Clouds – Ghost Systems Rave

Schurken Techno

CHOUJIN X

aletterfromgreenland’s  picks!

mommy time

The score for Only Lovers Left Alive -- a collaboration between SQÜRL (Jim Jarmusch, Carter Logan and Shane Stoneback) and Dutch lutenist Jozef Van Wissem -- serves as a reflection of the distinct textures of Detroit and Tangier, bridging ancient and modern sounds, entangled and timeless.

Avant-Baroque lute weaves through twenty-first century guitar grit, heavy back beats, Moroccan percussion, synth bass, field recordings, and numerous sonic effects to create a cinematic tapestry.

Guest vocalist Madeline Follin (Cults) appears on SQÜRL’s syrup soaked re-interpretation of the Wanda Jackson hit “Funnel of Love." Zola Jesus's commanding vocal soars through Van Wissem’s "In Templum Dei." And Yasmine Hamdan’s intimate and evocative “Hal" was recorded on the set of the film and mixed by SQÜRL.

The film and soundtrack album were released worldwide in 2014, and quickly earned the group the Cannes Soundtrack Award from a consortium of film and music critics. In the years that have followed it has remained a favorite of critics and fans alike, who have continued to hunt down the limited vinyl copies in existence.

Film Synopsis:
Set against the romantic desolation of Detroit and Tangiers, an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover. Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them?

The Taste Of Blood

the devil appears

Prod. by Layer One, VENKO @venkomode
Arranged by Layer One, VENKO @venkomode
Composed by Layer One , VENKO, SEORA, GongGongGoo009
Vocal by 
SEORA @snow4444seora
GongGongGoo009 @gonggonggoo009
Mixed & Mastered by Doubdub @doub_dub
Art Direction by 
PROJE @move.prj 
Changha Park @biglight0222

[SEORA]
감각이 집중된 순간
눈 앞에 핀 섬광
set 하면 reflash
뭘 그리 움추리는 걸까
이건 nuevo 무너진 기준
그러니 reflash
set 하면

drop it low
drop it low
smash up my
umm
smash up my
umm

무심한 듯이 sigma
살짝 애타는 찰나
틈새를 노려 지금 파고들어
언제쯤 날 원하게 될까
신호를 줄래 to be safe
위험은 없지 우리에게

감각이 집중된 순간
눈 앞에 핀 섬광
set 하면 reflash
뭘 그리 움추리는 걸까
이건 nuevo 무너진 기준
그러니 reflash
set 하면

[GongGongGoo009]
Drop it low 나는 좆까 너네 노예 계약도 
대기업 일감을 물어다가 뱀의 대갈통
행세 할바에는 그냥 노려 저기 용의 밥통
They want you give more, expect you to dream less
아깝지 시도 아니기도 business
쿨한척은 척이 될때 뺑끼지 
Too old for mistakes 
and too young for a accident 
답도 없는 업계 얘기 뿐 니 백팩엔 
그건 이제 좆도 촌스러울 뿐 걍 돈독 올라 돈 땡길때 
이런 씨부랄 Better can be nowhere 

[SEORA]
행해줘 sado
나의 sodom
곧 단죄될 테니
zero or one
빨간 조명이 점멸하지
다가올 위험
서둘러야 해 get off
통제를 벗어난
이상징후 위험신호

악명 (Feat. SEORA, GongGongGoo009, VENKO)

tracklist (I still have to put it in the right order):

