Demo track for dnb / break influenced house / techno 6.12.14

Oval Peaches

This is the Blue Eyed Christ cover of the Gary Glitter Hit "Do You Wanna Touch Me (Oh Yeah), also made famous by Joan Jett.  The BEC version is much more true to the Joan Jett version but modernized with big drums, huge guitars, heavy synths, and a dose of noise to give it the Blue Eyed Christ sound

Do You Wanna Touch Me (Oh Yeah)

Floating Fish Studios held Synth Jam 2015 - Snow at FFS II on 02/21/15. The ensemble gathered included Dave Chandler (aka Thee Sub One Genius), M Scott McConnell (aka MC2P4), and Matt Norcross (aka Ttam Troll).

The snow storm could not deter the three core members of Imbued Vagary from creating icy electronic music.  The six sonic explorations ranged from ambient soundscapes to Noise.

This live improv is more akin to ambient soundscapes and is titled, Storm Clouds.

Imbued Vagary - Storm Clouds (Live at FFS II 02/21/15)

“stay til sunrise” feels like staring at your ceiling at 3am — half numb, half in love.
if you ever missed someone you swore you were done with, this one’s for you.
🎧 turn it up when the lights are off.
prod. by [wingsxrra]
❤️‍🔥 by 7FromHeavon

STAY TIL SUNRISE

Songs Left After The Nod (Vol. 1)

Go! (Barely Conscious Mix)

Master Beat (Bitchslap Mix)

Driving the Two-Dimensional Highway

Casey

Swamp Terrorists - 14 - I spit on you (slap-mix)

We came up with this song parody of Louie Louie while Scott (MC2P4) was working for Donnelley Directory Talking Yellow Pages in the Summer of 1991. Every year they would have an employee awards ceremony called the Ruby Awards. At the ceremony, they would serve breakfast and have drawings for prizes but the main purpose was to recognize outstanding work by employees during the past year. A Ruby Award was the honor that was given to each of the outstanding employees.

Scott thought that they needed a theme song for the awards ceremony so he told them that he was going to write one. They encouraged him to do so but we're sure that they never really expected him to deliver one.

Scott came back to the studio and told me what he had promised to do. He said that he'd already started to work on lyrics for it and had based them on the tune Louie Louie. He titled his song "Ruby Ruby". Though I was apprehensive about doing a parody of a popular song and, of course, thought that it was "beneath" us, we agreed that it could be fun to do if we did it in an "Any Questions?" way. So, we asked LTJTHC (Tim Harrell) to help us pull it off and away we went.

The recording session was quick and fun. For drums, LTJTHC played his Yamaha DD-5 which was MIDIed to my E-mu Pro/Cussion. I pulled out my Rickenbacker 4003 bass, which had been lying dormant since I was mainly playing synths by this point, and ran it through a nice distortion patch on my Korg A3. We recorded our tracks live to a Tascam 38 1/2" 8-track reel-to-reel machine that we had purchased from Larry Lee Fiber. I only have one version of Ruby Ruby on tape so, after rehearsing, I assume it only took us one take to record the drums and bass. I dialed in one of my signature A3 vocal effects for Scott and he sang his parody lyrics. We mixed it down and mastered it to cassette (this is before CD-R recording was common/affordable) and it was done.

Scott took the cassette in to work and, even without hearing it, his bosses said they'd use it for the awards ceremony. As the ceremony started, the Ruby Award Princess wearing her white dress, high heels, tiara, and carrying a Ruby scepter hit the catwalk. Our song, Any Questions? - Ruby Ruby, began to play and the employees erupted with applause for both the princess and our song.

Not too bad for a song parody! Check it out...

Ruby Ruby

Any Questions? - Ruby Ruby

I thought that I would continue with the vacation/beach theme from yesterday's blog post. It's snowy and cold here in the Northeast so some thoughts of Summer may be just what we all need.

In early Summer 1988, I went to Ocean City, MD with the Ocker family for a fun and relaxing trip. Late at night, I took the opportunity to stroll the beaches alone. Sometimes listening to the waves and sometimes listening to my Walkman. It was during these strolls that I first had the idea for writing a song that would sonically capture the sound of a listless ocean along with the power and elegance of the waves as they crashed upon the shore. This was not a novel idea but for an 18yr kid (excuse me, man) it provided enough stimulus for a creative spark to be ignited.

It took about a year before I fully realized this idea but here I present to you the live version of Floundering In A Sea of Digital Waves as performed by Vizator at the PPG Plaza in Pittsburgh, PA (Summer of 1989). While listening, please try to ignore the incessant guitar synth flute soloing which is going on. It is NOT part of the song I wrote.

Vizator - Floundering In A Sea of Digital Waves

In early Summer 1988, I went to Ocean City, MD with the Ocker family for a fun and relaxing trip.  Late at night, I took the opportunity to stroll along the beach alone.  Sometimes listening to the waves and sometimes listening to my Walkman, it was during these strolls that I first had the idea for writing a song that would sonically capture the sound of a listless ocean along with the power and elegance of the waves as they crashed upon the shore.  This was not a novel idea but for an 18yr kid (excuse me, man) it provided enough stimulus for a creative spark to be ignited.

It took about a year before I fully realized this idea but here I present to you the initial demo version of Floundering In A Sea Of Digital Waves as I recorded it in the Summer of 1989.

P.S. Thank you to Tonya Ocker for capturing this picture of me with "Bedhead".

Ttam Troll - Floundering In A Sea Of Digital Waves

First mutant to ascend from the plasma pool after the Cy-Tech Wars. Skilled in cybernetics and data manipulation. Exhibits an extreme appetite for blood and kills for his own pleasure.