Techno

Beatport Techno (Peak Time / Driving / Hard) Tracks - part 7

Technon

MartinP19

TECH 07 BM

Luke Slater’s most well known pseudonym Planetary Assault Systems is back in the fullest swing with 'No Exit', a standalone EP following his famed 'Deep Heet' installment series. 'No Exit' unmistakably bears all the hallmarks of Planetary Assault System, from mind-tripping and floor-stirring hypnotic energy to the theme of pushing the outer limits of unknown territories.
The EP kicks off with the title track, at its first breath of rolling beat already infusing an ample dose of psychedelic madness, which only to be intensified with the layers of digital chime tones that are constantly multiplying and shape-shifting. “Undertow” on the B side continues with the signature warping and reverberating bells and bleeps but this time with enticing hi-hats and distorted bass, gradually all melting into one big sinister groove. The last track of the EP “Nanendi” might fool you in the beginning with its minimalistic beat, but as soon as the demure yet ominous veil of melody - beautifully moody and almost spooky at times - starts humming and howling, it’s well on its way to make a deep, haunting emotional connection while keeps the tension boiling. Without a doubt 'No Exit' EP is the one that shows the most distinctive core DNA of Planetary Assault Systems and much like his seminal album The Messenger, it’s a deadly unique, dazzling, and powerfully effective work that will stand the test of time.

Tracklisting: 
A: No Exit
B1: Undertow
B2: Nanendi

Planetary Assault Systems - No Exit - Mote Evolver

2000 and One - Kawasaki [PURE098]

Dax J  - Wir Leben Für Die Nacht

Bjarki is from Iceland. Born and raised. Despite the fact that Bjarki is known for making extremely powerful dancefloor tracks he doesn’t seem to belong to any particular genre. Something this triptych of LPs demonstrate very well. His music is at times cinematic and there’s a story behind each track. Bjarki’s music always has something to do with him personally, but he’d rather the listener lose themselves in the music than pay much attention to the man behind them. Either on a record or to one of his ever evolving live sets.

Б | Lefhanded Fuqs | Æ will be released over the coming months and represent a snapshot of his archive, selected by Nina Kraviz for Trip. The tracks were produced months ago, years ago, or in the case of the last track just a couple of weeks ago. What began with 30 tracks is now 41. The three LPs aren’t albums in the traditional sense - the concept being to release the contents of his burgeoning hard drives. The music might together like an album, but Bjarki doesn’t see it that way. It’s essentially an archive that sounds like an album but none of the music was made with this in mind.

“Б ” [TRP007 |17th June] - consisting of more ravey, sample-based music, mostly tracks that Bjarki never had any intention of releasing. But since Nina has been playing many of them in her sets, releasing them has been given new meaning. In the rave culture of the 90s, that’s proved a strong influence on many of these tracks, what matters was actually “being there”. There was no immediate or alternate technological way to experience it otherwise. "Б" из “B” letter in cyrillic. It’s a word play. A missive for “being" in the moment, being present, being aware… B is for Bjarki.

Marsian Raver

A1 Bjarki - Marsian Raver

Opalocka Acid Groove 12 Bit Mix

A2 Bjarki - Opalocka Acid Groove 12 Bit Mix

Heavy techno from the Icelandic artist

http://mixmag.net/feature/bjarki-gold

Full Gold feature

Gold 022: Bjarki 'I Don't Think So'

'Going Down' by Adam Beyer vs Dense & Pika is a venomous, pounding beast that's going to send you into guaranteed meltdown.

If you've been to see Beyer or any of the Drumcode artists recently, you'll have no doubt lost your shit to this one.

‘Going Down’ will be released on December 12 via Drumcode

More exclusive music

Premiere: Adam Beyer vs Dense & Pika 'Going Down'

BUY IT NOW: http://www..beatport.com/track/tarantula-7-year-itch-rework/9243625

Ft support from Carl Cox / Adam Beyer / Alan FItzpatrick / Pig & Dan / Paul Ritch / Victor Ruiz / Carlo Lio / Coyu / Karotte / Enrico Sangiuliano & more...

