Welcome to Juicy House
WANT YOU is OUT NOW: https://lnk.to/WantYou_

Female artist from Berkshire. 
Musical influences include Amy Winehouse to Stevie Nicks. 
Eclectic range of my own music which I’d love to be heard. 
Enjoy!

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

No AI is used in the composing, arranging, performance, or mixing of my music.
I started my songwriting career playing in a power trio in the late 80's and early 90's as Singer and Guitarist around London and Essex, England. Moved to Brighton, England in the mid 90's and formed another power trio which became a 4 piece and had some success around the millennium supporting well known bands and playing headline shows around England.

Around this time I met Tony Clarke, best known for producing the Moody Blues and many other great acts. I worked with Tony for over a decade and he taught me the fundamental elements of mixing and producing. Many years later I met Mykel Dunn who ran his own studio in Kent, England. We started writing together and he completed my education in mixing. Myke and I went on to write music for TV shows and adverts and are still great friends and music partners. 

I recently had the absolute pleasure of producing, mixing and playing backing instruments on Ryan Athey's first album 'Next Same Town' which has been successful in it's first few months of release.

The pieces I post here are my own. Written, performed, mixed and produced entirely by myself  in my home studio in East Sussex, England (apart from a couple of numbers in Bandolier which were collaborations with Mykel Dunn). 
I am in my element when creating sound and enjoy experimenting with different styles ranging from Pop, Rock, Folk and Country to Orchestral, Ambient and Electronic. I don't use AI engines at all but It's all music to me and I hope you enjoy what you hear.

Omari Johnson-Daley
Music Producer | Composer | Multi-Instrumentalist | Songwriter

From a young age, Omari has always enjoyed music, having being part of a family where music was a big part of their lifestyle. Despite this, Omari never got involved in music until his mid-teenage years, which was when he became inspired and influenced by various hip hop/reggae/r&b artists and music films which were popular at that time. With that he often found himself messing around with lyrics and experimenting with DJ software but never took it seriously. 

In 2006 Omari discovered a music production software/DAW (Digital Audio Workstation) called FL Studio which opened his eyes up to music production and in a short space of time he learned the software and began producing music. While producing music Omari often could hear musical ideas in his head which at the time he was unable to compose due to his lack of musical ability and knowledge. This soon led to him teaching himself a few chords at a time on the piano in order to create musical progressions, which then led to him being able to play the piano to an exceptional standard. 

In 2007 after leaving school Omari had realised he was passionate about music and he began to share his music with friends in order to gather opinions and would find himself spending over four hours a day making music. This was when he started to take music seriously. While still producing music and perfecting his craft he very soon picked up the guitar, drums, bass and percussion and began playing music in a local church, which was were he began perfecting his skill as a musician and became confident performing in front of audiences.
In more recent years Omari has also taught himself Chinese Flute (Dizi), Western Concert Flute, Ukulele and learned to sight-read music.
As of current Omari frequently does session work, gigs and produces music for various artists and occasions.

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