Kensuke Ushio - 手のひらを太陽に
Haruomi Hosono - Talking あなたについてのおしゃべりあれこれ
Mort Garson - Rhapsody in Green
Yem gel - Buttercup μ
Yem gel - Glade of the Mother
Hole Dweller - Along the Great East Road Cows Graze on Emerald Fields
Hole Dweller - Memories in Wildflower and the Setting Sun
The Caretaker - My heart will stop in joy
Susumu Yokota - traveler in the wonderland
Emily A. Sprague - Moon View
Emily A. Sprague - Woven
Francesca Heart - A'marina
Ryong - Soul-proof (my dream)
Miharu Koshi - L'ame Des Poetes
Mandible Chatter - Griogal Cridhe
Midori Takada - Mr. Henri Rousseau's Dream
Carlos Niño & Friends - Calimayan (feat. Nate Morgan & Yaakov Levy)
Hermeto Pascoal - Música da Lagoa (Sinfonia do Alto Ribeira, 1985)
Jeff Bridges - Temescal Canyon
Af Ursin - Rêverie En Mineur
Osawa Tome - Chirpy Sense
Maurizio Abate - Towards The Outside
HEROIN IN TAHITI - Granaglia
Ross Alexander - Jinja On The Nile
Mike Cooper - A Pattern Of Islands - Te Lapa (Phosphorus)
Andrew Pekler - Les Jardines
Andrew Pekler - Fonseca Winds (Lament)
Visions Congo - The Hoima Witch and the Songye Mask
Luc Ferrari - Presque rien N°2 ainsi continue la nuit dans ma tête multiple
Éliane Radigue - L'Île Re-Sonante
Pete Namlook/Higher Intelligence Agency - Secret Location
Biosphere - Aura In The Kitchen With The Candlesticks
Grouper - Heavy Water / I'd Rather Be Sleeping
Grouper - Headache
Vashti Bunyan - Diamond Day
Vashti Bunyan - Glow Worms
Vashti Bunyan - If I Were
Tom Petty - It'll All Work Out
Mazzy Star - Fade Into You
Müzeyyen Senar - Benzemez Kimse Sana
Müzeyyen Senar - Dün Gece Mehtaba Dalıp - Saklı Kayıtlar
The Gentle People - The Soundtrack of Life
The Gentle People - World of Love
The Gentle People - Laurie's Theme
Jorge Ben - Quem Foi Que Roubou A Sopeira De Porcelana Chinesa Que A Vovó Ganhou Da Baronesa?
Jorge Ben - Crioula
Jorge Ben - Domingas
Jorge Ben - Barbarella
Patrice Rushen - Settle for My Love
The Holy Light Jr's - love hides all faults - florida deep gospel soul
Sir Victor Uwaifo - Iye Iye Oh
Lloyd Miller - Gol-E Gandom
Salah Ragab & The Cairo Jazz Band - Dawn
Kathleen Emery - Sometimes I Feel Like A Motherless Child
Os Tubarões - Labanta Braço
Abdou El Omari - Layali Saif
Abdou El Omari - Afrah El Maghreb
Meridian Brothers - Guaracha U.F.O.
Graham Mushnik - Octopus Dance
Nico Mauskovic - A Big Brain

Irem

𝙉𝙚𝙤𝙣 𝙂𝙚𝙣𝙚𝙨𝙞𝙨 𝙀𝙫𝙖𝙣𝙜𝙚𝙡𝙞𝙤𝙣

𝙔𝙤𝙠𝙤 𝙏𝙖𝙠𝙖𝙝𝙖𝙨𝙝𝙞 - 𝘼 𝘾𝙧𝙪𝙚𝙡 𝘼𝙣𝙜𝙚𝙡'𝙨 𝙏𝙝𝙚𝙨𝙞𝙨

Raj Mahal - Toongabbie (Feat. Zulo Bigs , Kwame)

Chae-yeon - Two of us

Lyrics by Jvcki Wai
Recorded by Jvcki Wai
Good Bye Jvcki Wai

Back To What [Original ver.] (Prod. Clams)

It’s bad when the girls go missing.

It’s worse when the girls are found. 

 Six months ago, Charlotte almost lost everything. Now, she’s determined to keep her daughter, Elle, safe. So when local girls close to Elle in age and appearance begin to go missing, it’s her worst nightmare.

Charlotte’s fears are confirmed when a frantic search becomes a shocking murder investigation. The girls’ bodies have been found – half-buried, and with traces of mud and wildflowers under their fingernails.

As Charlotte’s obsession with keeping her daughter close pushes her marriage to the brink, local DI Madeleine Wood embarks on a gruelling search for the killer. And, as they dig deeper into the lives of the people they call friends and neighbours, they uncover secrets more terrible than they ever imagined…

Pretty Little Things is the nail-bitingly terrifying new serial killer thriller from TME Walsh – the perfect read for fans of Close to Home, Behind Her Eyes and The Child

Thriller fans love T.M.E. Walsh:

‘I couldn't wait to turn the next page – brilliant and what an amazing twist!’ – Donna Maguire on For All Our Sins

‘Cleverly written with lots of blood and gore and a maniacal murderer to satisfy any hardened serial killer crime thriller reader.’ – Nolene Driscoll (Goodreads) on For All Our Sins

‘I love a good gruesome crime novel and this did not disappoint.’ – Angela Oatham (Goodreads) on For All Our Sins

‘As the book races toward its conclusion, there is a shocking plot twist that readers will not see coming.’ – Sharon (Goodreads) on For All Our Sins

‘[The Principle of Evil is a] fast paced psychological thriller which leaves your nerves on edge as it creeps towards the climax.’
– Sharon Bairden, THE Book Club reviewer on The Principle of Evil

‘Held me captivated from page 1. Gripping, fast – I just couldn't put it down.’
– Martha Brindley, Independent reviewer on The Principle of Evil

‘I have been totally and utterly mesmerised by this book. Gripped from the very start.’
– Michelle Simons, Independent reviewer on The Principle of Evil

Pretty Little Things: 2018’s most nail-biting serial killer thriller with an unbelievable twist, By T.M.E. Walsh, Read by Madeline Brolly

S.E.S. - Be Natural

Collapsed

Armature

Alemão do Forró, Vol. 06: O Rei do Forró Capixaba

Bye Bye

Been hearing a ton of edits for Kingdom Hearts lately, but this foxen remix has got to be my favorite thus far. Hope you all enjoy this as much as I do! Who is ready for KINGDOM HEARTS 3?!

