More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Disquiet0637 - LR - Wasabicube - SamPlair

In the second part of the three week @disquiet Junto Project, I took @triermusic's Ableton Live track of street musicians and added three Logic Pro X bass. I panned Nate's track halfway left and my basses to the middle of the right and kept the tempo of 81bpm.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right 2of3 Disquiet0637- with Nate Trier

Featuring @blaaroed in the left channel. 

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

disquiet0637 right 2 of 3 - suborbital hang glider ft. @blaaroed / tt16tt

In collaboration with @ActorNetwork from disquiet0636
I added the right channel to complement the frequencies from 'Mound' with a brass-like synth from a Sequential Take5

disquiet0637 - 2of3 - Take5 - w/ Actor Network

The Assignment: Record the second third of an eventual trio.

Used the track Four Variations for Left by Jim Lemanowicz: https://soundcloud.com/blisterpop/four-variations-for-left-by-jimmy-lem-disquiet0636?si=34834046ea474be7810d00b8e10455c0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Four Variations tied together - with Jim Lemanowicz (disquiet0637)

I took SAMPLAIR's track (https://soundcloud.com/user-248104983/disquiet0636-85bpm-1?si=7f73fecc7db545d6bdaa4d34fcb41c38&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing) and played with long delays, granular and fft effects, against the original track.

The track is at 85bpm.
--
More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

cavernous (disquiet0637)

For Disquiet Junto 0637: The Assignment: Record the second third of an eventual trio.
I added to Sinny Sound's "Lucky Link": https://soundcloud.com/sinnysounds2/lucky-link-disquiet0636?in=disquiet/sets/disquiet-junto-project-0636
I wanted to add some light harmony to underscore the melody. Converted the melody to midi harmony in Ableton. Made some light adjustments to midi notes here and there. Used the Schwarzonator 2.0 device to help add some additional chord notes. Chose some light key sounds from Kontakt 40's keys and Playbox. Also light bass from Lode, and melodic tabla. Tapped in the shaker parts. Panned hard right with orginal panned left. 

Enjoyed listening Sinny Sound's lovely melody while making this. I'll be humming it all week!

It was fun listening to everyone's "Left" tracks this week, I'm always in awe by this community's talent and creativity!

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Lucky Link Village (with Sinny Sounds) [disquiet0637]

RabMusicLab: Track on the left channel (Original title: Melancholic Euphoria)

Sinnysounds: Overdubs of harmonica, snare drum, and synth on the right channel

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Melancholic Twophoria [Collab with RabMusicLab] (disquiet0637)

Nightshade

#RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using  samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling  on a Polyend Tracker.

Calm Sublimation

"The Cure" was written by Dorothy K Haynes in 1969. She was an accomplished, Scottish writer of horror stories, often included in compendiums. I read this recently in a collection re-printed by the British Library. Yes, it's another dark offering. The story is tragic, horrifying but, ultimately, hopeful; well worth a read. 

I used a Fender Jazz Bass, through a modern amp, to join the lead synth.

disquiet0637 - 2of3 - Take5 - w/ Actor Network

tunelight