ya ebu

Techno

techno

Kim'Z Tune'Z (43 )

Favs

TAKAAKI ITOH-Live At <KLUBNACHT>Berghain.Berlin.Germany.13.7.2013

Bring

Bandcamp: www.nachtstromschallplatten.bandcamp.com/
Beatport: www.beatport.com/label/nachtstrom…allplatten/10259
Deejay: www.deejay.de/Nachtstrom_Schallplatten

[NST080] Björn Torwellen - Metacollapse (Album Preview)

After midnight

Nic Fanciulli at Awakenings ADE (16-10-2013)

SoundCloud: @soundcloud.com/awakenings
Facebook: www.facebook.com/awakenings
Website: www.awakenings.com/

Nic Fanciulli at Awakenings ADE Cadenza 16/10/2013

Kraak&Smaak - Love Inflation Feat. Janne Schra (Baskerville Remix)

Blawan - Shader

Wadsworth - Lime and Pink (Original Mix)

Music Man Records - MM141D


get it here: http://www.beatport.com/track/lets-get-over-it-feat-justin-chapman-marcel-dettmann-remix/655765

Deetron feat. Justin Chapman - Let's Get Over It (Marcel Dettmann Remix)

MTD - Eisen [CRS021]

DRH - CRS 3.0

1. battle of zama
2. battle of cissa
3. battle of rhone crossing (rraph edit)
4. battle of rhone crossing (silvision edit)


Rraph & Silvision (hannibal's crossing the alps ep) snippets

Blawan - Why They Hide Their Bodies Under My Garage

mornig coffe rework, made this for my dj sets

share some feedback if you dig!

join : http://www.facebook.com/pages/Disco-Tech-Edits/217398738301224

Evelyn "Champagne" KIng - Love Come Down (Disco Tech Edit)

Found this goin thru my hard drive, one of my first edits..


Ann Peebles - Run Run Run (Disco Tech edit)

A1 // SPOOCK 
A2 // STYLISED & DESENSITISED 
B1 // SPOOCK (LUCY REMIX) 
B2 // NO NAME

KILLEKILL 012 is being delivered by Dubliner EOMAC, aka Ian McDonnell, aka half of LAKKER, who has proven himself as one producer to watch. His sound design is extreme and unique. He creates dense atmospheres and fills them with subtle melodic elements, that are being pushed forward by heavy basslines and markable kick drums. With club play by no less than Aphex Twin, EOMAC is a name that is on the verge of exploding onto the scene.
The title track SPOOCK is a killer of a techno track, that will literally destroy all dancefloors with its mental kickdrum and psyched out melody.
A2 track STYLISED & DESENSITISED is the track that has been played out by Aphex Twin. With its dark atmosphere and the subtle groove it develops its abstract appeal.
The B-side starts with a remix of SPOOCK by Stroboscopic Artefacts label boss LUCY who took away some of the aggressiveness of the original and focussed on the deeper side of the track to turn it into an almost 9 min long techno epos.
B2 track NO NAME is a deep, bass driven masterpiece of abstract dance music. It shows the introverted side of EOMAC and therewith gives the EP what it needs to make it an outstanding, typical KILLEKILL release.



release date: 
08.04.2013 (vinyl) 
22.04.2012 (digital)

Available at your local record shop or through our webshop at www.killekill.com

KILLEKILL 012 | EOMAC - SPOOCK (incl. Lucy remix) - snippets

AA - Pedestrian - Ndizi

"One of the best techno full-lengths of the year"
- Resident Advisor
"9/10 Album of the month"
- Mixmag

Just a few years into their career, CLOUDS have already been playlisted and supported by some of the most respected heavyweights in electronic music. At 21 and 22, these Scottish prodigies have already developed a sound that has made fans out of Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore - a cross-section that reflects the range, quality and inventiveness of their music. All this attention through a rapid-fire succession of four singles on Tiga's Turbo Recordings. But these were mere club bombs: now the kids have grown up.
TURBO presents their debut album – GHOST SYSTEMS RAVE – an immersive 14-track journey into the heart of Techno's Future. This record should put CLOUDS in the ranks of the elite UK techno vanguard. Comparisons to the work of Blawan, Zomby, Actress are justifiable and inevitable. What is critical - and hopefully obvious to the careful listener - is that none of this is derivative. That these connections will be made simply speaks to the level of artistry on display, as opposed to any specific tricks, sounds or motifs. Wherever they try their hand, they find an original way forward. For instance, when they take on HARDCORE on the awesome FUTURE 1 and FUTURE 2, it is their own private resurrection of the spirit nexus heyday of early 90s UK jungle and techno, a historic time that also literally birthed both Liam and Calum. This is the sound of rave's undertow, dredging up toxic grit and grime, as well as beautiful shards and glimmers.
Almost nothing on this record is obvious. The melodies never resolve. The vocals are consistently unintelligible. The drums are at once dirty, punchy, and repetitive, but never too abrasive to put you off. The bass growls. Textures breathe, brush, grate and glisten. Everything sounds as though it exists in an alien world of impossible dimensions, complete with its own physics, logic and secrets. 
This record is more than fully formed. It's perfect. Made in a few weeks of total isolation in a barn in Scotland by two kids with a laptop and total conviction. Welcome to the FUTURE. It's theirs.

Ghost Systems Rave

Clouds - Uiqwenmokdan

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com