Red Industrie is Helder Camberos' solo electronic music project from Guadalajara Mexico presenting the track titled "They Dominate By Law" remixed by Russian artist Alexey Mironyuk aka Velax.

Artist: Various Artist  
Tittle  BodyWorkSelections Vol. 2
Artist and Song Red Industrie - They Dominate By Law (Velax Remix)
Label: MISERIA - @miseriarecords Berlin, Germany
Format: Tape + Digital Music
Release date: Sep 16th 2022
GET IT HERE: https://miseriarecords.bandcamp.com/track/d3-red-industrie-they-dominate-by-law-velax-remix


Follow Miseria :
Facebook : www.facebook.com/miseria.records
Instagram: www.instagram.com/miseria_records_/
Bandcamp : miseriarecords.bandcamp.com/
SoundCloud : @miseriarecords

Follow Red Industrie  
Facebook : facebook.com/redindustrie
Instagram: instagram.com/redindustrie
SoundCloud : https://soundcloud.com/redindustrie

Follow Velax  
Facebook : https://www.facebook.com/iamvelax
Instagram:https://www.instagram.com/iamvelax/
SoundCloud : https://soundcloud.com/iamvelax

Mastering: @carlosgrabstein
Creative Studio : @brutalgrafika
Designer graphic : @Alexorgon
Model: @Elise Laurence
Photography: @carlosgrabstein

Red Industrie - They Dominate By Law (Velax Remix)

Combat Boots

Promesas oscuras (Under a dark light mix)

En el silencio de la noche profunda,
Las promesas oscuras despliegan la duda,
Como susurros de un secreto oculto,
Que en el alma se abre sin rumbo.

En la penumbra de promesas oscuras,
Se teje un manto de misterio y dudas,
Donde palabras ocultan verdades,
Y las promesas son sombras errantes.
Prometen luces dentro de la negrura,
Sus destellos son solo impostura,
Engañan y siembran siempre la duda,
Y detrás de ellas se esconde amargura.

Las promesas oscuras son laberintos,
Marcan el rumbo de nuestros instintos,
Nos atrapan en redes, nos hacen creer,
Que encontraremos lo que deseamos tener.

En la penumbra de promesas oscuras,
Se teje un manto de misterio y dudas,
Donde palabras ocultan verdades,
Y las promesas son sombras errantes.
Prometen luces dentro de la negrura,
Sus destellos son solo impostura,
Engañan y siembran siempre la duda,
Y detrás de ellas se esconde amargura.

Al final del camino solo hallamos vacío,
Las promesas oscuras son un cruel desafio,
Nos dejan solos y abandonados,
Corazones heridos y sueños destrozados.

En la penumbra de promesas oscuras,
Se teje un manto de misterio y dudas,
Donde palabras ocultan verdades,
Y las promesas son sombras errantes.
Prometen luces dentro de la negrura,
Sus destellos son solo impostura,
Engañan y siembran siempre la duda,
Y detrás de ellas se esconde amargura.

Promesas Oscuras

Opening track from Jonas Munk's "Pan" album, released in 2012. The album is being reissued on vinyl March 2nd, 2015!

Orders from www.elparaisorecords.com include downloadcard and artprint.

Preorder: http://www.elparaisorecords.com/content/jonas-munk-pan-lp

Bundle (including Jonas Munk's new record + two artprints): 
http://www.elparaisorecords.com/product/jonas-munk-lp-bundle-preorder

--------------------------------------------------------
Info:

"Pan simultaneously betrays Jonas Munk's connections to the European stoner-rock community and the world of electronic ambient music – this album combines ideas from both worlds, while the result really doesn't belong in neither of them. With Pan's motoric analog synthesizer patterns and its warm, fuzzy drones the influence from 1970's German synthesizer- and new age music, such as early Kraftwerk, Ashra and Popol Vuh, is apparent from the first note. But there's also definite traits of American styles running through this album – from the flowing optimism of Alice Coltrane and Terry Riley to the modern-day psychedelia of Comets on Fire and Bardo Pond. 

