Name: Alternatives To Despair (Part Three) by Neil March by Trust-The-Doc (Neil March)
Duration: 3 min 6 s
Description: Every note and every sound on this track is played by environmental sounds that have been recorded and fed into Audacity.

Burnin' a Hole in Yer Carpet Vol. 1

THE WISH - Re-Mastered Aug 2020
Written & Produced By Andrew Borderick
Copyright 2018/2020 AB Music All rights reserved
Mastering by Soundcloud Aug 2020

THERE'S SOMEDAY'S IN YOUR LIFE
YOU WANNA RUN AWAY AND HIDE
THE FALLING SKY IS UPON YOU

I'M TRAVELING IN A LONELY RIDE
SOMETHINGS GONNA MAKE ME CRY
I WISH A LITTLE LONGER I HAD YOU

I CAN HEAR A FALLING STAR
IT MAKE'S ME WONDER WHERE YOU ARE
AND THE WISH IS ALL FOR YOU

ALL THE BETTER DAY'S AHEAD
THE CLEARING SKY IT SAYS
EVERY SINGLE DAY IS ALL SO NEW

(chorus)
HAS SOMEONE EVER MADE A WISH FOR YOU
HAS SOMEONE EVER MADE A DAY BRAND NEW
ANYBODY TAKE YOUR HAND
TO A PROMISE LAND
THEN THE WISH IS ALL FOR YOU

EVERYTHING IS MADE FROM LOVE
EVERYONE DESERVES JUST ONCE
THE WISH INSIDE THAT COMES FROM YOU

I CAN HEAR A FALLING STAR
IT MAKE'S ME WONDER WHERE YOU ARE
AND THE WISH IS ALL FOR
(break)

IT'S NEVER TO LATE TO START
SOMETHING THAT YOU'VE NEVER HAD
THE WISH INSIDE THAT COMES FROM YOU

(chorus)
HAS SOMEONE EVER MADE A WISH FOR YOU
HAS SOMEONE EVER MADE A DAY BRAND NEW
ANYBODY TAKE YOUR HAND
TO A PROMISE LAND
THEN THE WISH IS ALL FOR YOU

2018 PRO TOOLS

THE WISH

working

Not really trip hop even but I picked that

justice (white pill)

© 2020 B. Merritt / J. Merritt / P. Fulham
Janice: melody, vocals and arrangement
Bud: lyric, arrangement, mix, mastering and photo
Peter: guitar solo, fills and arrangement

i was drawn to you like a moth to a flame
only to become but a pawn in your game
you served it so sweetly little did I realize
crafted as a fine wine but all in disguise

the words you said hit me like a wave
a feeling I thought to take to my grave
you had it practiced to perfection through and through 
a lovely lie    three simple words     I  love you

a few short months your veneer ran thin
you have no heart beneath your skin
i found a new road with plenty of signs 
and they all point away from your designs

the words you said hit me like a wave
a feeling I thought to take to my grave
you had it practiced to perfection through and through 
alovely lie    three simple words     I  love you

the words you said hit me like a wave
a feeling I thought to take to my grave
you had it practiced to perfection through and through 
a lovely lie    three simple words     I  love you
only three simple words  such a lovely lie

Lovely Lie

This is the opening Prologue to my projected chamber opera, Russian Jerusalem. As Sibelius can't actually sing words, I will add the text for this aria:

They were almost unaware of the poetry they moved in.
	It was like birdsong in a garden:
- ash tree clarity, sycamore vision -  

and St Petersburg itself an elegant mirage,
	a festival of peace time soldiers,
ball dresses and marble palaces.

All that is left now of that Silver Age
	is space and stars and a few singers
who have learnt the sad language of goodbyes.

Prologue

20Sep20

My naviarhaiku350 submission
https://www.naviarrecords.com/2020/09/16/naviarhaiku350-flutteringly/

Flutteringly,
Floating in the breeze,
A single butterfly

:D

Boson Spin - Floating in the breeze [naviarhaiku350]

According to art historian Lawrence Alloway, Agnes Martin was one of the principal pioneers of the “Hard-Edge” 1950's painting movement. “Even where forms are not purely represented,” he wrote, “[Hard-Edge] abstract artists have tended toward a compilation of separable elements, treated as discrete entities. Forms are few and the surface immaculate … the whole picture becomes the unit. The result of this sparseness is that the spatial effect of figures on a field is avoided.”

Martin’s work evokes not only austere minimalism but also a cerebral airiness, perhaps gained from when Martin lived in New Mexico while attending university. Her work appears to vibrate off the canvas, the rigor of her craft subtly transformed into a sort of trembly dissonance. Even a simple line appears to breathe; a series of seemingly identical shapes reveal hidden nuances on close inspection.

For this piece written for fake violins, Suss Müsik interpreted Martin’s lovely 1961 work entitled Words (ink and graphic on paper, mounted on canvas) as a graphical score. The parallel lines are represented by sustained, repetitious phrases playing a single note. The triangles are conveyed through a simple 3-note counterpoint performed in consecutive sets of four, four, six, six, six, six, four and four. 

The piece is titled Words and was recorded live with one overdub for piano embellishment.

More on this 456th weekly Disquiet Junto project, Line Up (The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score), at:

https://disquiet.com/0456/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0456-line-up/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Words [Disquiet0456]

Every note and every sound on this track is played by environmental sounds that have been recorded and fed into Audacity.

Alternatives To Despair (Part Three) by Neil March

Original Music Score inspired by the Scott Hawkins novel The Library at Mount Char

The Black Folio - The Past kneels before me

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi - 
Mastering by Alexey Mikryukov

Vanessa Pettendorfer & Bruno Gussoni - s'immerger en soi-même

Composer/Artist (signed to Monochrome Motif Records); Arts Council & Lottery supported creative entrepreneur; tutor & module leader, ICMP; Fresh on the Net moderator & reviews writer: blogger: author, husband & dad.

Alternatives To Despair (Part Three) by Neil March

Trust-The-Doc (Neil March)

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