Well you certainly captured that untitled flying object Ian with ease my good friend. Sounds like they went off the map as well the the way it just cut off with no fade :)))))))))))) Awesome job mate...

....and another masterpiece was nonamniosised (if that's a word?)

This washes over you. Even with my terrible headphones this works well.

an understated (almost ghostly) urgency through this. keeps pulling me in.

@yukigusu: Many thanks for the listen! :)

The context of creation: 
a room where a shy sun shines 
for a few hours.
Isolation.
The winter.
Uncertain times.
Stretches of hours.
Tensions.
I look at a candle.
it redesigns its shape as it wears out.

I Am the one who fuels the fire
I am the one who consumes it
I am flame
Devoured by itself.

Its glow
Like a wound in the dark.

----------------------

new edit made in 8/03/2024

some sample are made by vocal messages from: Ugo Pisco Lùmaia

here's the following link on his page

https://soundcloud.com/12-days-for-a-new-way?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Tra La Fiamma E La Cera (cattedrali In Rovina)

Tra Fiamma E Cera (cattedrali In Rovina)

Disquiet Junto Project 0138: Video Sonic Void

Amniosis [disquiet0138-videosonicvoid]

I had the serendipitous experience of watching the video while a track I’d been working on was playing. To me, it just worked. I timed what I considered to be “events” in the video, found an appropriate section, grafted the opening (reversed) to the end so that it could be played as a loop like the video, and selected a short section from within to be used about 1 minute in, significantly altered and mixed down so that its effect was almost subliminal.

Amniosis is (in layman’s terms) a condition whereby the developed foetus is unable (or unwilling?) to leave its amniotic sac and be born into the real world.


----------------------------------------------


The Assignment: Compose a 2.5-minute soundtrack to complement a work of silent video art.

Many thanks to the San Jose Museum of Art for inspiring and encouraging this project.

This week’s project involves writing music to accompany a short video. The video is “Untitled #8, 2004″ by the artist Josh Azzarella. His original work is silent, and we’ll be adding music to it that complements the source material. Do note that the video is intended by the artist as a “Never Ending Loop.”

The instructions are straightforward:

Step 1: Watch the following video.

Step 2: Compose and record a piece of audio that matches the video in length.

Step 3: Upload your piece of audio to the Disquiet Junto group’s SoundCloud page, following the instructions below.

Step 4: Listen to and comment on the other tracks posted by your fellow Disquiet Junto participants.

The “Untitled #8, 2004″ video is archived along with other works on the following page at the artist’s website. “Untitled #8, 2004″ is the fourth video in from the left. Its length is 2:31 (2 minutes and 31 seconds):

http://www.joshazzarella.com/videoworks200408/

https://vimeo.com/21678371

Background Information: The “Untitled #8, 2004″ video by Josh Azzarella is part of the permanent collection of the San Jose Museum of Art in San Jose, California. This Disquiet Junto project is the result of an invitation by the Museum for me to develop a sound installation to be displayed on its second floor from October 2014 through February 2015. Tracks submitted to this project will be considered for inclusion in that installation.

Restrictions: Please do not, at the museum’s request, post the video online with your audio.

More on this 138th Disquiet Junto project — “Compose a 2.5-minute soundtrack to complement a work of silent video art″ — at:

http://disquiet.com/2014/08/21/disquiet0138-videosonicvoid/ 


More on the Disquiet Junto at:

http://disquiet.com/?p=16588


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/    




Amniosis [disquiet0138-videosonicvoid]

gymnopédie no.1 - Éric Satie

on air @ Symbiose
https://cism893.ca/emissions/symbiose/14-01-2024/

La Musica è Sacra [on air @ Symbiose]

Marco Lucchi : piano, mellotron and tape
Akemi Takeya : shamisen and voice

marzo 2024

Iki no kôzô # 2 - w/Akemi Takeya

released March 29, 2024

https://petrilahtinen.bandcamp.com/album/three-ghosts-one-forest

https://soundcloud.com/petrilahtinen/sets/three-ghosts-one-forest

Petri Lahtinen: field recordings, electronics
Paul Mimlitsch: clarinet
Martin Hoogeboom: objects, electronics, guitar

Mixing: Martin Hoogeboom
Mastering: Rupert Clervaux

Cover design: Martin Hoogeboom

Ghost in the Forest Act 1 /// Petri Lahtinen / Paul Mimlitsch / Martin Hoogeboom

After adding reverse and forward guitar parts to the encym/Wodwo track in the disquiet0368, I now played bass in the disquiet0369

Neat Disorder revisited, with encym & Wodwo (disquiet0369)

Wilfried Hanrath - Neat Disorder revisited, with encym & Wodwo (disquiet0369)

May 2, 2024
Image based on a photo by Todd Tuddle

MOREL

S&S Drone

I didn't see the auroras / Les aurores, je ne les ai pas vues

Version 2 (25/05/2024)

Dull Sky

February 13, 2021, Melvern Lake, Kansas, United States.

Frozen Lake

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Amniosis [disquiet0138-videosonicvoid]

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