Always a pleasure to listen to your compositions, Tina. I begin to recognize some specific aspects of your music ... dramatic tension, complex rhythmic figures and I like particulary the play on the resonnance

Abandonment & Ruin.  Becoming

for tenor saxophone and wind ensemble

Philipp Stäudlin, tenor saxophone
Boston Conservatory Wind Ensemble

January 30, 2016
Boston Conservatory
Boston, MA


studies on the intensification of light and shadow (2016)

Wet Ink (Erin Lesser, piccolo; Josh Modney, violin)

Live, St. Peter's Church, New York, NY, 10 June 2016

Recorded and mixed by Sam Pluta

L'art de toucher le clavecin, 2 (2009) for piccolo with violin [Wet Ink]

Ted Byrnes - Percussion
Scott Cazan - Electronics

Recorded by RJ Russell on May 18, 2014 in Pasadena, CA

Byrnes / Cazan - First

Alexander Khubeev - Sounds of the dark time (eNsemble, conductor Fedor Lednev) [2011]

Edited recording of reading session by Wet Ink: Erin Lesser, Liam Kinson, Alex Mincek, Rachel Drehmann, Weston Olencki, Ian Antonio, Laura Barger, Josh Modney, Marina Kifferstein, Carrie Frey, Mariel Roberts, Tristan Krause, with Eric Wubbels, conductor and Sam Pluta, recording engineer. St. Peter's Church, Chelsea, New York, NY. 2017.

I watched her smile her hand

‘recorded stories about growing up and existing as women and queer people of color while making tea. Also featuring transducers, detuned mandolins, djembe, a two-tone kettle, and a string quartet.’

premiered by PUBLIQuartet at the New Latin Wave Festival, curated by Angélica Negrón.

Tea en mi casa | PUBLIQuartet

for and recorded by Gleb Kanasevich, Bronx NYC

'no words' is a reflection on different forms of police violence and navigating spaces as a queer person of color. The score incorporates visual and poetic elements to inform choices of pedals, patches, and/or other types of electronics as well as local & structural interpretation.

no words | gleb kanasevich

written for & premiered by Spektral Quartet at the Taproot New Music Festival @ UC Davis | 01.31.2020

Talamh (land) comes from old Irish and is one of the three fundamental spaces of their cosmology: nem-talamh-muir : the sky, the earth, the sea. This work explores distinct and connected sonic landscapes, using structure and ensemble interactivity to foreground individual choices in pitch, registration, and timbre. It’s a way for me to connect to home and recall many of the rich and magical mountains, streams, and forests I walked through with my papa, Peter, in Ireland since very young.

Talamh (land) [2020]| Spektral Quartet

Please, use headphones or good loudspeakers.

You crawl over seas of granite (2019–20), for amplified, detuned string quartet
commissioned by JACK Quartet, with the support of the Ernst von Siemens Foundation

Live Recording, JACK Quartet, 16 January 2020, Berlin

You crawl over seas of granite (2019–20), for amplified, detuned string quartet

'Form the Fabric' derives from NMAI archaeologist Ramiro Mato's phrase describing the cosmological understandings of the Incan & Andean peoples through description of the Inca Road as 'threads interwoven to form the fabric of the physical and spiritual world.

commissioned by Crash Ensemble and New Music Dublin with funds from the Arts Council of Ireland 2020

premiered by Crash Ensemble during New Music Dublin 2020 @ The National Concert Hall, Dublin Ireland

studies on the intensification of light and shadow (2016)

Tina Tallon

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