AVEC LE SOLEIL SORTANT DE SA BOUCHE - 
"Face à l'instant, Part 2"

from 'Zubberdust', available 30 September 2014
http://cstrecords.com/cst106

Zubberdust!

Avec Le Soleil Sortant De Sa Bouche • "Face à l'instant, Part 2"

James Yorkston - Guy Fawkes' Signature (Stuart Braithwaite Remix)
Buy at:
Domino - http://po.st/GuyFawkes
iTunes - http://po.st/GuyFawkesiTunes

Buy "The Cellardyke Recording and Wassailing Society" at:
iTunes - smarturl.it/CRWSiTunes
Dom Mart - smarturl.it/CRWSDM

Guy Fawkes' Signature

James Yorkston - Guy Fawkes' Signature (Stuart Braithwaite Remix)

Alela Diane & Ryan Francesconi - "The Sun Today"

Birds is the b-side to Meilyr Jones' debut single Refugees, out on 7th August: http://smarturl.it/MeilyrJonesLtdVinyl

Meilyr Jones - Birds

Diminishing.wav

recorded live at Emil Berliner Studios, strictly analog & direct to vinyl (Neumann VMS80)!
Recording Date: July 12, 2015 //
coming up soon on
berliner-meister-schallplatten.de

Friedrich Liechtenstein Trio - Schönes Boot Aus Klang Snippet

Pre-order the album 'Aforger' out October 14th on LP/CD/DL here: http://phonofile.link/aforger

In a digital age where memories are mimicked by pixels and identity is as malleable as static, Douglas Dare’s new album Aforger questions the boundaries between reality and fiction. 

Inspired by recent events and revelations encountered in his life these songs depict Dare at his most vulnerable, whilst simultaneously reflecting our own obsession with reality and technology back at us.  

Aforger was mixed at the iconic Abbey Road Studios and produced by long-time collaborator Fabian Prynn. In the following conversation Douglas strips back the personal journeys and realisations which preceded its recording.

In a conversation with Douglas Dare on July 11th 2016:

The album title plays with the idea of a forger – someone creating imitations or copies, and reimagines them as the creator of something that’s no longer real. Prior to writing the record, I came out to my father and came out of a long relationship, both were hugely challenging for me and questioned my idea of identity and reality. These thoughts leaked out into the record and formed the core of Aforger. I was determined not to write a break-up album or repeat what I’d done before..

I grew up on quite an isolated farm in Dorset, surrounded by fields and not much besides. My mother taught piano from home and we didn’t have a computer, or the internet or mobile phones. In fact, my family still chooses not to use these things. It’s worlds apart from my life now in London where technology seems to dominate everything I do.

After finding out my boyfriend had been leading this double-life, I became obsessed with the question of what is real and George Orwell’s 1984 felt appropriate for me to re-read. Orwell explains this idea of reality control and Doublethink, and it struck a chord with me. The idea that truth can be steered or changed, and we might be able to believe two contradictory things at once. In my case, ignorance was my protection from the truth and ignorance really is bliss, until you’re no longer ignorant.

Binary talks about the idea that technology is allowing us to live on after we’re gone. A relative of mine whose parent passed away kept a picture of them on their phone as a background image. A friend saw this and asked ‘how can you have that there to constantly remind you of your loss?’ They replied, ‘no I have to, it shows me that they’re still here’. This resonated with me and I thought ‘okay, this is just an image to me but to them it’s more than a reminder or a reassurance, it’s a reality’. At the same time, I was finding myself haunted by the digital reminder of my ex-partner and wishing they would disappear. I had to realise that it’s all just pixels on a screen. 

I think New York can be thought of as this fabricated, magical place. I was there with my boyfriend after touring the U.S., but when I came back to London I discovered all these lies and began questioning everything. I even questioned whether New York actually happened or not. New York is a song that’s literally describing that very real feeling of not knowing who or what to believe any more – scary and magical at the same time. 

Lyrically I wanted to be as honest as possible. The album deals with so much dishonesty, so I felt the lyrics had to be the counterbalance. I was inspired by Björk’s album Vulnicura and how everything is almost awkward in its honesty. Like my first album, Aforger started as poetry, but I consciously tried to be less poetic. For instance, Oh Father is an example of complete unambiguity. It’s certainly the most personal song I’ve put out there, and the realisation that people may hear it makes me feel very vulnerable. That’s the most real feeling of all for me right now.

Douglas Dare - Venus

03 Remember To Bleed

Music & Lyrics by Dear Criminals 

Produced by Philippe Brault 
Mixed by Sébastien Blais-Montpetit 
Mastered by Emily Lazar at The Lodge, assisted by Chris Allgood.

https://dearcriminals.bandcamp.com/album/another-picture

Another Picture

Playground

This is... Tunng: Mothers Daughter and other Tales

Beautiful and Light

In a unique world premiere Efterklang and the Sydney Symphony Orchestra conducted by Matthew Coorey performed the songs from Piramida - Efterklang´s 4th album - live in Sydney Opera House for the VIVID Live Festival 2012.

Piramida will be released in it´s studio album version on September 24th on 4AD
and Efterklang will go on tour with The Piramida Concert and perform with orchestras in Europe and NYC fall winter 2012.

For more info, pre-order, ticket links please visit WWW.EFTERKLANG.NET

The Ghost is written by Efterklang and arranged for orchestra by Missy Mazzoli.

Buy Piramida

Efterklang & Sydney Symphony - The Ghost (live from Sydney Opera House)

Tunng are an experimental folk band from the UK.

Beautiful and Light

tunng

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