Nice different ambiances along the track 🔥✨

damn, some really cool and unique creations you have here. loving the darker vibe on most of these. very interesting soundscapes...

Love this part of the track with the rhythm guitar appearing from nowhere !

Weekly

Man below

RISE AND FALL

Please use headphones for much better listening experience!
Btw, that´s me in that photo.
I was a rather weird kid, listened to Spike Jones, Benny Goodman, fifties rock´n´ roll and my father´s jazz record collection (O.  Peterson, Bird, C. Brown, W. Montgomery etc.)
 Later I discovered Psychedelia, New wave/Punk, Japanese noise (especially C.C.C.C.), 60-70s rock classics, Debussy&Messiaen, Dub reggae, Prog (Gabriel era Genesis, Van der Graaf Generator....), vintage Beninese stuff (Orchestre Poly Rythmo de Cotonou, Gnonnas Pedro  and so on), UK Freakbeat, out-there Jazz, Bowie/Floyd bootlegs, J. Zorn, early 90s Indie, F. Zappa, antique French Pop (Dutronc, Laforet...), U. Srinivas plus labels like Delerium Records, Shimmy Disc, Japan Overseas (Osaka), RecRec music and God knows what.
Additionally, I should mention that my all time favorite Finnish album is Sperm "Shh! Heinäsirkat". Check it out!
Various literary and "cinematic" influences have molded my music.  The more predictable stuff like Surrealism, Dada, Situationism, Beats (mainly W. Burroughs) of course, but I have also been influenced by the old-school Finnish Radio Drama, Beninese "traditions", the ramblings/books by P .Levenda, Megalithic Structures&Art, the humor of H.S. Thompson, 70s-80s Eastern European Animation, Yakuza films and by the cult movies re-released by Blue Underground, Something Weird Videos, Mondo Macabro, Arrow Films and so forth. Pretty far-out stuff that could destroy your mind permanently?
 And nope, my photo is not from the 50s or from the 60´s (It was taken around 358 BC, hahaha).
Enjoy this more or less bizarre music.
Happy trails to you!

Bluzius Gryphon III and his fabulous farewell machine

Listen to the colour of your dreams...

(Chord changes are for squares)

The Colour Of Your Dreams

Ain't love grand!

(This tune is downloadable.)

I compose in MIDI, using Logic Pro and sound libraries from EastWest.

© 2023 Rebecca Williams All rights reserved.

I Sure Am Glad (I'm With You)

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

The Professor

U-U3

12 - 5 - 2024

Bleepin'n'Bloopin' Like Nobody's Listenin'

For Pride Month. This is a rough version with just me and the guitar. The real version will be a 90's dance song, hopefully with not flat vocals, hopefully this weekend

This is not about you,
Your life is not about who I love, or the things I do
You’re not the one that I answer to

But it’s not about me
There’s more to my life than i will ever know, than i’ll ever see
I don’t hurt anyone just let this be

I have no voice but I can speak
I don’t like what you do to me
I say it’s time we make a stand

It’s more than tonight
It’s more than my fight
This is my right
This is my life

Do you feel the beat
It’s the pulse of the world
Where the people meet to let their flag unfurl

Do you feel it?

What does it matter to you
How i live my life, or what I believe, or the path I choose
Look inside, are you afraid to face the truth

We all need to be
Fragile and fearless, wild and free, you see 
for fate of the world, for our destiny 

Love is blind but I still see
And I don’t like what you’ve done to me
I see bloodstains on your hands!

Do you feel the beat
It’s the pulse of the world
Where the freaks all meet to let their flags unfurl

not about you (acoustic)

Violin-bow on electric guitar. Analogue bass synthesizer. Two tube amps. Breaking glass. Love. All Sounds/ Mix/ Image: VSS.

Love

Circulation of half a dozen varied portions of two themes comprising clarinets, soprano sax, flutes, oboe and synth. Bass and beats stirred in for good measure.

Image taken from a mixed media work by Mandy Koorneef c/o Pinterest.

66 CYCLIZER

“This is a love song about human connection. There is a sound of ROXETTE, The Cure, Cary Brothers, Coldplay, Take That, Savage Garden and Bryan Adams in this one.” 

I want more please don’t take too long

It’s a never ending feeling
It’s a seeing not believing 
It’s you and me we are meant to be
Stop time tonight and tune in to our frequency 
It’s so clear to me 

Is it ever enough? 
Can I ever breathe enough? 
I feel it tripping through my heart
 
I want more
More time 
More love and your smile it’s killing me, killing me 
On the outside I’m looking like I could fight
Appear strong
I want more please don’t take too long

Reflect yourself in me
Inspire my every thought and move 
I want more of you 
It’s not an illusion
Your passion is fusing with all of who I am too

© Heart House Records 2024

Written, performed, recorded, produced and mixed by Heart House Records
Mastered by DOLBY

I WANT MORE PLEASE DON'T TAKE TOO LONG

UnBoxed June 2024
Original vocal performances by the wonderfully enchanting @ira-lovessweet aka @diamondlajolie
Cover image : Ira Lovessweet

[ d o w n l o a d a b l e ]

Brilliant Aura (featuring Ira Lovessweet)

A fast blend of electronic synth that hopefully inspires a good feel.

Lollypop

Heavy Punk Rock 'n' Roll band from Athens, GR - debut album "Rock and Roll Kills" OUT NOW: https://shockthealgorithm.bandcamp.com/album/rock-and-roll-kills

Man below

Tsarwicc

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