different relationship with fear and the way it impacts their life.

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Angst

Douglas Greed & Joy Wellboy - Roll With The Punches

Click for more ♬

Get your copy here: https://cascandy.fanlink.to/hardpark 

www.cascandy.com

Park Hard

Get it here

Hardees (Original Mix)

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🌵"mirrors & moonstones " by @calyjandro ☞ https://bit.ly/3WH4ihs 🌵
🌞 "kaniba" by @yemanjo & @mariam-kone-2 ☞ https://bit.ly/3zqYBtS 🌞
⚡️ "gamelan" by @nasiri_music & @german-brigante. ☞ https://bit.ly/3r99XhO ⚡️
🏝 "puerta del sol" by @j_pool, @yemanjo & @sebacampos_musica. ☞ https://bit.ly/3AIr8Lh 🏝
🛕"serendipia" by @mutulmusic & liza ☞ https://bit.ly/3KFSWob 🛕
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trndmsk is a project about electronic music, founded in December 2010.
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