Lean Into It (30th Anniversary Edition)

Alive and Kickin' (2021 Remastered)

Guns and Roses - Sweet Child Of Mine

Blues as a road, an exile, and redemption

With his second album, Ramble Soul, Ondelic dives even deeper into the dust-covered corners of the soul. Released in April 2025, the record cements the artist’s sonic identity: a roadside blues sound, dark and emotional, rooted in alternative folk with ghostly echoes from the American South.

The album’s eight tracks form a kind of diary of a drifter carrying pain in his pocket and ghosts in the passenger seat. With raw production and weighty lyrics, Ondelic turns silence and space into language — as in “Dust and Tears Highway,” which opens the record like a wandering lament, or “The Crows Whisper,” closing the cycle with an almost ritualistic hush.

Ramble Soul is an album of passage. It deals with escape, collapse, and renewal with the ease of someone who's walked those roads more than once. Stripped-down arrangements and a gravel-toned voice give the work an intimate weight — as if each song were sung to a mirror, or to the bottom of an empty glass.

More than a follow-up, this second record is an emotional and aesthetic refinement, where Ondelic finds clarity precisely in the shadows. It's an album to play while driving with no destination — or while lying still, staring at the ceiling, as the world outside spins in silence.

Graveyard train

The Last Days of My Youth

Coming Clean (v4)
(c) J. Murdock McInnes Vasey

[intro]

I am sorry in advance
I know that I can't sing
Can't recognize a tone
Can't play a god damned thing

[verse]

I cannot keep a beat
I just keep tapping on the floor
I don't know what I'm doing
And I know nothin' more

I don't claim to write the music
Or play an instrument
I can't do this on my own
I can't hold the microphone

All I do is write the words
I make them sound like what I've heard
All the rest is the machine
You see, I'm coming clean

[instrumental]

I wish that I was better
Don't think that I don't try
I wish that I knew more
All I've got is this A.I.

Some may say that it's not fair
Why do they play my songs?
It may be I don't belong
So, I am, a little scared

No one wants to work with me
All I have is an A.I.
I may be pissing up a tree
But I thought that I would try

[instrumental]

You can take all that I have done
You can use a little bit
Or gut the whole damned thing
And tell me that it's shit
Or you can use it in your song
It cannot be all wrong
Don't tell me to go home
It cannot be all wrong

It would be nice to work with people
It would be nice to have a friend
I could be the Bernie
But I need Elton in the end

I could be the Bernie
But I need Elton in the end

I need Elton in the end

[outro]

Coming Clean

Listen to the full Playlist soundcloud.com/chilloutify/sets/instrumental-guitar-hard-blues-rock-jam

Fury Blues

My Dream Concert 2: The Art of Fight

Neon Crucifix-Worlds Apart

Fault Lines: How Shaky Our Basis Is

Creep (Original by Radiohead)

Creed - My Sacrifice

AI doesn’t write my songs. I do – and the AI brings them to life, like a team of session musicians and sound engineers behind me.

Hungarian composer and songwriter exploring the future of music with a guitar, a voice, a phone, and a vision.

With 94–98% Audio Influence, the AI strictly follows my musical input. The songs musically and lyrically are completely and meticulously written on a guitar or on piano before I start work with AI. 

These tracks show what happens when you lead and control every detail of the musical production – and AI listens. From a simple game it turns into a smart musical instrument.

The songs are examples of early AI music production preserved for the future.

My Dream Concert 2: The Art of Fight

Trust in My Unknown 🇭🇺

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