techno turborec

Jon Dixon - Paradise Valley EP
BUY LINKS: https://www.deejay.de/Jon_Dixon_Paradise_Valley_EP_NS006_Vinyl__1159033
https://www.juno.co.uk/products/jon-dixon-paradise-valley-ep-feat-la-synthesis-vinyl/1094292-01/
Label: No Speakers (https://soundcloud.com/no-speakers)
https://www.instagram.com/nospeakersrecords
https://nospeakers1.bandcamp.com/
> Jon Dixon (https://soundcloud.com/jon_dixon)
https://www.instagram.com/jondixon_

Jon Dixon has been a student of classical music since his teenage years, and brings a jazz sensibility to his techno. He is an Underground Resistance affiliate who has released music on cult labels like Planet E and is one of Detroit's most sought-after musicians, having performed with greats such as Amp Fiddler, Jeff Mills, Mike Banks, and Derrick May. His hi-tech sound is informed by time spent working with the late jazz icon Marcus Belgrave and comes on his own 4evr 4wrd as well as the likes of Nervous.

Sublime opener 'Layers To This' is perfectly indicative of his ageless fusion of jazz, techno, and Motor City magic. It's a mid-tempo cut with deep drums and busy synth lines that bring futuristic soul. As the drums march on, the percussion ramps up, and the drums become increasingly hypnotic, while the evolving synth work shines. 'Bridgehouse' is a brighter cut with nimble piano chord dancing over the tightly programmed but live-sounding drums. It's a life-affirming celebration with jazz energy and joyous melodies combining perfectly with the restless movement of the drums.

First remixers LA Synthesis, aka Carl Grant and Tony Gallagher, formed in South London in 1992 and became vital voices in the evolving techno sound of the time, in no small part thanks to their near-perfect debut album ‘Matrix Surfer’. They turn up the melodic brightness on 'Layers To This' with jittery broken beats and twitchy acid sounds all firing your synapses during a most interplanetary deep techno trip.

El Prevost heads up No Speakers - and the party of the same name - after more than 20 years in the underground, releasing across the house and techno spectrum and paving the way for the grime and garage crossover with his cult Linx Recordings label. Here, he transforms 'Bridgehouse' into a darker sound with tense synths twanging behind scattered chords. The push and pull between the two make for an alluring dance floor tension.

BUY LINK

PREMIERE : Jon Dixon - Layers To This

Easy Lee

Easy Lee (Random Factor Remix)

Gimme Some got remixed by Brian Ring. This Berlin based Irish guy is known for his unique style somewhere between house, disco and an euphoric touch of indie dance. With his interpretation of the original version by Jakob Mäder and JULIENT, Brian twists it into a dancefloor friendly and intelligent looped club track. Either for warmup in a cozy bar setting or a hot summer night, this one got vibes: organic disco inspired drums, looped vocal snippets and this reduced melody elements from the original Gimme Some. And of course some classic Brian Ring choir synths we all love!

BUY on BANDCAMP

PREMIERE : Jakob Mäder & JULIENT - Gimme Some (Brian Ring Remix)

A collision of rave outsiders: Morris’s unlikely pop mystique meets Gramrcy and Loveless on the FWD dancefloor… lnk.to/GJLPH149

In Berlin where the bassweight bubbles bright, Lived Gramrcy and John Loveless, deviant and polite, They stirred a pressure-cooker full of electroclash stew, With ISDN-line scramble and a hint of something new.

“Oh!” cried Tony Morris (former teacher, taxi man), “I’ll hypnotize with repetitions, catch me if you can! I’m Scotland’s most unlikely pop sensation, don’t you see? A cult figure cabaret, as deviant as can be!”

They mixed it up on Phantasy Sound with textural delight, The earworming anchor bobbed and bounced all through the night, From FWD-era gumption to the disco esoteric, They created ‘Lucid’ madness, quite atmospheric!

The festival-rupturing Highdive had ruptured long before, Now ‘Feel So’ tipped the scales toward the ecstatic dance floor, With post-punk percussion prancing, hi-NRG in tow, From Chicago down to Rimini, watch the bassline grow!

Said Peggy Gou and Daniel Avery, “What a splendid sound!” While 2ManyDJs spun it ’round and ’round and ’round, And Moschino’s models strutted to the supreme release, As rave outsiders intersected in their bubbling masterpiece!

So if you seek the throbbing beat of something deeply odd, Find Gramrcy and John Loveless – that peculiar duo’s squad With Tony Morris chanting in his late-sixties prime, Making lucid nonsense music, one earworm at a time!

Three years after their all conquering ‘Highdive’, Gramrcy and John Loveless return to Phantasy with ‘Lucid’, a pressure-cooker of FWD-era bassweight and electroclash scramble anchored by the hypnotic vocals of Tony Morris.