7 years after its initial release, Pleasurekraft felt it was time to update their original classic with a sound more in line with their 'Cosmic Techno' output of the last couple years. Put simply, it's bigger, badder, and much darker - this '7 Year Itch' remix marks the 7 year anniversary of the track that first broke them on the scene in 2010, and is one of Beatport's highest selling records to date. Already being hammered by techno icons Carl Cox and Adam Beyer, and with a special limited edition vinyl accompaniment, this rework is already shaping up to be one of the year's biggest tracks.

.: PLEASUREKRAFT :.
www.facebook.com/pkmusic
www.instagram.com/pleasurekraftofficial
www.twitter.com/pleasurekraft
www.pleasurekraftmusic.com

.: KRAFTEK MUSIC :.
www.facebook.com/kraftekmusic
www.soundcloud.com/a-kraftek-joint
www.instagram.com/kraftekmusic
www.twitter.com/kraftekmusic

Tarantula (7 Year Itch Rework)

BUY IT NOW

Tarantula (Pleasurekraft's '7 Year Itch' Rework)

🍍 Follow us on SoundCloud ☞ https://soundcloud.com/trndmusik
⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Enrico Sangiuliano - Astral Projection

Drumcode continues its commitment to releasing the scene’s most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see’s the return of Enrico Sangiuliano with ‘Astral Projection’.

After his remix of Moby’s of ‘Why Does My Heart Feel So Bad’ back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track ‘Astral Projection’ is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

‘Blooming Era’ has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

Enrico Sangiuliano - Blooming Era - Drumcode - DC176

18.09.17 on Beatport 
02.10.17 Worldwide.

Cosmic Boys - Strange Attack (Original Mix) Preview - Scander - SC023

MOTE050 :: Planetary Assault Systems - Deep Heet Vol. 4

Since 2006, the Deep Heet series of recordings has shown the public an especially distinctive side of the production work of Planetary Assault Systems. With a unique ‘engine room’ ambience and a focus upon maintaining a continual surge of pure energy, each volume in the Deep Heet collection has lived up to that title, subtly suggesting the kind of sustained and voluntary temperature rise that has traditionally given way to spiritual or visionary experiences. Just check out tracks such as “Flat Tire” from Volume 3, with its hard percussive edge accompanied by a pervasive hiss like boiling matter changing into gas. P.A.S. helmsman Luke Slater also thinks highly enough of this series to re-work tracks like “Whistle Viper” in recent live sets, or to offer up others (e.g. “Raid”) for remixing by Mote-Evolver allies. 
It’s only appropriate, then, that the 50th overall release on Mote-Evolver should also be the fourth overall volume of Deep Heet. In keeping with Slater’s recent forward-thinking self-assessments like the “Planetary Funk” anniversary series, this is simultaneously a summary of past successes and another new evolution in style and content.  This new set of four highly concentrated cuts shows how effective Planetary Assault Systems can be at fueling the imagination by fusing together rhythmic and incidental elements into a unified, animated meshwork, without even a prominent melody to help out. For example, on the compelling track “Lazer Organical,” listeners will find themselves in the midst of a testing range where thick arcs of coherent plasma ricochet off of the walls. 

Deep Heet Vol. 4 also showcases Slater’s aptitude for choosing just the right moments to deviate from a steady groove: on the mesmerizing bubblebath of “Random Kingdom,” he allows listeners to sink into the rising sonic foam before interjecting with some sharp metallic hits. The leadoff track “Desert Races” proceeds in similar fashion, weaving a web of luminous sequencer patterns around the listener before and cutting in with sudden fluctuations or distortions that function like a hypnotist’s suggestions after an entranced patient has become fully responsive. “Life Rhythm,” on the other hand, is a total immersion session in which Slater’s presence seems to recede into the background and listeners themselves may begin imagining overtones and sonic ephemera that weren’t programmed into the original track.

MOTE050 :: Planetary Assault Systems - Random Kingdom B1

♫ Read More ♫:
http://www.deephouseamsterdam.com/london/premiere-durante-split-wick-original-mix

"Unraveled" is available 24 November on OPENERS

https://soundcloud.com/durante
https://soundcloud.com/openersrecs

Unraveled

♫ MORE ♫

Premiere: Durante - Split Wick (Original Mix)

Fisher - Stop It (Original Mix)

Nagelbett

Nagelbett (Original Mix)

Returning victorious to M-Plant after the Floorplan album and EP takeover, Robert Hood, whose work under his own name has continued to garner equal support with the ‘Paradygm Shift’ series for Dekmantel, brings the heat with this triple-tracker in May.