While large parts of Pan has been programmed on electronic equipment there's a jam-like quality emanating from album's seven tracks. The album reflects the idea of giving up rationality and control with the purpose of letting the music flow towards it own ends. The compositional ideas are incredibly simple while still carrying a certain depth. Soundwise Pan is all about analog machines, 30+ year old synthesizers, detuned guitars and heavily cranked vacuum tube amplifiers weaving together in fuzzy, pulsating glory."



Jonas Munk: "Orca"

My remix of Neila Invo's "B.P.D." single from 2024. Remixed and mixed at Aeterna, NYC.

Available for download: 11 May, 2024 at: 
https://neilainvo.bandcamp.com/music

Also available on all other major download and streaming platforms.

Bandcamp

Neila Invo - Bastards Portraits Of Demons (Cage Remix)

'British Warm' is taken from Normil Hawaiians' debut album 'More Wealth Than Money' (1982). Remastered and reissued this December through Upset The Rhythm.

http://www.upsettherhythm.co.uk/
http://normilhawaiians.com/

Normil Hawaiians had a transformative 1982. With two 7” singles and a 12” EP under their belts they suddenly found themselves disillusioned with the increasingly generic sounds surrounding them, so they forced the hand of change and began reaching out with that very hand. The band’s true constant in Guy Smith soon found himself with a new crew of musicians, Simon Marchant, Noel Blanden and Mark Tyler. Normil Hawaiians’ communal take on post punk quickly sprouted leaves from its mouth, and began carving out a new furrow. Greater emphasis was awarded to improvisation within the group and as a result their songs embarked on longer, freer journeys towards the beaten bounds. They wanted these new songs to bear the weight of their new collective spirit so comfort zones had to be left behind. Tape loops, echo boxes, extended percussive sessions and duteous faith in the tones emanating from a particular old wah-wah pedal were all employed by Normil Hawaiians to stretch their sonic fabric into wild and redolent new dimensions.

With Illuminated Records interested in the band’s new visionary approach, Normil Hawaiians relocated from their South London dystopia to a rural idyll in the Welsh hills, determined to develop further this raw language for themselves. They booked into Foel Studios near Llanfair Caereinion for an extended period of time, set the tapes rolling and didn’t look back. They were somewhere they knew they could experiment; at a studio that understood the results would be uncertain. Dave Anderson, who managed and engineered at Foel was exactly the right person to work with them. Anderson had come from an experimental background himself, having played in Hawkwind and Amon Duul II. Normil Hawaiians were encouraged to explore their ideas beyond limitations with Anderson happy to leave the tape recording to capture their embryonic improvisations taking shape. Anderson even joined in on bass for several of those sessions as the ensemble strove to find its authentic voice, supplemented further when their cellist friend Klaus dropped by to spend a spell with them. 

At this very moment Normil Hawaiians existed solely for the music, living together in a small cottage in the studio’s shadow, sharing everything together and working long days to nurture and then burnish the music they had discovered between them. This is how the band’s debut album ‘More Wealth Than Money’ was formed, through trial and close listening, through cultivation and patient growth. Of course there were significant amounts of mushrooms involved too and several UFO sightings, but when the sheep began to march in time to the music Normil Hawaiians knew they were creating something unique.

On December 1st, 35 years since the album first appeared, Upset The Rhythm will be reissuing the newly re-mastered ‘More Wealth Than Money’ album, alongside a further full-length collection of demos and unreleased tracks from the album’s overlooked corners. Both the 2xCD and DLP versions also come with a booklet contextualizing the release, full of anecdotes and photos from all band members. This release follows on from 2015’s ‘Return Of The Ranters’, Normil Hawaiians’ lost final album from 1985, which ultimately saw the light of day in a different age through Upset The Rhythm too.