Listen below, pre order here: https://lnk.to/GJLPH149

PREMIERE: Gramrcy & John Loveless  - Lucid feat. Tony Morris [Phantasy Sound]

The clock in the hallway had always been peculiar. It was tall and wooden, its face a dull brass, with hands that twitched ever so slightly before they moved. It had belonged to an old friend, who claimed it “kept more than time.”

Every night, at exactly midnight, the clock would let out a soft click—the sound of its mechanism resetting for the next day. But one Friday, as the storm outside rattled the windows, the clock didn’t click. It banged

The minute hand shuddered... and jerked backward.

The bang came again, louder, like a gunshot wrapped in thunder.

Then the power surged back. Lights flickered on.

Star Creature really do have a remarkable knack for pulling lost gems from obscurity and introducing them to the modern day. This time around things are no different with a double hitting 7" bundle which showcases some of the rawest, bang the box meets funk from Chicago. Classic sounds all round and very highly recommended. A reminder of what it should be.

PREMIERE: Connie’s Crew  - Bang Goes The Clock [STAR CREATURE]

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/mesmerist-all-my-homies-negentropic-dionysian-mysteries
* Listen on Youtube: https://youtu.be/sMjVkSHAQnc
* Pre-order: https://dionysian-mysteries.bandcamp.com/album/all-my-homies-negentropic

A 4-track EP from Bay Area producer Mesmerist, who runs the label Dionysian Mysteries.
A brief transmission of auditory memoirs, the release captures moments of euphoria, tension, and reflection in equal measure.

“Boriqua Drip” kicks things off with a ravey, pumping break that gives way to a sassy acid riff at its core. “Festival Girlfriend” follows with wavey, optimistic energy — a track that nudges the listener upward into a cloud of warmth and new beginnings.

Next up, “All My Homies Negentropic” channels a Depeche Mode–style electronic drive with a post-punk edge, gritty yet melodic. The closer, “Tek 3000,” is the oddball of the bunch — a lust-fueled cut built around stripped-back trance elements and hypnotic, heady vocal stutters.
A compact but vivid statement from Mesmerist, weaving together dancefloor energy and introspective depth in equal measure.

PREMIERE: Mesmerist - All My Homies Negentropic

Brooklyn-based producer, DJ, and multi-instrumentalist Bad Colours returns with his fourth LP ‘Promise’ on Bastard Jazz. Fusing house, proto-techno, soul, hip-hop, and UK garage, the album pairs hypnotic club rhythms with moments of personal reflection, exploring vulnerability, desire, and transformation. Inspired equally by the energy of underground dancefloors and the quiet moments in between, ‘Promise’ is both dancefloor fuel and headphone therapy.
Musically, ‘Promise’ is a vibrant journey through Bad Colours’ genre-blurring world. The title track kicks things off with an up-tempo, harp-driven house groove featuring rising UK harpist Rachel Kitchlew, layered with ghostly female vocal snippets. ‘We Never Choose’, featuring Life On Planets, is a catchy, filtered floor-filler that alternates between rap and smooth, soulful vocals. ‘Moment of Silence’ spotlights Brooklyn’s Brandon Markell Holmes, whose emotive delivery soars over an intimate, late-night rhythm, while ‘Freaks’ enlists early-2000s Brooklyn dance-rap legends Ninjasonik for a bass-heavy chugger powered by their rapid-fire flow. ‘Nightcap’ rides a funky bassline and crisp percussion with vocals from longtime collaborator Jarv Dee, and ‘Home’ closes the record on a piano-led, MAW-inspired groove, with Bad Colours delivering his own intimate spoken-word poetry.
The project marks another evolution for London-born, Maryland-raised, Brooklyn-based artist Ibe Soliman, whose career has seen him DJ alongside James Murphy, Mark Ronson, and Q-Tip, produce for the mighty Kendrick Lamar and Faith Evans, and collaborate with Korean rap megastar Jay Park. 

PREMIERE : Bad Colours - Home

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "VA - Socarrat Vol. 1 (10 years of MM Discos) (MM Discos)".  November 14th 2025. Buy here : https://mmdiscos.bandcamp.com/album/socarrat-vol-1-10-years-of-mm-discos

We’re thrilled (and a little emotional) to celebrate 10 years of MM Discos. For the occasion, we’ve put together a selection of over 30 tracks from a wide range of artists — some who’ve been with us since the very beginning, others who’ve shaped our sound, many we’ve long admired, and a few who are definitely going to make a lot of noise in the near future.
Talking about MM Discos inevitably takes us back to Erkstrasse 19 — the place where it all started to take shape. Our base camp, where those endless afterhour sessions took place, spinning records for hours on end, playing whatever the hell we felt like. Out of that chaos, the MM Discos identity was born. Herr. Gross, wherever you are, sorry for all the noise :P.
If there’s one word that defines everything we’ve done, it’s music. We’ve always run away from trends and genres to craft our own soundtrack — one where disco, house, techno, breaks, pop, dub, electro, african rhythms, synth and rock all coexist freely. Basically, whatever moved us at the time.
That’s always been the MM Discos way. Balearic? Maybe. But really, it’s more about freedom — no rules, no labels, just pure musical instinct. Over the years, we’ve released what we truly believe deserves to be heard, no matter the style, no matter the hype.
Staying true to that spirit, this anniversary release comes in three volumes — a proper “sonic tutti-frutti” that you simply won’t be able to escape.
In this first volume, we move through a spectrum of sounds — from laid-back mid-tempo grooves to more upbeat, house-driven rhythms infused with that unmistakable Balearic touch.

