marten horger

RANDOMERS

N.I.C.E. selects 0183 / Naive Possibilities / EL5

yrbdufjt

Bass, Breaks, Grime, Electronica, Trap etc....

Listen to the live mix with DJ talkover --> https://archives.anonradio.net/201908120100_snowdusk.mp3

2019-08-12 IGWM Old Skool Dub & Dubstep

45. Frisco Kid - Rubbers

Skream - Rutten

From the album "Welcome To The Jungle: The Ultimate Jungle Cakes Drum & Bass Compilation"

Beatport - tinyurl.com/JungleBeatport
Junodownload - tinyurl.com/JungleJuno
iTunes - tinyurl.com/JungleiTunes
Amazon - tinyurl.com/JungleAmazon

BAD BOYS - Ed Solo & Deekline - Clip

Living Like I Do

Look at Stars (Machinedrum Remix)

Never Never (SBTRKT Remix)

Kode9 - Am I

In celebration of 20k followers on Soundcloud......thank you all for your continued support! Enjoy as always ;)

Smile

This is our brand new jam. It's a collab with one of our best mates, Marten Hørger, and features vocals from Stav of Australian rock band, Bluejuice. It's a tech bass number with a massive 303 acid bassline, 808 drums and a classic piano riff.

The track will be available from Beatport and iTunes from the 30th of June with remixes from Black & Blunt and Hanm & Silent Shadow.

DJ Feedback:
------------------
Stanton Warriors:
We cannot believe it took 65 million years to create a song this good! ...to be fair, the dinosaurs did waste a good portion of that time, though.
Plump DJs:
Bass battle alert! Sangers & Ra with Horger sauce for dinner, yum yum!!
The Freestylers:
Feeling the Club Mix and the Black & Blunt Mix. Sounds big for sure!!!
Dub Pistols:
Strong package of a solid track.
ShockOne:
Black and blunt remix is sweet titties boner material.
Lady Waks: 
Yes! another work from the best producer Marten and the Australian wizards, Sangers and Ra. My full support!
The Crystal Method: 
Love the B&B + H&SS remixes. Strong tracks!

OUT NOW: Marten Hørger, Sangers & Ra - Out of Our Minds (Radio Edit)

Mala - Jah Power Dub

Happy Halloween!  On "Black Ark Vampires" Lee "Scratch" Perry & Subatomic Sound System have crafted a throbbing sound-man tune propelled by subsonic bass, bubbling skanks, and pulsing beats that balance the murky and mystical vibes of Perry’s classic Jamaican dub reggae recordings with the flammable energy and bass vibrations of current electronic music, fine tuning a recipe that they have slow cooked throughout their last four years of U.S. tours spreading authentic dub to a new generation in places like Coachella, Dub Champions Festival, and Red Bull Music Academy. Lyrically the track features Perry’s most focused lyrics in a decade, a poignant oath of vengeance against the vampires that corrupted the ark of the covenant and forced him to burn down his famed Black Ark studio, told in comical rhymes that echo the cadence of a Dr. Seuss story coupled with the morbidity of Edgar Allan Poe, promising the details of where, when, and how he will kill these vampires, from Kingston to London to New York City and everywhere; vampires beware; he will kill them with his hair, with fire, with electric wire, and even with roast corn. Melodically the tune packs soaring vampire hooks, spiritual vocal choirs, groaning melodica bursts, and even a few lines from dancehall vocalist Jahdan Blakkamoore, produced and recorded by Emch at his Subatomic Sound laboratory in NYC. Scratch’s vocals were recorded in Brooklyn at the Hook Studio after an NYC performance with the production assistance of On-U Sound’s legendary Adrian Sherwood, producer of some of Perry’s finest post-Jamaica recordings. The session was filmed by a Dubspot video crew after a long drive through NYC during which Perry recounted the better part of his life story as a warm up for the session.

At the age of 78, Lee "Scratch" Perry has built a life based as much on his fame as a reggae and dub inventor who exhibited boundless creativity and innovation in music composition and production, as he has on his reputation as a madman with playful wit, a propensity for lighting things on fire, a natural mystical spirituality that he famously introduced to Bob Marley, and his defiant individuality and commitment to personal freedom. "Black Ark Vampires" brilliantly ties together these divergent characteristics to create classic Lee "Scratch" Perry material on all levels.