@thefoxen
♬ instagram.com/foxen.music

@RLGRIME
♬ instagram.com/RLGRIME
♬ facebook.com/RLGRIME

@hikaruutada
♬ instagram.com/kuma_power
♬ facebook.com/Utada

@thefeels4ever
♬ facebook.com/thefeels4ever
♬ instagram.com/thefeels4ever
♬ Spotify - spoti.fi/2KzLnPP

RL GRIME x UTADA HIKARU - I Wanna Know X Simple And Clean (Foxen Remix)

Uhm Jung Hwa- Invitation

Third Method

White Flames - Burning (Reprise)

Second Method

Am-2 A1

Am-2 A2

1話～50話のメドレーです。
CD / Download: https://r-volcano.booth.pm/items/1795487

Nebula

ぼくらのアイカツ！

KIM XIMYA-Forgotten

CLOUDS resurrect the spirit of hardcore with this massive highlight off their forthcoming debut album. Supported by Skream & Benga, Annie Mac and Tiga.

Ghost Systems Rave

Clouds - Future 1

"One of the best techno full-lengths of the year"
- Resident Advisor
"9/10 Album of the month"
- Mixmag

Just a few years into their career, CLOUDS have already been playlisted and supported by some of the most respected heavyweights in electronic music. At 21 and 22, these Scottish prodigies have already developed a sound that has made fans out of Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore - a cross-section that reflects the range, quality and inventiveness of their music. All this attention through a rapid-fire succession of four singles on Tiga's Turbo Recordings. But these were mere club bombs: now the kids have grown up.
TURBO presents their debut album – GHOST SYSTEMS RAVE – an immersive 14-track journey into the heart of Techno's Future. This record should put CLOUDS in the ranks of the elite UK techno vanguard. Comparisons to the work of Blawan, Zomby, Actress are justifiable and inevitable. What is critical - and hopefully obvious to the careful listener - is that none of this is derivative. That these connections will be made simply speaks to the level of artistry on display, as opposed to any specific tricks, sounds or motifs. Wherever they try their hand, they find an original way forward. For instance, when they take on HARDCORE on the awesome FUTURE 1 and FUTURE 2, it is their own private resurrection of the spirit nexus heyday of early 90s UK jungle and techno, a historic time that also literally birthed both Liam and Calum. This is the sound of rave's undertow, dredging up toxic grit and grime, as well as beautiful shards and glimmers.
Almost nothing on this record is obvious. The melodies never resolve. The vocals are consistently unintelligible. The drums are at once dirty, punchy, and repetitive, but never too abrasive to put you off. The bass growls. Textures breathe, brush, grate and glisten. Everything sounds as though it exists in an alien world of impossible dimensions, complete with its own physics, logic and secrets. 
This record is more than fully formed. It's perfect. Made in a few weeks of total isolation in a barn in Scotland by two kids with a laptop and total conviction. Welcome to the FUTURE. It's theirs.

Clouds - GX 339-4/V821 Ara (About 15000)

"One of the best techno full-lengths of the year"
- Resident Advisor
"9/10 Album of the month"
- Mixmag

Just a few years into their career, CLOUDS have already been playlisted and supported by some of the most respected heavyweights in electronic music. At 21 and 22, these Scottish prodigies have already developed a sound that has made fans out of Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore - a cross-section that reflects the range, quality and inventiveness of their music. All this attention through a rapid-fire succession of four singles on Tiga's Turbo Recordings. But these were mere club bombs: now the kids have grown up.
TURBO presents their debut album – GHOST SYSTEMS RAVE – an immersive 14-track journey into the heart of Techno's Future. This record should put CLOUDS in the ranks of the elite UK techno vanguard. Comparisons to the work of Blawan, Zomby, Actress are justifiable and inevitable. What is critical - and hopefully obvious to the careful listener - is that none of this is derivative. That these connections will be made simply speaks to the level of artistry on display, as opposed to any specific tricks, sounds or motifs. Wherever they try their hand, they find an original way forward. For instance, when they take on HARDCORE on the awesome FUTURE 1 and FUTURE 2, it is their own private resurrection of the spirit nexus heyday of early 90s UK jungle and techno, a historic time that also literally birthed both Liam and Calum. This is the sound of rave's undertow, dredging up toxic grit and grime, as well as beautiful shards and glimmers.
Almost nothing on this record is obvious. The melodies never resolve. The vocals are consistently unintelligible. The drums are at once dirty, punchy, and repetitive, but never too abrasive to put you off. The bass growls. Textures breathe, brush, grate and glisten. Everything sounds as though it exists in an alien world of impossible dimensions, complete with its own physics, logic and secrets. 
This record is more than fully formed. It's perfect. Made in a few weeks of total isolation in a barn in Scotland by two kids with a laptop and total conviction. Welcome to the FUTURE. It's theirs.

Clouds - Gothic

Clouds - (9600) 1991 UB

Clouds - Uiqwenmokdan

Clouds - Uondapaturu

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com