More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Disquiet Junto Project 0161: Netmix Relabel

Let's make it raw, I thought to myself... Adding a little of this and a little of that..... Granular processing through Boids, Granular Mirror Maze, Mangler & Grain Reverser..... As so often it turns out like a fight in a wind tunnel.

"Create a new piece of music by using nothing but the following segments of the following songs:

The first 15 seconds of “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), available for free download at: http://goo.gl/iWcJJs

The first 10 seconds of “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), available for free download at: https://eg0cide.bandcamp.com/album/eg0-131-ayato-natalia-kamia-cluster

The first 10 seconds of “Espasmo” by Lingering Last Drops (Bump Foot Records), available for free download at: https://lingeringlastdrops.bandcamp.com/
"

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Spent Apparatus  - disquiet0161-netmixrelabel

**Production Notes**

Netlabel Remixes for the Disquiet Junto are always nice - in my hands, they tend to become beats ranging from 90 to 120 bpm. This one's 104 bpm.

All the sounds were made from the material provided. The samples were used for all the drums, drumloops and gnarly melody loops. 

Well, I cheated a bit and rendered one MIDI melody / bassline from the original sample material. Ableton Live does that magic trick. Took an 303 wannabe emulation I built several weeks ago in Live. The rest was twisting knobs and trying to get the levels right.

4 hours of work. My ears bleed. Tired now. Good nite. 

* * *

**Disquiet Junto Project 0161: Netmix Relabel**

The Assignment: Create a new track from three tracks from three different net labels.

These are the steps:

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:
The first 15 seconds of “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), available for free download at: http://goo.gl/iWcJJs

The first 10 seconds of “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), available for free download at: https://eg0cide.bandcamp.com/ album/eg0-131-ayato-natalia-kamia-cluster

The first 10 seconds of “Espasmo” by Lingering Last Drops (Bump Foot Records), available for free download at: https://lingeringlastdrops.bandcamp.com/

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, January 29, 2015, with a deadline of 11:59pm wherever you are on Monday, February 2, 2015.
Length: The length of your finished work should be between two and four minutes.

(...) 

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. 

All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at: http://disquiet.com/junto
Join the Disquiet Junto at: 

http://soundcloud.com/groups/disquiet-junto/ Disquiet Junto general discussion takes place at: http://disquiet.com/forums/

Catnip [disquiet0161-netmixrelabel]

I find joy in remixing elements so that they become unrecognizable...

-----
More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/



Last Kiss, Lingering

after downloading and listening to the three tracks (which are all excellent in their own right) I cut  out the bits required and looped parts pitchshifted parts and drank beer.
then i relooped and resampled parts, a bit of panning here and there and more beer eventually I ended up with this, which is exactly what I really wanted in the first place.

happiness is wanting what you have, eh?

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


3 In 1(disquiet0161 - Netmixrelabel)

Disquiet Junto Project 0161: Netmix Relabel

Dosquisospaskif [disquiet0161-netmixrelabel]

As you can see, midnight is not a good time for titles…

Track 1 – Espasmo excerpt, appended to itself in reverse and Paulstretched to 4 mins

Track 2 – piano ‘chord’ from middle of track 1, stretched and delayed

Tracks 3 – Rhythm track made from small excerpt of Dog Kiss, cloned, filtered and downtempo’ed

Track 4 – Quik Kif excerpt, improvised on in ambient v.3

Track 5 – Strange ending made from Espasmo excerpt, lots of delay

Track 6 – Strange beginning made from Espasmo excerpt, using variable tempo in both directions, also ring modulator and vocoder and even more lots of delay

.


----------------------------------------------

The Assignment: Create a new track from three tracks from three different netlabels.

Every couple of months the Disquiet Junto hosts a netlabel remix. All of the source audio for a netlabel remix is available for free, non-commercial download and creative reuse thanks to a Creative Commons license. This series of “netlabel remixes” is intended to promote that sort of thoughtful, collaborative sharing.

Create a new piece of music by using nothing but the following segments of the following songs:

The first 15 seconds of “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), available for free download at: http://goo.gl/iWcJJs 

The first 10 seconds of “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), available for free download at: https://eg0cide.bandcamp.com/album/eg0-131-ayato-natalia-kamia-cluster 

The first 10 seconds of “Espasmo” by Lingering Last Drops (Bump Foot Records), available for free download at: http://www.bumpfoot.net/foot237.html 

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/ 


More on the Disquiet Junto at:

http://disquiet.com/?p=16588


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/    




Dosquisospaskif [disquiet0161-netmixrelabel]

A mirror of its former light, slowed and reimagined. This version of Passed Light drifts through inverted spaces—where warmth becomes shadow, and echoes stretch longer than meaning. Each beat is a bridge between the shimmer that once was and the silence that remains. Descend into a downtempo dream where light isn’t gone—it’s just somewhere else.

Get the Track

Passed Dark (Zankyo Side)

Hunt

L-Yellow House

Older song reworked/renamed, aka. that one time I pretended to be a Swans/Neubauten/Birthday Party/Test Dept collaboration from 1983 ish. Bass guitar, 2 drum machines, harmonica and other noises

Revok

2025-07-27

unrest around us

How fun it is to play an instrument! Repeating the same phrase over and over is like a child's game. I'm a grown-up, so I try to make a different phrase, but I get attached to the phrase I've played many times, so I can't change it well. Maybe I should play using chord tones like bebop. I hate practicing, so it's impossible for me.

Saxophone man who hates practicing（327）

As a musician and producer, I find myself drawn to the unique sonic landscapes that various musical modes offer. My latest endeavor is no exception; I've experimented with the Mixolydian mode and integrated it into my new deep house track. The result is a melody that is both familiar and exotic, which I'm excited to share. The Mixolydian mode, which is essentially a major scale with a lowered seventh, infuses a bluesy, relaxed feel to my guitar melody, offering a fresh texture to the deep house genre.

Produced in the
ARAPA Music Studio
1.8.2025

Artwork:  #azcreativestudiosydney


Unbroken Spirit

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Cheap Circuits "


credit :    plugdata ,mirack

Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 1.08.2025

Met All Meet 2

EXcursion9

Hey hey!! Back with something fresh finally.
Really appreciate you listening. Supporting.
All feedback and real love. Always returned.
This is 92 Bpm. Laid back. Uplifting vibes.
Stated with the dope female chop, loop.
Built the  idea, theme, track around it.
Looking for singers. Dm...
Uploaded on 15/08/2025.

Never lonely

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Dosquisospaskif [disquiet0161-netmixrelabel]

Tuonela

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