“Unwise Remix Series” has the involvement of artists which represent Synthek & Audiolouis main points of reference and inspiration, artists who acknowledged the potential of Unwise and accepted to get involved in a great re-edition of the principal cuts of the album. Tadeo inaugurates this first installment with an outstanding reinterpretation of “Thread Between Us”. Keeps the aggressive mood of the original, raising the impetus with slender hi-hats, haunting chords and devilish synthlines, all elements that clearly manifest the powerful imprint of the spanish producer. Aubrey concludes the first side with a sophisticated rework of “Broken Pad”: an unpredictable groove made of fluctuating bleeps and drums, embraced by spacey soundscapes strewn with sonic drills and fragments. Delivering the final blow on the flipside, Polar Inertia’s work can be seen more like a long journey, than an actual remix of Unwise, main track which gives the name to the album. The final 8-minutes-cut brings an extreme dose of deepness to the release, pervading it of a surreal atmosphere crossed by violent droning flashes, while from a dusty, heavily texturized basslines rises a thin but empowering beat, that finally embrace the distinctive (and desynchronized) riff from the original. A superlative gathering of styles and influences that leads Synthek & Audiolouis sound to a completely new level, giving the chance to re-study the Unwise album from different, refined perspectives.

Tracklist:
A1. Synthek & Audiolouis - Thread Between Us [Tadeo Remix] 
A2. Synthek & Audiolouis - Broken Pad [Aubrey Remix]
B1. Synthek & Audiolouis - Unwise [Polar Inertia Remix]

Mastering by Ken Karter at The Code Studio in Berlin

12" out the 9th of February 2015

www.natchrecords.de
www.behavebooking.de

B1) Synthek & Audiolouis - Unwise (Polar Inertia Remix)

CHASING THE GROOVE

Formed in Chaos

Fractured Signal breaks apart digital waves into pulsing fragments.  
Minimal techno with glitch elements and immersive tension.  

Fractured Signal

Beatport

Artefacts

"#1" by @rebarmusic, featuring the track "#1.1", will be out on January 26th through their own Rebar. More info: bit.ly/Rebar1

Info

Rebar - #1.1

After their debut album Kinship, Artefakt returns to Delsin Records with Falling Into The LIght EP. 

Releasing music since 2012, the Dutch duo continues evolving their signature sound, and their latest release is a promising precursor for the launch of their own label later this year.

Monument is excited to premiere the releases title track Falling Into The Light, combining metallic elements and rattling effects that conclude the beautiful release. 

Falling Into The Light EP will be released on 28th of May 2018.

@Artefakt-official
@Delsinrecords

Falling Into The Light

MNMT Premiere: Artefakt – Falling Into The Light

A1 / 1. If Nature Is Unjust, Change Nature
A2 / 2. Globular Hymen
B1 / 3. Science Is Not An Expression But A Suspension Of Gender
B2 / 4. And With Fire Came Disparity

Serena Butler returns to the fore with an EP for Stroboscopic Artefacts. “We Want Neither Clean Hands Nor Beautiful Souls” is a four track recording of Butler’s personal juncture with the Queerverse and his engagement in queer politics, an elaboration on the alternate freedoms and minimal politics of alienation introduced with her 2016 release on Eerie. By bringing her mission of inclusion and diversity to Lucy’s Berlin based imprint S>H/E has found a kindred spirit in the pursuit of, what SA describes as, “an incessant accretion of new ideas and new formal elements that must transcend any self-limiting expectations of genres or cliques”. This release embodies the shared revere that Butler and SA have for the subversive power of techno; or, as Butler says, “the explicit, organized effort to repurpose technologies for progressive gender political ends”.

The EP’s path begins with the opener “If Nature Is Unjust, Change Nature”, a shadowy crescendo of whispered rhythms and minimal-synth leitmotivs from alt-clones of Rrose and Second Woman grafted memories. “Globular Hymen” is the club supernova of the lot; an interstellar blizzard of layered arpeggios, which hit like the wrath of a pantheon of angry goddesses. “Science is not an expression but a suspension of gender” lays on the feel of afterlife, a dubbed-out lullaby between lo-fi drums and subtle interference patterns of noise. This is the sound of Butler getting between you and your ears; reminding you to step back from certainty and imperative judgments. Last but not least, “And with fire came disparity” unleashes a vocal swarm of declaration and rebellion. Despite the straight-forward title, this is a true Demdikesterian mutant-techno stepper, with neither clean words nor a beautiful soul.

All tracks (w)&(p) by 
Federico Cataldo u / Serena Butler ♀ 
Graphic concept by Ignazio Mortellaro [OA].
℗ & © Stroboscopic Artefacts 2018
Cat. No SA033 – all rights reserved.
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Serena Butler - "We Want Neither Clean Hands Nor Beautiful Souls" [SA033]

Rekids regular Markus Suckut drops his third album entitled ‘Heaven Is A State Of Mind’ this September.

