TECHNO

minimal

TURBO 071
PROXY
WHO ARE YOU? / 8000
 
NEW PROXY SHOE-BANGERS. WHETHER YOU LIKE IT OR NOT, HISTORY IS ON OUR SIDE. WE WILL BURY YOU.

Turbo 071 - Proxy - Who Are You

techno +minimal+ classics

Ace Ventura - Presence (Brauherren Remix ) MASTER MP3

http://www.beatport.com/track/the-falcon-the-advent-and-industrialyzer-remix/5004405

25 Years (The Reworks)

Marco Bailey - The Falcon (The Advent & Industrialyzer Remix)

If you like it feel free to download, share and do all this kind of stuff.



End of Night

@comah

<a href="https://theartistunion.com/tracks/793ec7" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

FREE DOWNLOAD

Comah - Nanosuit (Original Mix) ★ TOP #69 Minimal

My remixes of Sterac's classic Thera, typical "classic" detroit techno feel.
Due to be released on 100% Pure summer 2012

Sterac - Thera (2000 and One Classic RMX)

Big tune with an amazing remix package! Release date: 6th of september 2010

1 Hey Today! - Strange (Original)
2 Hey Today! - Strange (Boris Dlugosch Remix)
3 Hey Today! - Strange (Polymorphic Remix)
4 Hey Today! - Strange (Munk Remix)

http://www.lektroluv.be
http://www.myspace.com/heytoday


Live At Lowlands

Hey Today! - Strange (Polymorphic Remix) LL34 preview

out on BPitch Control
get it here: http://www.beatport.com/track/go-marcel-dettmann-remix/404188

Ellen Allien - Go  (Marcel Dettmann Remix)

makau & kagl - the white rabbit (unique repeat rmx) sc cut

2013
https://aaren-reale.bandcamp.com/
https://www.facebook.com/AarenReale
https://www.youtube.com/user/AarenRealeOfficial
https://www.deezer.com/fr/artist/1968761

DOWNLOAD IT NOW!!!

Drop It

TWIN TURBO - HARVARD BASS - CREAM

Twin Turbo creams all over the dancefloor with the latest release from Harvard Bass. Featuring a remix by Ambivalent.

For his second release on Twin Turbo, San Diego's Harvard Bass whips the cream right out of dancers' jeans, which seems like something that should appeal to pretty much everyone, including the big-name DJs (Tiga, Brodinski, Zombie Nation) who privately chart his every move.

First, the title track walks right in and kicks you repeatedly in the toms, bringing the bass and party bleepin' that's become as cherished a part of our cultural fabric as the acoustic guitar or the air horn. With its infectious, sped-up hip-hop vocal, "Cream" could become the biggest track in the world, or something you play for friends for the first time for the next 20 years. It's not  for us to dictate the life of our artist's work, only to shove it into the waiting arms of any weirdo with five euros and a GMail account. Meanwhile, the narcotized vocal sample on "Pimps" promises listeners "everything they want in life," and delivers with the kind of clap workout they've been dreaming of since the moment of conception.

For the remix, we looked to someone to whom it seemed wise to look. With releases on M-nus and Plus 8, multiple collaborations with Alexi Delano, and remixes for the likes of Plastikman, Berlin-based American Ambivalent was, we felt, an inspired and courageous choice to take on as balls-all-over a track as "Cream." And what he delivers is perhaps the greatest marriage of German tech precision and Florida bass energy since Volume Four of the Orlando-Munich Connection comp series.

Twin Turbo - big-room anthems in the name of Truth, Brotherhood, and Inclusionality since late-mid-2011.

Twin Turbo 017 - Cream

Havard Bass - Cream (Ambivalent Remix)

Who Are You? / 8000

Proxy - Who Are You

Proxy - Who Are You  (Bloody Beetroots Remix With Voices)

Proxy - 8000

Best Of...Remixes

Who Are You? (The Bloody Beetroots Remix)

Proxy - Who Are You  (Bloody Beetroots Remix)

Proxy - Who Are You  (Polymorphic Remix)

TURBO 070
TIGA
BEEP BEEP BEEP REMIXES
 
Beep Beep Beep. Remix Remix Remix!
 