Artist social media :

https://soundcloud.com/breezysmusic
https://www.instagram.com/breezys.music

Label social media:

https://www.facebook.com/moonandmann
https://www.instagram.com/moonandmann
https://soundcloud.com/mmdiscos

MM Discos

PREMIERE : Breezy S - The Jungle (MM Discos)

Tom Bioly - Lndn99

Star Creature and Giovanni Damico present a 3 x7s bundle. With over 40 vinyl releases over the past 15 years, there is a pretty good chance you’ve encountered a Giovanni Damico record at a club, in a record shop and probably even within your own DJ bag. The self-taught, multi-instrumentalist is a one-man disco band with an endless appetite for exploring underground funky sounds with genre-defying energy. In 2019, Damico found a home base with Star Creature and together they share an affinity for new takes on the classic sounds of Boogie, Synth Funk and Chicago House. The latest release collects several of the most in demand and out of print works over the past 5 years and reassembles them as 7”s for the first time. The set features a highlight of Giovanni’s styles including top shelf modern boogie, authentically primitive Chicago / Italo proto house and Nigerian via NYC disco bangers. This is a must-have set for upper crust selectors and connectors and will surely leave us all salivating until the next SC GD Collab Slab hits!

Fall In The Groove - Supreme Italo-Boogie 2-sider 7” double banger from the long out of print Fall In The Groove LP. The A Side gives us a slice of Psychedelic Boogie that is continentally agnostic - hard to tell if this cut is from the future or something that belongs on Brand New Wayo Volume 2. The B Side hits us with an Afro-Italo smacker that's already been known to fill floors from Orange County to Lyon, Salerno to Berlin, Tokyo to Rio. Housed in a replica 7" Jacket and ready for trouble.

The Power / Analog Session – Proper Chicago proto-house from Salerno. Damico is basically an honorary Chicago Native. “I don’t think he’s ever been to Chicago but he certainly has status on all sides of the City” says Tim Zawada. Outside of the first-gen Warehouse / Music Box / Power Plant attendees, Giovanni just seems to “get it” while expanding and innovating. That perfect blend of tracky Italo early drum machine bang the box type of proto house electro soul. For the first time on 7", Damico's epic ‘The Power’ gets an edit ready to be stuffed into your Tucker & Bloom and carted all over the world. B Side hits us with an insane wobbly analog proto-electro number perfect for dance floor exorcism exercises. 

Night Time - New School aspiring Nigerian boogie inspirations. Giovanni Damico strikes it hot again with his cult classic ‘Night Time’ inspired by Italians and Nigerians interpretations of the American disco and boogie scene of the late 70s and 80s. Damico pulls the band together for major vibes on Star Creature. "We put out the instrumental as a digital only bonus and I've been hit up almost weekly since asking for a proper vinyl release - doubles necessary to run it back” Says Tim.

PREMIERE : Giovanni Damico - Fall in the Groove

New Jack Techno

08 Nautiluss -  Troubleman

TWIN TURBO 014 - PILO - UBSTRAKTION

Twin Turbo presents the debut release from Pilo, featuring three tracks to destroy whatever's left of 2012's dancefloors.

It's always a source of pride for the label to discover a new artist and shove him out onto the world stage to sink or swim into the playlists of all the huge names who pay rapt attention to everything we do. We were introduced to Pilo through Harvard Bass, who suggested his fellow Californian for remix duties on his own recent Twin Turbo release. Now, we're pleased to present Pilo's proper debut, the work of yet another huge young talent grinding it out for nu-techno supremacy.

"Ubstraktion (Jazz Yo Self Mix)" melds rave diva vox, an infectious siren hook, and high-BPM lysergic techno, leaving you wonder what the less jazzy mix could possibly sound like. Meanwhile, "Forte Inductance" strips away the nonsense to genuine "stripped-down, no-nonsense" levels, relying on a relentless kick, overdriven toms, and a melting MC vocal to  get the job done. Finally, "Trippin" gets you trippin' so hard that the term "after-hours warehouse banger-monster" seems to lose all meaning, before gaining way too much meaning.

Twin Turbo - closing out the year with new discoveries, new digital bombs, and new definitions of peak-time dominance. We'll see you in 2013 with music that reflects our world's inevitable Mad Max, dancing-in-the-breadline reality.

Twin Turbo 014 - Ubstraktion

Pilo - Ubstraktion (Jazz Yo Self Mix) (Preview)

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

08 Nautiluss - Troubleman

Turbo Recordings

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