Perry loves to dance and loves dancehall. His nickname actually comes from the name of dance he invented called Chicken Scratch. During his tours with Subatomic Sound System, Scratch had a voracious appetite for hearing new sounds and was interested in the "Vampires & Informers" dubstep track Subatomic Sound System had produced for dancehall vocalist Elephant Man. Perry began performing on the riddim live which led to developing the lyrics for Black Ark Vampires and Subatomic developing a riddim for Perry that captured his vibes. Though Perry is known for seldom giving straight answers and many have wondered if he really burned down the Black Ark studio, Emch from Subatomic Sound System says that one night after performing a show in California, he and percussionist Larry McDonald, a Black Ark studio veteran, were talking backstage when Scratch told them the reasons for his own longevity: "Stress will kill you. That’s why I had to burn down the Black Ark." He said the popularity of the studio had attracted the vampires who came to suck him dry and corrupted the magic of Black Ark, but rather than let that slowly destroy him like a cancer, he chose to close the book on that chapter of his life and move on by torching the studio and making an exodus to the UK leaving the vampires with nothing but the ashes.

THE ARTISTS: Grammy winning reggae and dub inventor Lee "Scratch" Perry is a living legend, one of Jamaica’s most prolific producers and a true original with a spirit that has defined and influenced countless artists across genres and generation, decades of great Jamaican artists from Bob Marley to Max Romeo, punk rockers The Clash, The Rolling Stones’ Keith Richards, The Orb, The Beastie Boys, Paul McCartney, Kode9, and the list goes on. At 78 he continues to tour, record, and paint incessantly.

Spearhead by producer, DJ, and instrumentalist Emch, NYC’s Subatomic Sound System is leading a dub music renaissance, founders of the US & Europe Dub Champions Festival, 4 years acting as the live band for legend Lee "Scratch" Perry on tours including Coachella & Red Bull Music Academy; plus independently touring North America, Europe, and Asia, and for a decade producing flavors ranging from classic dub to dubstep.

THE SUBATOMIC SOUND LABEL: Subatomic Sound specializes in limited edition exclusive vinyl releases that push the envelope of dub, reggae, & dancehall in the context of electronic bass music through forward sounding productions and unlikely collaborations with icons such as Lee "Scratch" Perry, David Lynch, Anthony B, Elephant Man, Ari Up of The Slits, as well as new school torchbearers like Dubblestandart, Jahdan Blakkamoore, Dub Gabriel, and many more. Subatomic Sound actively produces events and founded the annual Dub Champions Festival running 4 years in the USA and Europe. Subatomic Sound Radio airs on Brooklyn Radio and for three years ran on KEXP’s Radio New York, 91.5FM broadcast which transmitted to a footprint of 11 million listeners.  (12j52 48 24)

Buy now

Lee Scratch Perry & Subatomic Sound System "Black Ark Vampires Dub" vinyl 45 mix

MSD - In Dub With Raggatek "Tek Ragga For DJ"
 Available Now : 
On all download platforms, 
http://www.beatport.com/release/in-dub-with-raggatek/1297672

Msd - "Tek Ragga For DJ" In Dub With Raggatek Audio Teaser - Available Now On Download

Greet007

Right Track

Coki - Burnin'

Field Records continues to focus on its first run of solo artists EPs with four tracks from UK pair Szare. Before now this Frozen Border and Horizontal Ground duo has excelled in crafting cavernous bass chambers and off beat rhythms with ease - just as they do here. 

First up is ‘The Silver Number,’ a bare and bleak track with decaying synths, oversized rubber kicks and a resonant bass. It constantly evolves, riding up and down, skipping left and right and swelling with a sense of post apocalyptic optimism as it goes. ‘Buried Rails’ is a more broken beat full of out of control machines, claps and kicks and is riddled with paranoid synth lines that make for dark and involving listening. On the flip, ‘Crop Failure’ is punchy and infectious, with sparring drums and crunchy percussion backed by distant pads that hint at alien life. Finally, ‘ Overcharged by the Pump’ is am experimental concoction of celestial rising chords, menacing drums and jumbled organic percussion that sounds like little else. This EP is full of fresh ideas, fulsome production and a dark energy that makes it fit perfectly on the most recent end of the hardcore continuum.

