"One of the best techno full-lengths of the year"
- Resident Advisor
"9/10 Album of the month"
- Mixmag

Just a few years into their career, CLOUDS have already been playlisted and supported by some of the most respected heavyweights in electronic music. At 21 and 22, these Scottish prodigies have already developed a sound that has made fans out of Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore - a cross-section that reflects the range, quality and inventiveness of their music. All this attention through a rapid-fire succession of four singles on Tiga's Turbo Recordings. But these were mere club bombs: now the kids have grown up.
TURBO presents their debut album – GHOST SYSTEMS RAVE – an immersive 14-track journey into the heart of Techno's Future. This record should put CLOUDS in the ranks of the elite UK techno vanguard. Comparisons to the work of Blawan, Zomby, Actress are justifiable and inevitable. What is critical - and hopefully obvious to the careful listener - is that none of this is derivative. That these connections will be made simply speaks to the level of artistry on display, as opposed to any specific tricks, sounds or motifs. Wherever they try their hand, they find an original way forward. For instance, when they take on HARDCORE on the awesome FUTURE 1 and FUTURE 2, it is their own private resurrection of the spirit nexus heyday of early 90s UK jungle and techno, a historic time that also literally birthed both Liam and Calum. This is the sound of rave's undertow, dredging up toxic grit and grime, as well as beautiful shards and glimmers.
Almost nothing on this record is obvious. The melodies never resolve. The vocals are consistently unintelligible. The drums are at once dirty, punchy, and repetitive, but never too abrasive to put you off. The bass growls. Textures breathe, brush, grate and glisten. Everything sounds as though it exists in an alien world of impossible dimensions, complete with its own physics, logic and secrets. 
This record is more than fully formed. It's perfect. Made in a few weeks of total isolation in a barn in Scotland by two kids with a laptop and total conviction. Welcome to the FUTURE. It's theirs.

Ghost Systems Rave

Clouds - Future 2

𝐏𝐫𝐨𝐧𝐨𝐮𝐧𝐜𝐞𝐝 <𝐝𝐞𝐞 ★ 𝐦𝐢𝐥 ★ 𝐥𝐞𝐧>

Parcero
&
Queer

👑 引きこもり 
◇Room Keys◇ ♤Cybervamp♤
           ☿☿☿ ☿☿☿ ☿☿☿  ☿☿☿ ☿☿☿ ☿☿☿ ☿☿☿
#𝕭𝕽𝕲 
♥かわいい BASS♥ ( ′︵‵。)
!空! :D:D
MIA to Osaka

OpenEnd is the alias and creative project of multidisciplinary artist Reece Anderson (he/him), a producer, DJ, designer, and curator with over 15 years of contributions to scenes in and around Calgary, AB (Treaty 7 Territory) and the Sunshine Coast, BC (shíshálh, skwxwú7mesh, Tla’amin, and Klahoose Nations). 

Drawing from both sides of the Atlantic, his sound explores the space between organic and synthetic rhythms. Fusing themes of d&b, half-step, autonomic, techno and breaks into immersive atmospheres. In addition to performing at notable events like Bass Coast, Shambhala, Sled Island, AEMCON, his productions have received backing from musicians like dBridge, Om Unit, and Sun People.

https://linktr.ee/openendmusic

Contact:
openendmusic@gmail.com

Released tracks on :
@khazadrecords
@gombocrec
@themeaningofrave
@ArkhamXXX
@obscuurrecords
@motztechno
@expelyourdemons
@decoy-records
@feverrecordings
@mephyst-label
@unusual-records
@eclipse_recordings

For bookings and inquiries :
→ slvstr.kevin@gmail.com
→ via Soundcloud or Facebook

Mixing since 2010, producing since 2014. Member of the @OwlsOfFilth

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

Experimental electronic music & homemade visuals
A.k.a. Dephrax