More Wealth Than Money

Normil Hawaiians - British Warm

Holiday - HEAT

More information about Basic Pain Procedure at http://www.nitzer-ebb.de/ebbdotcom/diskografie_demo_basicpainprocedure.html

Star (unedited version from the BPP Mastertape)

Taken from the Omaha, NE musician's fourth proper album, "Peaced and Slightly Pulverized", out October 5th, 2018 via Trouble In Mind Records (www.troubleinmindrecs.com)

Omaha, NE musician David Nance is nothing if not prolific. Over the course of the past six years, he has released three full-length albums for labels Grapefruit and Ba Da Bing, a 7-inch, numerous cassettes, CDRs and unlicensed "cover albums" of artists like Lou Reed, The Beatles, Rolling Stones and Doug Sahm. His latest full-length is credited to the "David Nance Group" and features Nance alongside his recent hot-shit live band of fellow Omaha musicians; guitarist Jim Schroeder, bassist Tom May and drummer Kevin Donahue.

David Nance Group "Poison" (Trouble In Mind Records)

Title track from the new solo album 'TUTTI' by Cosey Fanni Tutti. 

Released by Conspiracy International on 8th February 2019
on Vinyl, Compact Disc, Digital Download and Streaming.

Pre-Order here: https://cargorecordsdirect.co.uk/products/cosey-fanni-tutti-tutti
For more information visit: http://www.coseyfannitutti.com
Video version: https://youtu.be/NgXD3XvE08U

PRESS RELEASE

COSEY FANNI TUTTI announces the release of her second solo album, TUTTI, 
out on Conspiracy International on 8th February 2019.

TUTTI is comprised of eight soundscapes: an audio self portrait comprising of manipulated sound recordings from Cosey’s life, music and art: “It’s the only album I’ve made that is an all encompassing statement expressing the totality of my being. A sense of the past in relation to the present and everything in between.”

These eight pieces were originally conceived as the soundtrack to the autobiographical film ‘Harmonic Coumaction’, and performed live in February 2017, part of a series of events that accompanied the COUM Transmissions retrospective which opened Hull UK City of Culture 2017. Later that year, ‘Harmonic Coumaction’ was presented as an audio-visual installation for Cosey Fanni Tutti’s solo exhibition at Cabinet Gallery, London.

Cosey Fanni Tutti explains: “Working on the COUM Transmissions exhibition also coincided with writing my autobiography - collating archive material and re engaging with my past. My work is a continuum, the past feeding the present and vice versa. The album is an interpretation of my past and present, of my understanding the shifting perceptions of how they inform one another. One form creating another through a metamorphic process.”

On TUTTI, the music has been updated and enhanced with elements of the original tracks re-recorded and further processed specifically to create a unique stand-alone document, separate to the live performance and installation.

Recorded at Cosey Fanni Tutti’s studio in Norfolk, the album, as on her debut release, Time To Tell, merges Cosey’s art activities with her exploration of sound: The album’s autobiographical theme is not locked into any specific time or place, the ‘voices’, instruments and sounds together span decades of my life, music and art. In this context my name 'TUTTI’ shifts from its role as a noun to perfectly represent the concept of the album, also acting as sign for me the artist.

TUTTI is Cosey Fanni Tutti’s only solo album release since 1982’s Time To Tell. Time To Tell was recently given its first release on vinyl, on a long awaited official deluxe edition. The interim years between solo releases has seen a blisteringly prolific output as an artist and musician. Renowned for her art, her work in the sex industry, as co-founder of Industrial music and Throbbing Gristle, and her pioneering electronic music solo and as Chris & Cosey, Carter Tutti and Carter Tutti Void, she has created throughout with the motto “my life is my art, my art is my life”. 

Cosey’s autobiography ART SEX MUSIC was published to worldwide acclaim by Faber & Faber in 2017, a Japanese edition has just been published with further translations and an audio book to follow.

TUTTI TRACK LISTING
Tutti
Drone
Moe
Sophic Ripple
Split
Heliy
En
Orenda

TUTTI

TUTTI (edit)

TUTTI (Edit)

Dropsonde

In the Shape of a Flute

Chicago, IL label founded in 2009 with releases by NIGHTSHIFT, Writhing Squares, FACS, Melenas, En Attendant Ana, Mountain Movers, Headroom & more - Cop It. Don't Swap it.

David Nance Group "Poison" (Trouble In Mind Records)

TroubleInMind