Dropped this today at The Nugget in Long Beach! Enlightening the masses one small venue at a time.

my favorite part, digging the vocals here.

Turbo Recordings

Programmed

Bug In A Bassbin

Partys Over Earth

ZZT - Vulkan Alarm

“‘Underground’ by Cam Wick is a dark, driving tech house track featuring a heavy, thumping bassline, gritty underground energy, and powerful, commanding vocals. Perfect for late-night club sets, warehouse parties, and fans of high-intensity dance music.

FREE DOWNLOAD

Underground (Radio Edit)

block part x swimming pools kendrick.mp3

Borderline

Stay

The Night

The Night (Marc Houle Remix)

We Dance

Time To Bump

Together We're Strong

Nenekri (Mickey Moonlight Remix)

Alex Ridha—better known to the world as BOYS NOIZE—has been making electronic music and working as a DJ for over half of his life, which is no small feat considering that Ridha is currently only 29 years old. As a DJ, Ridha has established himself as one of the world’s preeminent wizards behind the DJ decks, having played some of the world’s biggest stages alongside some of the biggest names in dance music. As a recording artist and a producer, Ridha has created his own sound, and pioneered his own brand, amassing a formidable body of work in the process. He has released two albums (2007’s Oi Oi Oi and 2009’s Power) and countless singles as Boys Noize, as well as doing profoundly influential work as a remixer and a producer for everyone from Depeche Mode, Feist, Daft Punk to David Lynch and Jarvis Cocker. He has also collaborated extensively with Erol Alkan and Mr. Oizo (on a project called Handbraekes). At a time when most of his peers are just beginning to make a name for themselves, Ridha is already a proven industry veteran whose talents as a musician, a DJ, and label curator pretty much ensure that he never stops moving, playing, and creating. It’s a situation that should only become more hectic with the release of his third long-player, Out of the Black, this fall. 

“It was hard for me to put together a new album because I basically never stop playing shows,” says Ridha, “So last year, after spending nearly two years working as a producer on records for Gonzales, Spank Rock, Santigold and the Scissor Sisters, I finally took some time off to just work on my own stuff. I had almost forgotten how nice it was just to be at home in my own studio. It felt really good.” 

The raucous, schizophrenic sound of Out of the Black--much like previous Boys Noize records--has more to do more with Ridha’s attention span as his choice in gear. “I get bored really easily with sounds,” he explains, “The exciting part for me is trying to come up with new sounds, putting new sounds in a new dress. I’m sound obsessed. I buy a lot of machines and synths, and I’m always looking for a way to destroy sounds in an unconventional way. I’m always drawn to music and productions that sound entirely different or really naïve or sometimes just stupid. I don´t like it when it sounds too clean and generic, there needs to be some sort of soul. I guess that explains a lot about my sound which I think I instinctually capture. But I do try to keep in mind what I loved about dance music when I started doing this and how it made me feel. Those thoughts were also very much on my mind when I was making this record.”

The new album nicely bridges the gap between his previous two efforts; providing the requisite in-your-face electro bang of classic Boys Noize on tracks like “What You Want”, “Rocky 2” and “XTC”, or more melodic songs like "Ich R U“ and “Reality“. At a time when mainstream electronic music—particularly the pervasive cultures of EDM and dubstep—have moved dance music out of the clubs and into the stadiums, Ridha is quick to acknowledge the old school house and acid records that shaped him as a DJ; the very same records that continue to bubble up as an influence on Out of the Black. 

“I was playing music ever since I was a kid,” explains Ridha, “I played drums in bands for years, and before that I was around 10 when I would record myself on cassette tape playing songs on a keyboard and singing in German. I started to DJ when I was fourteen and I immediately got really addicted to buying vinyl. I had to hold down two jobs in order to pay for my records. The feeling I had playing records and making people dance was the same kind of feeling I got from learning how to use a sampler and make beats. At the time, I didn’t know anyone else who was a DJ and all my friends thought the music I loved was weird. There was no big culture for it then, but to me it was just the most fun in the world…and it still is. I just learned it by doing it…and that is still kind of my approach.”

Besides his role as a DJ and producer, he is also the heart of Boysnoize Records, the label that Ridha started back in 2005. Founded originally as a means to get his own music out into the world, Boysnoize Rec.—and it’s sub-label, BNR Trax—is now home to more than a dozen artists (including up-and-comers like Spank Rock, 17-year old SCNTST, Le1f, Strip Steve, Housemeister and Siriusmo) and responsible for almost 100 releases while remaining 100% independent.

“Everyone has their own sound” says Ridha. “It´s kind of a non-conformist DIY collective, multidirectional and escaping any ill-fitting genre pigeonholes. This inspires me, that´s why having a label is so great. That’s the kind of stuff I want to support”. 

“I never compromise when it comes to creative or musical things,” says Ridha. “I only do what I think is cool and what I like. It’s not about what the market wants or what people expect. Maintaining artistic freedom has always been the most important thing to me — for my own music or for anyone on my label.”