The original minimal techno master wastes no time with opener ‘Clocks’. There’s a sense of urgency as the track builds, looping into its crescendo with waves of staccato hi-hats. Tick tock, tick tock.

Over on the flipside there’s a familiarity in the opening chords of ‘Low Life’ that will resonate with fans of Hood’s work. Instantly recognisable, it’s stamped with his ability to bring funk and groove to the colder stomp of techno.

Final opus, ‘Go’ brings a spiralling samba tempo to the dancefloor. The punchy drumbeat is interwoven with sweeping cymbals for a highly effective infectiousness, like a call to arms, or better still, the Brazilian call to carnival.

Robert Hood - Low Life

Needs 004 is out on vinyl 28th March and is in aid of the Gender Equality. All profits will be donated to UN Women's HeForShe campaign.

A. Peggy Gou - Shero
AA. Juju & Jordash - Throwdown

Pre order:
https://www.juno.co.uk/products/peggy-gou-needs-x-un-women-present/675454-01/

EVERYBODY HAS NEEDS X

A. Peggy Gou - Shero (Needs 004)

Watergate XV

Zuul

Limewire EP

Limewire (Original Mix)

1) Late Jam
2) Equation
3) Houses In Motion
4) Late Jam [Willie Burns' Dance Remix]

Mastered at Dubplates & Mastering, Berlin.

Bandcamp: lobstertheremin.bandcamp.com/album/equation-ep
Phonica: www.phonicarecords.com/product/view/117037 
Rush Hour: www.rushhour.nl/store_detailed.php?item=72835
Idle Hands: www.idlehandsbristol.com/site/product…er-theremin/

Equation

Weight Of The Land

Purge

Radio Koko

Pantalón

Sawmill

Numerous

Rijwiel

Lcuy

The H-Factor

2 the Bone

Our Luv

Unreleased Mixes

Modify

Star Wars

Technique

Shinichiro Yokota Presents Do It Again and Again

Right Here! Right Now!

Knights Of The Jaguar - Dj Rolando (Jeff Mills Remix)

After being introduced to electronic music back in the early 90's in Los Angeles, a teenage David Flores was hooked. He started DJing across Southern California on the DIY warehouse, backyard, desert, and rave circuit. His style then was as varied as the local scene - a myriad of sounds ranging from house to acid to techno to hardcore. After a few years solely DJing, he began releasing original music under the monikers David F & Audio Injection, which landed him on labels such as Monoid, Stimulus, 4 Track & LA label Droid Recordings. His association with Droid Behavior began in 2003 as resident at the now defunct yet infamous and internationally acclaimed Interface event series alongside Drumcell and Raiz. He currently runs a new event series together with Drumcell and Oktaform named “Observe”.

In early 2011, he started the project Truncate to focus on the deeper, raw side of techno. His Truncate releases early on gained critical acclaim from world class underground talent such as Modeselektor, Ben Klock, Marcel Dettmann, Chris Liebing, Speedy J, DVS1, Luke Slater, Ben Sims, Josh Wink, Eats Everything, Joris Voorn, and many more. Since then, he has provided remixes for artists across the musical spectrum including Kink, Slam, Loco Dice, Ben Sims, Josh Wink, Ellen Alien, Miss Kittin, Carl Cox & Nicole Moudaber. He has also released original works on 50 Weapons, Ultramajic, Blueprint, Ei8ht, Figure and of course his own imprint Truncate. He has also collaborated with Jimmy Edgar, Chambray and most recently started a new project with Ben Sims as ‘Assailants’ which they’ve released on their own imprint ‘Obscurity Is Infinite’.

A rigorous international tour schedule has since followed, including stops and regular appearances at the most prestigious venues and events, including Berghain in Berlin, Fabric in London, Concrete in Paris, The Movement Festival in Detroit, Womb in Tokyo, Dimensions Festival in Croatia, Awakenings in Amsterdam, Output in New York, and many more.

With his heavy remix, production and touring schedule there is still no slowing down for David. He continues to shape an evolving sound and to champion the Los Angeles underground.