Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

all submissions

haiku #554: In the light of the lamp / I can see the wind - / snowy night

In a Field of Wildflowers

Washed By The Sun

‘effingo discere’
Track created for the Disquiet Junto Project. http://www.disquiet.com
0657 =  Straight Edged. Held tones, sharp edges.

I'm not too keen on imitating the classical orchestra - I've known and loved classical music for too long for that. But quite quickly, I thought of a personal reference in this field (may I be forgiven :) to answer the assignment. So I made a little one-minute piece in which the held tones occur progressively and are gradually superimposed. That's all.

Tools :
Logic instruments.
Waves & SSL plugins.
Mixed and mastered with Logic Pro X.

****

More on this 657th Disquiet Junto project ("Straight Edged. Held tones, sharp edges") at:
https://disquiet.com/0657

More on the Disquiet Junto at:
https://disquiet.com/junto/

Project discussion takes place on https://llllllll.co/

Associated image : Petrus Major.

Ruhig [disquiet 0657]

In the light of the lamp
I can see the wind -
snowy night

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.
 
Haiku by Ōshima Ryōta (tr. by Grzegorz Sionkowski): https://www.thepoetryhour.com/poets/oshima-ryota

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF liT [naviarhaiku554]

HAIKU MUSIC CHALLENGE

Naviarhaiku 554

In the light of the lamp
I can see the wind -
snowy night

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.
 

Haiku by Ōshima Ryōta (tr. by Grzegorz Sionkowski)

Picture by Ilias Gainutdinov

Submission deadline: 21st August 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Snowy Night

Snowy Night (naviarhaiku554)

This track was created for the Naviar Haiku group.
554
https://www.naviarrecords.com/naviarhaiku554-in-the-light-of-the-lamp/

2024-08-16

In The Light Of The Lamp(Naviarhaiku 554)

Arcturus (naviarhaiku 554)

See the Wind (naviarhaiku554)

a track by Marco Lucchi reworked by Mean Flow

*

agosto 2024

Mean Flow & Marco Lucchi - L'homme armé

Tree Totem

My submission for Naviar Haiku Challenge #554.
Messing about with GForce OB-1 and Aparillo.

Night Light

Night Light - Naviarhaiku554

just a quick sketch „on the road“ with my iPad.

Inspired by Naviar Haiku 554
https://www.naviarrecords.com/naviarhaiku554-in-the-light-of-the-lamp/

Sample:
2008-08-19-normandie.mp3 by klankschap -- https://freesound.org/s/59216/ -- License: Attribution NonCommercial 4.0

in the light of a lamp - naviarhaiku554

This uses the following sounds from freesound.org:   750214__nancy_sinclair__tranquil-and-deep-soundscape      750215__nancy_sinclair__mysterious-piano-ambience     750719__lukacafuka__mechanical-clock-ticking

as well as a couple of my own.

Meshaboum

This episode features music made by Naviar's community inspired by Takahama Kyoshi’s poem “The huge setting sun - / little remains of / its power”.

Tracklist:

Voidborn Horde - The Remains
Paul Beaudoin - Huge Setting Sun
Jimmy Lem - I Have Many Potatoes But No Closets
tetkik ve tedavi - Little Remains
Mr_Lamppost - Setting Sun
Gianantonio Patella - Eugen's eighth stunt


Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/


Naviar Broadcast #330 – The huge setting sun – Wednesday 31st July 2024

2024-12-04

Just For This Moment

Image created by me.
https://www.deviantart.com/leehon/art/Forbidden-Halcyon-896345574

Gefressene Jäger

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Arcturus (naviarhaiku 554)

Tuonela

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