translucent

Music and Lyrics © Rafael De Stefano Sant Ana & Christopher Swinhoe.
www.propshed.net
for lyrics check out at www.propshed.net/lyrics

Stones On My Path

Nevermind Why (feat. Stefan Peter on the Piano)

The Pawn And The King

Also includes remixes from Arnaud Rebotini, Capablanca vs Moscoman, and a live version !
iTunes link : http://smarturl.it/IDoWhatIWant

Follow Tristesse Contemporaine :
http://facebook.com/TristesseContemporaine
http://twitter.com/TristesseMusic
http://tristessecontemporaine.com

http://recordmakers.com

Tristesse Contemporaine - I Do What I Want (Vitesse Contemporaine Remix by Romain Turzi)

Another track from Causa Sui's first ever live album on 2LP/2CD/DL 

Order here: www.elparaisorecords.com

"Live at Freak Valley" comes hot of the heels of last years acclaimed studio effort Euporie Tide, and is a condensed manifestation of the low-end heavy side of the band. This show presents the band in elemental quartet mode and features a wide palette of cuts from the entire catalog. From the band's signature cut ”El Paraiso” from their 2005 debut, through revamps of the more translucent Summer Sessions material, straight up to virgin jams, fresh from the rehearsal room.

Mixed and mastered by Jonas Munk from multitrack recordings this set sounds as warm as crisp as any of the albums."

Tracklist:

Disc 1

1. The Juice
2. Boozehound
3. Lonesome Traveler/Santa Sangre/Garden of Forking Paths
4. Mireille
5. Red Valley

Disc 2

1. El Paraiso
2. Euporie
3. Homage
4. Soledad


Causa Sui: "Homage" (Live at Freak Valley)

Thorns And Roses

Deeds Of Dirt

The Stone Roses - She Bangs The Drums (Goldcrypt Cover)

Released on April 1, 2016. 

Digital: http://apple.co/29tI3Eg 
Physical: https://www.omnianmusicgroup.com/products/psychic-lovers

Dinner // Cool As Ice

Drag

The Organ - Don't Be Angry

Je suis inadaptee - Brigitte Fontaine

The Black Belles - What Can I Do?

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).


Drawing Lines

Jam
PBM Studios
David Šindelář (keys)
Christian Stirber (drums)
Max Hybner (bass)
7.9. 2020

jam session_take1 | likewise / thanks Dad

Jinx is the new album from Weekend.
It's Alright is the new single from Jinx.

Jinx is out now on Slumberland Records.

iTunes: http://smarturl.it/weekend-jinx-itunes
LP/CD order (color vinyl, poster, etc): http://www.slumberlandrecords.com/weekend/jinx
More info + tour dates: http://weekendtheband.us/


“The trio have burned a lot of the haze off their sound (and some of the
ear-bleeding volume), in favor of more melody and danceability, albeit in a
gothy '80s kind of way.” - Brooklyn Vegan

“Weekend kiss the curb with their new single, “Mirror”. It’s a promising
jig for Jinx.” - Consequence of Sound

“Note those bells and whistles, folks...not to say the deeper into Jinx we
travel the noise won't greet us with a screeching wail we've come to
expect, keeping those plugs at arm's length, but Weekend is not hiding in
the feedback.” - Impose Magazine


"All the subtlety of a high-pressure firehose...a dour, post-punk
atmosphere that goes for immersion rather than force." - Pitchfork

“Ominous razor-sharp textures enrapture, "Mirror" foretells the future of
Weekend, where gloom and pandemonium is a joyous return.” - Prefix

“It's steamy post-punk with a circular bass attack leading the way over
galloping drums...[Weekend’s] trademark guitar-pile assault.” - Rcrd Lbl

“Craftsmanlike post-punk” - Stereogum

Weekend - It's Alright

Just songs that I like?!?!?!? Dunno
Follow if you like what you see

The Black Belles - What Can I Do?

Tune In Music City

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