On the A-side, the Loco Dice Dub is a perfect set-builder, one of his best remixes to date. Purist Loco fans might also be happy to hear that Tiga's vocal has been 99% extracted from this version, leaving behind only the echo of disco-pop in a solid, DJ-friendly groove.
 
Kaine's mix keeps things closer to the original, emphasizing the pop punch-lines with staccato beeps and a chunky beat. Positive vibes here from a bright young UK producer.
 
Finally, space-disco maestros Emperor Machine turn in another epic roller complete with a brilliant analog synth jam finale.
 
Great job!
 
BUT... the original is still the best.
 
Ciao!

Tiga - Beep Beep Beep (Loco Dice Dub) 2

Turbo CD 028 Jori Hulkkonen MAN FROM EARTH
The world we live in, on a very fundamental level, is flawed.  On the eve of my tenth album release I'm still writing my own bio and wondering if I should refer to myself in third person, analyze the past 15 years and justify bad career moves as artistic integrity, and promote myself as the unsung hero of techno and house; a mere victim of poorly timed strokes of genius (numerous!) and being born in the wrong part of the world.  Well, sarcasm never really did become me, and irony works only if unnoticed. Double fail.  It's easy enough to google up some old Jori Hulkkonen bio with real biographical info, or check out my discography from my website so I'll spare you the boring details of my "career".  Ever since the late 80's when my obsession with all things music started to manifest itself with an increasingly verstaile record collection and eventually some synths and experiments in songwriting, it has been quite clear to me that I'm destined to create my life's work within the business. The problem is that as an idealist cynic with tight grip on realism I'm well aware that 'the biz' is a sinking ship more or less, and I'm already dancerously close to the waterline. But the good news is that I stopped caring.
Here's why:
Having released my first proper artist album in 1996 for the French label F communications (defunct now since 2008, with my album "Errare Machinale Est" as their final release -coincidence?), I've managed to do something I never thought would be possible, something that I'm the most proud of all things in my career: never becoming popular.  After nine albums, dozens of pseudonym releases on superhot labels (like Rekids and Get Physical just to mention a couple from the past few years), close to a hundred remixes, my own radioshow on national radio for more than a decade (in Finland though, so it may not count), thousands of DJ gigs all over the world under my belt (OK I never actually counted but a quick calculation tells me it must be close to 2000 now), producing and writing songs for the likes of Tiga (whom I created in the first place), and having a reputation as a producer who can make an 808 kickdrum sound like a jazzy flute, you'd expect that there was a time when I was The Shit. But I never was!  Sure enough there's a lot people who never were "big", but are they still working? Releasing albums, singles, getting remix requests and DJing all over after 15 years? No. But I am. And this I see as my greatest achievement and there's a lesson to be learned everyone: If you never become trendy it's impossible for you to become untrendy.  Will all this change now though with my hotter than hot new album on Turbo, or the buzz around my Acid Symphony Orchestra (a piece I wrote for ten tb-303's and a 707, conducted by me)? Or the rumoured collaboration with Chris Lowe of the Pet Shop Boys?
It remains to be seen but I'm dedicated to give my best shot to not let it happen.
Man From Earth, my tenth studio album, is the first "Jori Hulkkonen" album not released on the now defunct F communications.
How will this change of label affect my sound? Is this the end of ballads, jazz and ambient? Of course not -not even for me - but the album is a deliberate (as in not forced) departure from the bedroom vibes with focus on jams for the dance crowds.
Recorded at my alppIVhouz studios, most of the tracks were intended for 12" singles so they are not album tracks as such, therefore the album is maybe not as coherent and subtle as some of my previous efforts. But what it may lack in atmospheric synthpads, "scandinavian mooddesign" and social commentary it makes up in catchy basslines, sizzling hihats and semi-danceable tracks.


Jori Hulkkonen - Undercover ft. The Dove

Jori Hulkkonen - I Dance To Your Bass My Friend

Jori Hulkkonen - Bend Over Beethoven

Switch Your Habits (preview)

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com