Artist, composer, musician
pd.harbour@gmail.com

We are a 4 piece, Dallas punk-blues band with a dirty foot in the Mississippi Delta blues mud. Think Muddy Waters driving an out of control 18-wheeler with Angus Young navigating. Please don't think this is your average Stevie Ray Vaughn-wanna-be band with 6 minute guitar solos. We rely on that dirty juke joint sound turned to eleven to make a body move.

We have a full CD out and have played quite a few great local shows as well as appearances on some local radio shows. A new release recorded at AquaLab studios in Dallas is in the works.

The 1969s are a small self labeled “Party Blues” band formed in 2008 in Dallas, Texas with a massive sound. Rooted in foot-stomping delta blues with tastes of funk and down right booty shakin’ grooves. This band puts on a rockin’ juke joint style show and everyone in the room has a party.

The 1969s are:
Scott Lindsey - Guitars/Vocals
Troy Thibodeaux - Bass/Vocals
Sal "The Wolf" Torneo - Drums
All members are from Louisiana

Professor of Psychology at UofT, Lecturer, YouTube Personality, Author of Maps of Meaning & 12 Rules for Life: An Antidote to Chaos

Vox - Sean Dailey
Guitar - Ed McMahon
Bass - Ricky Wolking
Drums - Danny Handler

“As a well-spent day brings happy sleep, so life well used brings happy death.” - Leonardo da Vinci

In 2008, The Better Death started playing together as a band. Bassist, Ricky Wolking, and drummer, Danny Handler, lived across the street from each other and started making crushing grooves to keep their neighbors on edge. Handler knew guitarist Ed McMahon from school, and McMahon soon began adding to the miasma of sound. Ricky knew vocalist Sean Dailey from his time in the L.A. music scene and invited him to fly to Texas and yell over the radiant noise. Soon the sounds took on a life of their own and demanded to be set free.

Trying desperately to get to the nougaty center of the music they loved, “The Better Death” began writing. Creating a style that mixed hard rock, ethereal textures, advanced rhythmic ideas and deep harmonic structure, they gave up on genre and aimed at music. This has been dubbed “Muzika Originale.”

Finding other swimmers in a sea of floaters:

The first album was released in 2009 on Do For It records. Do For It Records is not a label but more of a collective of musicians dedicated to their own visions of music and based on mutual respect of the ability to make something beautiful and ridiculous.

The band began playing around Texas.

Many people were impressed by the hand, leg, and voice oriented acrobatics of the quartet. Some were deeply moved by the combination of subtle aggression and wild joy. Others felt hurt and confused by the surprising sounds dancing in their ears… many did not get to hear. Shows with national acts like Steel Panther, Electric Six, Polysics and others opened them to a wider audience. In Houston, Texas Buzz magazine nominated them for live act of the year. Dallas webzine Pegasus listed the band in their 10 must see bands of 2010. Indie Music Review said “easily one of the best albums we’ve ever heard, a clear nomination for album of the year.”

In 2011 the band took a hiatus from live shows to deal with personal issues. In January of that year, drummer Danny Handler was diagnosed with ulcerative colitis, an incurable inflammatory bowel disease. His struggles with this disease landed him in the hospital several times and made it impossible to perform live. While Danny began recovering, the band concentrated on writing and recording a new album.

On November 2, 2012, the band released their newest album “Day of the Death.”

With in-depth interviews of experts on controversies such as “green energy,” offshore drilling, “energy independence,” fossil fuels, etc, Power Hour seeks to help listeners get clear on these complex but vital issues. Every episode features a new guest, an extended interview/discussion, and a closing segment with my takeaways from the discussion.

Author of The Moral Case for Fossil Fuels and founder of the Center for Industrial Progress.

Troy Thibodeaux is following