Despite his ever-expanding label roster and the increased demand for his time, both as a producer and a remixer, Ridha’s primary loves continue to be the twin pursuits of making and performing music—two activities that continue to provide the same charge they did back when he was just a kid back in Hamburg. In addition to his label duties and endless DJ gigs, Ridha is looking forward to bringing a more “official” Boys Noize show to the masses in support of Out of the Black. “I have played at pretty much every music festival in the world,” he says. “I was happy with just being able to show up with my CDs and play. I never really thought about having an actual production. I always figured that in the end the music was the only message that was important. I still do believe this, but now I feel like presenting a show that’s specifically about my own music. I really want to give people a concert, you know? It’s also a way for me to keep this interesting. I don’t want to ever feel like this is a job. That would be boring. And weird.”

As for the title of his new record, Ridha explains that this music isn’t coming from out of the blue. In fact, it’s the opposite. “I tend to make and produce music only at night,” he says. “I also generally only perform at night, so this is music that’s coming totally out of the black. Also, they say the color black can absorb all other colors, which is a cool way to think about making music. You absorb every other kind of music—every possible sound—and what comes out of you is something new, something out of the black.”

OUT OF THE BLACK OUT ON BOYSNOIZE RECORDS | on OCT 8th 2012


Stop

Renaissance warmly welcome a true master, François Kevorkian aka François K, to ‘The Masters Series’. Regarded as one of the forefathers of house music, his career started in seminal clubs such as the Paradise Garage and Studio 54 before developing into a remixer (Prelude Records), producer and record label owner (Wave Music). However, DJing is François K’s first love and this ‘Masters Series’ brings together the many styles and genres of club music he represents over two perfectly mixed discs.

“Over the years, my approach in putting together a DJ-mixed compilation has been to use it as a way to share and express where my head lies musically. Instinctively feeling that this would be giving the listener an intimate look at what has me truly excited at that particular moment, but also with a view to create something that can be appreciated for a long time.  As I often do, and rather than trying to remain monochromatically fixed on one specific genre, the aim here has been to take the listener through a condensed version of the same kind of musical journey that I naturally go on when playing an extended all-night set at a club. Most of the songs I have selected here are ones that I have been steadily playing and getting good reaction on, which gives me confidence that they will stand up to repeated listening. As well, a select few of them have not been heard anywhere else yet and are exclusive to this package. I came to fall in love with a number of these when first hearing them played by some of my uniquely talented fellow DJs; others came as recommendations from friends who work at record stores, all of whom I have to thank for the inspiration and kindness. Such is the power of today's electronic music: constantly evolving, recombining into new forms, then being shared and celebrated on dance floors across the entire planet. I hope that you enjoy this musical trip as much as I did while creating it.” - François K. New York City, March 2013

The first mix moves effortlessly from soulful Berlin production/DJ outfit Jazzanova to deeper dub-inflected sounds by Anton Kubikov via no-nonsense house and into dubstep escapism by A Made Up Sound, Objekt, Blawan and (an as yet unreleased track by) Scuba. The second mix dives deeper into classic house vibes before exploding with percussive techno and deep, punishing 4/4 featuring tracks from Luca Bacchetti, Delano Smith, Adam Beyer & Alan Fitzpatrick. It closes in blissful Balearic style with Chronophone’s ‘Eiffel Love’. The mix also includes two new, exclusive tracks by Mr Kevorkian himself: ‘Mystic Lady’ and ‘Dark Magic’.

François K’s career has spanned NYC clubbing history: from the seminal days of disco, playing with Larry Levan, house institution Body&SOUL and - having just celebrated its 10th anniversary in March - his weekly Monday night Deep Space NYC. It’s extremely eclectic format ranges from spaced-out techno to the deepest reggae, dubstep, hip-hop as well as drum & bass, house music and disco. In 2005, he was inducted into the Dance Music Hall of Fame as both a remixer and DJ. Kevorkian now tours the world, taking part in many music gatherings, such as the Sónar, Global Gathering, Exit Festival, Bestival and Electric Picnic. With over 35 years experience of creating magic on the dancefloor to draw on, François captures his most recent flavours of inspirational club music in Renaissance’s latest edition in ‘The Master’s Series’.

15) Blawan - 6 to 6 Lick

remixed by PARADE in Paris

say hello http://www.soundcloud.com/callofparade
infos https://www.facebook.com/callofparade

LAURENT GARNIER "Jacques in the box" REMIXES ep 
includes rework from BRODINSKI & GESAFFELSTEIN

available on iTunes https://itunes.apple.com/fr/album/jacques-in-the-box-single/id615555481

12" out April 1st

iTunes link

LAURENT GARNIER feat. L.B.S crew "Jacques in the box" PARADE remix

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

ZZT - Vulkan Alarm

Turbo Recordings

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