I'm so tingely all over, I love this, There is something that sounds like Ice skates in there.

Love this dreamy feel almost like a long lost memory painted over to hide something sinister

did a great job really transforming the whole mood of this piece into something sinister

Superb transformation from something “good” to something “evil” . Really nice.

an interesting (and well executed) idea Ian :)

Beyond

B-Poignant Dream

A weird and wonky track trying to get mastering right. 13

BEEP Episode 03 Troy Allan and Marcus Barnfield

Video Link: https://www.youtube.com/watch?v=Oh_RMUyF3Ps

The Hidden People of the Forest (Mix 2025)

The Hidden People of the Forest (Mix 2025) & Video Link

Werther Effect

Jacques Lemaire : synthesizers and tape
Marco Lucchi : synthesizers

The Path

Do you ever feel like you are repeating the same things in infinite variations.....

Think I am finally getting the mix right on this.

Please feel to let me know what you think as your feedback is very valuable to me?

Exploration

Maybe it's the way the light plays off of them.
The conjuring of colorful shadows, round.
To gaze into those eyes .
To gaze beyond your face and into your soul.
To find them gazing back.
Mr. Grank sees you...
He dwells within the chambers of your heart,
singing sweetly.
He discovers one more shiny marble.
Like one plucks an apple from it's tree
He takes the marble and scurries away
Leaving you breathless
and free of his burden...

*** Glass bell and hand bells used in this track

Lost In Your Eyes

In my dreams, the angel voices are calling...

Released on 26 Sept 2025

Angel Voices Are Calling

Henrik Meierkord : cello and viola
Marco Lucchi : piano and synthesizer

Up the mountain

Produced & mastered by BotNikStudio2, Bottna, Sweden.

HOT AIR BALLOON UNDER A COLD MOON

Stefano Bellemo : registrazioni sul campo, manipolazioni, assemblaggio.
Anno prod. 2015
Grazie per la vostra attenzione.

Immagine di Cristiano Bellemo.
https://www.instagram.com/cristianobellemo/

[té - so]

A COLLABORATION CHILE ▼ ITALY 2017 step2

Video: https://youtu.be/_tryU5OmVhA

https://humanfobia.jimdo.com/filmy-ghost/
https://hearthis.at/filmy-ghost/
https://www.facebook.com/humanfobia/
https://www.facebook.com/cianorbenetlabel/

https://www.facebook.com/ek4t3

Filmy Ghost - Electricity Ritual

IM∀S∀γ

NSKE 966 - Midi Moins Cinq

Experiment 2

Disquiet Junto Project 0333: Half Evil

One of my favourite “positive” melodies is the middle section of “Cleve and the Mule”, a piece from Alfred Newman’s brilliant soundtrack for “How The West Was Won”. It depicts the arrival of a man who is a gambler and a shyster and is transformed by the emergence of the positive side of his nature, represented by this theme.

This fragment was stretched (crudely) twice, then transformed into something a bit darker using The Mangle and ambient v.3. These were overlaid and mixed to transform the “good” theme into something more suggestive of the dark side.

It ends with the sample being treated with vocoder and Crazy Ivan, finishing with an odd artefact from the mangled version.

Written by Alfred Newman and played by The MGM Studio Orchestra.


Image = Detail from “Fox Woman” by Susan Seddon Boulet

----------------------------------------------

Disquiet Junto Project 0333: Half Evil
Where numerology casts a shadow on musicology.

Step 1: This week’s project is the 333rd consecutive Junto project. That’s half of 666. Ponder the dark side.

Step 2: Record a piece of music that could be described as “half evil.”


More on this 333rd weekly Disquiet Junto project (Disquiet Junto Project 0333: Half Evil / Where numerology casts a shadow on musicology) at:

https://disquiet.com/0333/ 


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

The Trickster [disquiet0333]

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

The Trickster [disquiet0333]

Tuonela

Recent comments

Stan Magendanz

rupertlally

Oriental Love a.k.a Kaya Takada

ᴘʜᴀɴᴛᴏᴍ xᴀɴᴏɴ

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