Bandcamp

Szare - The Silver Number

See the accompanying short film here:
https://youtu.be/ylW1f275VW8

WAVEFORM

Higher State Of Consciousness

Higher State of Consciousness (Tweekin Acid Funk)

Buy: fanlink.to/OutThere

We wanted to make something influenced by some of the classic 90’s UK garage labels like Public Demand and Locked On. But it needed to sound 2016 ready, so we fused it with a bass house sound then brought it all together with a few DISKORD trademarks. Making this record was a lot of fun!

Follow DISKORD:
Facebook: bit.ly/DiskordFacebook
Twitter: bit.ly/DiskordTwitter
Instagram: bit.ly/DiskordInstagram

Follow Circus Records:
Facebook: bit.ly/CircusFbook
Twitter: bit.ly/CircusTwitter
Instagram: bit.ly/CircusInstagram
Soundcloud: @circusrecords

Out There / Anything U Want VIP

Out There

Out There (Circus Records)

Digital Mystikz Anchent Memories (Skream Remix) Ancient Memories [12" Vinyl - DMZ008]

02 Digital Mystikz - Ancient Memories

a-skillz and nick thayer-booty snax

SBTRKT + Sampha - Evening Glow

splitloop - tweaked out

You guys been asking for it so here is the full version of : Discoshaman & Lemurian (feat. Alvaro Suarez) - All we want is to smile (original mix)
Originally produced for sofa beats records 

Buy:

https://www.beatport.com/track/all-we-want-is-to-smile-feat-alvaro-suarez-original-mix/9555951

https://www.beatport.com/track/all-we-want-is-to-smile-mix-edit/10614412

https://www.beatport.com/track/all-we-want-is-to-smile-feat-alvaro-suarez-original-mix/10802956

Discoshaman & Lemurian (feat. Alvaro Suarez) - All we want is to smile (original mix)

Pelada - Movimiento Para Cambio
Format: LP / Digital
Cat.No: PAN 102
Release Date: 04 October 2019
Purchase: bit.ly/2N5ID0M / bit.ly/2yWc1yu

Movimiento Para Cambio, is the full-length and debut for PAN from Montreal based duo Pelada. Comprising of vocalist Chris Vargas and producer Tobias Rochman, they have gained international attention through the city’s underground warehouse rave scene.

An urgent, headstrong body of work, the LP uses the music as a mechanism for delivering ideas central to the group’s moral and political ethos. Vargas explores themes of power, identity, surveillance and environmental justice atop Rochman’s raw mix of rave synths, acid basslines, breakbeats and dembow rhythms.

While at times unpredictable, the album is unified in its fast and loose approach. A Mí Me Juzgan Por Ser Mujer (‘I Am Judged Because I’m a Woman’) is an anti-machista anthem, stylistically nodding to NY house. Though Vargas doesn’t identify as a woman themselves, they understand their experience as a woman in an imbalanced patriarchal society that excludes women, femmes and non-binary people. Habla Tu Verdad (‘Speak Your Truth’) emphasizes the need to overcome the stigma around discussing sexual harassment, offering courage and strength to those who may need it. Asegura (‘Secure’) deals with the unprecedented power of Big Data, which monetizes a surveillance based economy through its users' data and behaviours.
These themes are set to fierce unrelenting bpms, nods to gabber, and samples of a reality show where young men compete in a prison fitness contest. Caderona (‘big hips’), features a hardline perreo-tinged beat that carries Vargas’ vocals with refreshing ferocity. Inspired by a cumbia song, Caderona offers a counterpoint to the male gaze, acting as an opportunity to demand space. Aquí describes the reality of a global corporate domination, where capitalist insatiability meets government inaction as we sit on the precipice of a mass extinction of our own making.

Pelada hope to inspire critical self- reflexivity through engagement, building power, demanding space and action. Or as it is written in their liner notes: ‘ABRE TUS OJOS, LA BESTIA SE ALIMENTA DE LA EXPLOTACIÓN' which translates to ‘OPEN YOUR EYES, THE BEAST FEEDS ON EXPLOITATION’.

The album is mastered by Jeremy Cox, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Kode9 - Am I

tubesound