"This album is dedicated to my mother - I will always carry you with me to show you the world. See you again in a better place. “

When not helming his own imprints, SCKT and Pattern Research, the Düsseldorf artist has been releasing on Rekids since 2015 and is now a core member of the label’s family. Earlier this year saw the arrival of ‘New Life EP’, a mesmerising release exemplary of the producer’s knack for making imaginative house and techno complete with a compelling groove. No stranger to the long player format having released two albums previously, Markus Suckut returns to Radio Slave’s label with a quality eleven track album.

From the word go Suckut’s album demonstrates his versatility as a musician, initiating with a beatless intro named ‘Escape’, before ‘Breeze’ comes into play with its skipping percussion and loopy atmospherics. Crunchy snares and crystalline synths make up ‘Sun’s Out’ whilst ‘Future Is Not Always Bright’ drives forward with its sultry low-end, ethereal pads and sci-fi bleeps, leading into ‘Take A Break’ and its medley of elaborate drums, living up to its name.

‘Above The Clouds’ is comprised of intricate notes and soothing chords whilst the machinelike ‘Orchid’ features electro inspired melodies, contrasting to the album’s title track, ‘Heaven Is A State Of Mind’, with its bumpy bass and warping textures. ‘Wonderland (Version)’ is a ghostly acid cut, moving into the syncopated and ominous ‘We Will All Disappear One Day’ and its purring bassline until a moody two-step number entitled ‘Death Is Not Final’ ties it all together with twisted sequences and trippy effects.

Markus Suckut ‘Heaven Is A State Of Mind LP’ drops on Rekids on 28th September 2018.

Markus Suckut -  Orchid

Mistress Recordings welcomes Anthony Rother, one of electronic music’s most prolific producers, who drops two records on April 15, 2019. For more than 25 years, the legendary producer from Offenbach, Germany aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

ARTIST - Anthony Rother
RELEASE - Mistress 12.5
DATE - April 15, 2019

MISTRESS 12.5 is based around the traditional 12-inch concept of various versions. It features a re-release of Rother's classic “Back Home” (2003 on Datapunk) as well as new interpretations under the title "The World Needs You" with vocal-centered versions, a never-ending acapella loop and two club edits by DVS1 – one of them as a digital bonus tracks, available here: www.dvs1mistress.bandcamp.com

More Info: www.facebook.com/Mistressrecordings

If you purchased the vinyl, just send a photo of yourself holding the record and you'll also get the download codes of entire release!

Contact: 
sebastian@hushsound.com

A2. Anthony Rother - The World Needs You (Vocals) (SNIPPET)

TO DOWNLOAD THESE TRACKS AND FOR MORE EXCLUSIVE TURBO CONTENT, SUBSCRIBE TO TURBO AT: www.drip.fm/turbo-recordings

Tiga's Top 6 (deal with it):

1) FPU - Crockett's Theme / Seven Of Nine:

already a decade old, but these tracks still have not really been bettered when it comes to the 80's electro-techno revival of the early 00s. At the time, i was so in love with them, and they really helped Turbo grow at a critical time. Peter Benisch was a thoughtful, talented producer, and i loved all his music.

2) Martini Bros - The Biggest Fan (Blackstrobe Remix)

i remember this being one of my favorites, and a record that really marked Turbo "coming out" internationally. The original was amazing, but Blackstrobe just nailed a remix that perfectly summed up the feelings and the mood of the time. Fun, playful, vocal..... and got Ivan Smagghe on our label!!! A definitive Turbo record.

3) ZZT - Lower State of Consciousness

i tried to avoid my own records, but the fact is that this is just a ridiculously dope record: genuinely weird, undeniably powerful, and not easy to duplicate (i know, ive tried). I also like records that capture a new feeling or a new relationship, and this was the SOUND of me and Zombie Nation getting in studio for the first time. I think its one of the best we have released. yes, i am biased.

4) Panash - Jack 2 Jack (Jesper Dahlback Remix)

this is a classic Turbo formula: find an old record that you felt was underated from your personal collection, aquire the rights, and get a master like Dahlback to remix it to perfection. The early years of Turbo would never have been the same without Jesper, and this was one of the first tracks that got us global cred.

5) Moby - I Like To Move In Here (Proxy Remix)

first off, having a big international name like Moby on the label felt legit, but thats not why i chose this. I picked it cuz for many years Proxy was THE go-to guy for total nu-jack-rave mastery. Yes, "Raven" was bigger, but i always felt this remix was incredible, with a deep and unique understanding of techno-funk. still sick. always dope. he still has never been beat.

6) Clouds - Consciousness

of the techno renaissance era tracks of the past few years, this one stands out for two reasons: first, because its a truly special techno anthem, and i think arguably the best techno record we ever released. second, because it marked a continued commitment to an artist and their development: Clouds were my fave from day one, but they just got better and better, and worked closely with me and my brother......and that feels like REAL label progress.

Consciousness EP

Clouds - Consciousness

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com